PR CARNET WORLD ®️

PR Carnet World Magazine April–May 2026 Issue 12 In a world saturated with endless streams of information, images no longer simply document reality — they shape perception, memory, and collective consciousness. Every frame carries the power to reveal what societies choose to confront, and what they prefer to silence. The camera has become more than a technological tool; it is now a cultural witness standing between truth, narrative, and interpretation in the digital age. As media, artificial intelligence, and visual storytelling continue to evolve, the responsibility of communication grows deeper. The future of journalism, public relations, and global media depends not only on what we create, but on what we decide deserves visibility. Because long after headlines disappear, visual memory remains — reminding the world that every perspective carries the potential to influence history. @gokhancolakfounder @semfrau @tugbabahar @no_fame_no_fortune @joaocostaooficial @doroguzenda @edkashi @efiumi @kellymasonofficial @katjafasink @tugcebidav @prof_bennett @jamesgrunig @dejanvercic @shahira.fahmy1 #media #cinema #communication #artificialintelligence #culture

An interview by Science and Culture Journalist, Graphic Designer, Editor, and Founder of PR Carnet and PR Carnet World Magazine, Gökhan Çolak, with Film Director and Cast Coordinator Frida Di Dio on “The Art of Filmmaking: Frida Di Dio Cinema on Il Figlio Di Tarzan” is now available on prcarnetworld.com /2026/05/09/the-art-of-filmmaking-frida-di-dio-on-cinema-and-il-figlio-di-tarzan/ The link is in our story. 😊 @gokhancolakfounder @friedadi.dio @prcarnetworld

The Art of Filmmaking: Frida Di Dio on Cinema and Il Figlio di Tarzan Interviewer: Gökhan Çolak @gokhancolakfounder Interview Guest: Frida Di Dio @friedadi.dio This interview with Frida Di Dio highlights the emotional and human dimension of contemporary independent cinema. Through her reflections on the documentary Il Figlio di Tarzan, the director explores themes such as memory, loss, grief, and resilience from a deeply personal perspective. Her connection with an elderly fisherman in Southern Italy became the emotional foundation of the film, revealing cinema not only as storytelling, but also as a form of witnessing real life and human experience. One of the most striking aspects of the interview is Frida Di Dio’s approach to cinema through emotion and atmosphere rather than pure visual aesthetics. Influenced by directors such as Sergio Leone, David Lynch, and Giuseppe Tornatore, she creates a cinematic language where realism and poetry coexist. Her statement, “cinema is not only about controlling reality, but also about listening to it,” perfectly summarizes her artistic vision and auteur identity. The interview also offers an honest look into the challenges of independent filmmaking, from financial limitations to preserving creative freedom. Yet despite these difficulties, the overall tone remains hopeful, emphasizing cinema’s power to create empathy, preserve memory, and give visibility to unseen lives. In this sense, the conversation becomes both a portrait of a filmmaker and a reflection of the fragile spirit of modern independent cinema. #fridadidio #ilfiglioditarzan #independentcinema #auteurcinema #theartoffilmmaking

PR Carnet World Magazine Founder Gökhan Çolak's interview with Jessie Krahn, a PhD student in Cinema and Media Studies, writer and editor, is now available on prcarnetworld.com. /2026/05/05/circulation-of-knowledge-transformation-of-culture-the-future-of-authorship-in-digital-media-with-jessie-krahn/ #digitalmedia #digitalculture #authorship #writer #author

The Construction of Meaning in Cinema: Visual Narrative, Atmosphere, and the Spectator Relationship in the Cinema of Livia Oya Proto Interview Series: Beyond the Frame: A Journey into Cinema, Storytelling, and the Depths of Human Experience Interviewer: Gökhan Çolak @gokhancolakfounder Interview Guest: Livia Oya Proto @livia.proto Livia Oya Proto’s cinema emerges as a form of expression grounded more in perception than in conventional narrative. For her, cinema is not only about telling stories but also about a process of discovery, inviting the viewer into a sensory and intuitive experience rather than directing them toward fixed meanings. Concepts such as memory, time, and the unconscious occupy a central place in her film language. Within this approach, reality is not stable but fluid and multilayered; meaning is constructed not through traditional narrative structures but through atmosphere, rhythm, and image. In Proto’s aesthetic framework, atmosphere is not merely a background element but an active force within the narrative itself. The balance she establishes between minimalism and stylization opens up both emotional and intellectual space for the viewer. Positioned between Fellini’s dreamlike world and Antonioni’s existential minimalism, her cinematic language deepens through symbols and visual metaphors. Recurring images and objects become tools that intensify meaning, allowing themes such as the transience of beauty, the fragility of identity, and the transformative nature of time to unfold in layered ways. In her approach to character, dialogue gives way to body language, gaze, and silence. Through her notion of “silent yet powerful” characters, Proto aims to create an intuitive connection between the audience and the inner worlds of her characters. This approach relies on trust and rehearsal in directing actors, enabling even the smallest gesture to carry significant weight. Ultimately, her cinema does not impose a single interpretation but leaves space for multiple meanings, turning each film into a dynamic encounter shaped by the viewer’s personal experience. #liviaoyaproto #cinema #filmdirector #screenwriter #prcarnetworld

Circulation of Knowledge, Transformation of Culture: The Future of Authorship in Digital Media with Jessie Krahn Interview Series: The Future of Cultural Production: Knowledge, Narrative, and Conceptual Media Interviewer: Gökhan Çolak @gokhancolakfounder Interview Guest: Jessie Krahn @superbutterwithpopcorn Jessie Krahn emphasizes that authorship on social media is no longer a singular or stable authority, but is continuously reshaped through the dynamic relationships between writer, audience, and platform. According to her, meaning-making depends not only on the creator’s intent but also on audience interaction and the economic-political structures of platforms. In this sense, authorship becomes a contradictory process that moves between individual creation and collective, circulating cultural forms. Krahn argues that audience participation does not always lead to democratization; instead, it often places continuous pressure on creators to remain accountable. Digital platforms tend to obscure creative labor while increasing the risk of economic exploitation by large corporations. At the same time, the circulation of academic knowledge on social media weakens traditional authority, expanding access to information but also introducing issues of distrust and superficiality. Addressing the relationship between cinema and digital media, Krahn analyzes the body, emotion, and viewer experience, particularly through horror cinema. She highlights how somatic elements like “breath” carry both aesthetic and political meaning, becoming even more significant in the post-pandemic context. Overall, Krahn suggests that the digital age fundamentally transforms authorship, authority, and audience relations—not as a clear form of liberation, but as a complex and often contradictory process. #authorship #digitalmedia #culturalproduction #cinema #aesthetic

This interview series, titled “Rethinking Digital Culture: From New Media to AI, Algorithms, and Cultural Analytics,” offers a comprehensive intellectual exploration of the rapidly evolving dynamics of digital culture, centering on an in-depth conversation with Lev Manovich. Spanning from new media theory to artificial intelligence and algorithmic systems, the discussion questions whether existing theoretical frameworks remain adequate for understanding today’s digital landscape, while also examining whether platform culture represents continuity or a fundamental rupture. From the ideological dimensions of social media interfaces to their influence on cultural production, the questions aim to reveal the often invisible structures shaping the contemporary digital ecosystem. The interview further engages with the impact of cultural analytics, big data, and AI-driven production processes on aesthetics and creative agency. Through concepts such as “scroll culture,” speed-driven consumption, and micro-authenticity, it reconsiders digital aesthetics, while also addressing critical issues like the instability of digital archives, cultural memory, and the increasing convergence of media fields. Ultimately, this series not only analyzes current digital practices but also proposes a strong conceptual framework for understanding the future of cultural production. The interview will be published soon on the PR Carnet World magazine account and on our website, prcarnetworld.com. Interviewer: Gökhan Çolak, Semay Buket Şahin, Tuğba Bahar @gokhancolakfounder @semfrau @tugbabahar Interview Guest: Lev Manovich @levmanovich #levmanovich #digitalculture #newmedia #artificialintelligence #culturalanalytics

In an age where art is being reshaped by algorithms, how are the notions of production, power, and value transforming? Gökhan Çolak @gokhancolakfounder engages in an in-depth conversation with Roland-Philippe Kretzschmar, @theartbystander founder of The Art Bystander, exploring the limits of being an “observer” in the art world, the intersections of media, culture, and strategy, and the tension between narrative and market realities in the construction of artistic value. The interview addresses key contemporary debates—from the evolving behavior of collectors and the role of algorithms as new curators, to the redistribution of power through artificial intelligence and the redefinition of originality—while also questioning the illusions that shape the art world. Coming soon on @prcarnetworld and prcarnetworld.com. #theartbystander #contemporaryart #culturalintelligence #artificialintelligence #algorithm

“The Construction of Meaning in Cinema: Visual Narrative, Atmosphere, and the Spectator Relationship in the Cinema of Livia Oya Proto” is the title of this interview, which aims to explore the narrative and aesthetic possibilities of contemporary cinema through the work of a young auteur filmmaker, Livia Oya Proto. The ways in which Proto constructs atmosphere, develops a visual narrative language, and establishes a relationship with the spectator form the central axes of this conversation. The questions are designed to approach her cinematic philosophy not only as a personal mode of expression, but also within a broader theoretical and aesthetic framework. In this context, the interview brings together direct references to the filmmaker’s works while opening a space for dialogue with film theory. Through films such as Mutation, And Again And Again And Again, WE, and It appeared it disappeared, recurring themes like time, transformation, ambiguity, and emotion are examined. At the same time, the discussion engages with theoretical perspectives associated with figures such as Gilles Deleuze and André Bazin. This approach seeks to move beyond a conventional question-and-answer format, offering instead an analytical reading of how meaning is constructed in cinema. Interviewer: Gökhan Çolak @gokhancolakfounder Interview Guest: Livia Oya Proto @livia.proto #liviaoyaproto #cinema #filmtheory #cinemastudies #visualnarrative

Interview Series: Sensory Cinema: The Culture of Sound Listening to Cinema: Sound, Epistemology, and The Limits of The Visual Interview: Gökhan Çolak & Arzu Karaduman @gokhancolakfounder @akrdmn Interview Guest: Salomé Voegelin @soundwords_sv Salomé Voegelin’s approach challenges the visual dominance in how cinema and knowledge are traditionally understood. Western epistemology, she argues, is grounded in seeing—separating, measuring, and classifying the world into discrete objects. Sound, by contrast, resists this logic: it is relational, simultaneous, and indivisible. A sonic epistemology therefore shifts the focus from isolated things to relationships. From this perspective, cinema becomes not a visual narrative medium but a multisensory field where connections and encounters are continuously produced. Sound does not represent the world—it actively brings it into being. This framework also disrupts established hierarchies in film theory. Voegelin rejects the idea that sound merely adds value to the image, arguing instead that film is an indivisible, multisensory whole. The spectator, accordingly, is not a passive viewer but an active, embodied participant who generates meaning through listening. Listening becomes a mode of engagement rather than simple perception. Even silence plays a crucial role: it is not absence but the opening of attention, capable of unsettling meaning and revealing what usually remains unheard. In this way, listening takes on ethical and political significance. Extending her critique to contemporary technology, Voegelin argues that artificial intelligence treats sound statistically rather than relationally, reducing it to patterns and frequencies while erasing context and embodiment. This risks flattening diversity and reinforcing dominant norms. In contrast, sonic thinking offers a form of resistance by emphasizing plurality, relationality, and lived experience, pointing toward a fundamental rethinking of cinema as a network of encounters rather than a sequence of images. #cinema #sound #epistemology #sensorycinema #prcarnetworld

Power, Perception, and Trust: The New Paradigm of Crisis Communication with Katja Fašink Interview Series: Strategic Communication Perspectives in Global Media Interviewer: Gökhan Çolak @gokhancolakfounder İnterview Guest: Katja Fasink @katjafasink The interview makes an important contribution by redefining crisis communication as a strategic leadership function shaped by power, perception, and trust. Katja Fašink draws on her roles as a CEO and communication expert to present an integrated model where leadership depends on aligning these elements rather than managing messages alone. Its significance lies in shifting the focus from communication as transmission to communication as a driver of meaning and legitimacy in complex environments. A key theme is the tension between reality and perception. Fašink explains that while perception can dominate in the short term—especially in digital contexts—long-term credibility depends on alignment with verifiable truth. This highlights the importance of balancing speed and accuracy, making truth not only correct but also communicatively effective in competitive information environments. The interview also stands out for its three-dimensional alignment model: epistemic, relational, and institutional. Its importance lies in offering both a conceptual and practical framework for crisis management, showing that failure in any dimension can destabilize communication. Overall, it positions crisis communication as an ongoing process of meaning-making and trust-building rather than a reactive reputation tool. #crisiscommunication #strategiccommunications #leadership #trustbuilding #crisisleadership

Röportaj Serisi: Dijital Çağda Halkla İlişkilerin Dönüşümü Halkla İlişkileri Yeniden Düşünmek: Küresel Dijital Çağda Düşünümsellik, Strateji ve Yeni Kamusallık Röportaj: Gökhan Çolak @gokhancolakfounder Röportaj Konuğu: Dejan Verčič @dejanvercic Dijitalleşme, küreselleşme ve yapay zekâ çağında halkla ilişkiler yalnızca bir iletişim yönetimi aracı olmaktan çıkıyor. Bu röportaj, düşünümsel halkla ilişkiler, stratejik iletişim ve “yeni kamusallık” kavramları üzerinden disiplinin nasıl yeniden şekillendiğini ele alıyor. İletişimin artık sadece mesaj iletmek değil; meşruiyet üretmek, kamusal söylemi etkilemek ve görünürlüğü stratejik olarak inşa etmek anlamına geldiği bir dönemde, halkla ilişkilerin rolü daha kapsamlı hale geliyor. Aynı zamanda dikkat ekonomisi, algoritmalar ve platform temelli iletişim ortamları, hem iletişimin doğasını hem de kamuoyu oluşumunu dönüştürüyor. Bu bağlamda halkla ilişkiler, yalnızca stratejik hedeflere ulaşmayı değil, aynı zamanda toplumsal sorumluluk, bağlamsallık ve düşünümsellik çerçevesinde kendini yeniden konumlandırmayı gerektiriyor. Disiplinin geleceği, strateji ile düşünümselliği birlikte düşünebilme kapasitesine bağlı görünüyor. #halklailişkiler #stratejiki̇letişim #dijitaldönüşüm #yenikamusallık #prcarnetdergisi