Elettra Fiumi

Welcome to the jungle. Built entirely on @figmaweave . Nodes can scare people. I get it. But simply put - once you play around with it and connect a few, the workflow runs itself. One node prompts. Another generates the shot. Another upscales it. Another animates the still. Build it with logic, for growth and options. That is how you iterate quickly, create seamlessly even the most complex scenes, and scale. For one or more characters, outfits, locations, styles and whatever you need. The newest piece: Timeline, inside the Compositor. I sequence the shots, set their duration, shape the pacing, all on the same canvas. Swap a clip, the sequence updates! Insane. No exports, no second app. Every scene is a sequence of decisions. Now they all live in one place. Get familiar with nodes and build your own workflow (link in bio). You can dive deeper at AI Cinema Substack 🍿

Curatorial Thought and the Transformation of Contemporary Art: A Conversation with Elettra Fiumi on Cultural Production Interview Series: Interviews with Curators, Artists and Cultural Thinkers Interviewer: Gökhan Çolak @gokhancolakfounder Interview Guest: Elettra Fiumi @efiumi @fiumistudios.ai @fiumistudios In this interview, Elettra Fiumi frames documentary cinema not merely as a medium of storytelling, but as a method of thinking and research. For her, filmmaking goes beyond visualizing complex ideas; it is a process shaped by long-term inquiry and critical reflection. In projects such as Radical Landscapes, her archival work becomes a space for examining the relationships between art, politics, and memory. In this sense, documentary transforms into a dynamic form of expression that both records the past and produces new meanings. Another central theme of the interview is interdisciplinarity. Fiumi emphasizes that her background—ranging from journalism to architecture, digital media, and cinema—directly informs her mode of production. She approaches archives not as static repositories, but as living, evolving structures, describing her engagement with them as a dialogue across time. Through her work with the 9999 collective archive, she reinterprets the past through contemporary questions, revealing cultural memory as a fluid and multilayered construct. Finally, under themes such as digital transformation and artificial intelligence, Fiumi reflects on how contemporary visual culture is being reshaped by new technologies. While she recognizes AI as a new creative language that expands the boundaries of visual expression, she stresses that technology alone does not generate meaning. What remains essential is the artist’s perspective and intention. According to Fiumi, the future of visual culture will be shaped by creators who can think across disciplines, engage critically with technology, and maintain a strong conceptual voice. #elettrafiumi #director #documentarycinema #artificialintelligence #digitalmedia

Like moments in a lifetime, a wild one. 🪐 Thank you @capcutapp and @dreamina for the opportunity to play, dream and create. ✨✨✨✨✨ Understanding the tools is not everything — follow on AI Cinema Substack for the context and the depth to build this new world, together. Link in bio. ❤️🎥❤️ #AIcinema #AIfilmmaking #CapCut #seedance2

A BTS of my @figmaweave ’s new Editing Timeline feature demo and deep dive on the creative process, particularly this bird project I’ve been wanting to do but just couldn’t commit to it. Follow my Substack (link in bio). Would love to hear your thoughts and what you want to read more about! 🐦 🦅

🎥 Ready to shape the future of filmmaking?⁠ ⁠ This summer, Franklin University Switzerland presents AI & Cinema Practice — a unique course where storytelling meets artificial intelligence.⁠ ⁠ 👩‍🏫 Learn from filmmaker @efiumi ⁠ 🤝 In collaboration with @fiumistudios.ai , @fiumistudios ⁠ ⚡ Explore AI tools for scripting, visuals & editing⁠ 🎬 Create your own AI-enhanced short film⁠ 🌍 Open to students & professionals⁠ ⁠ Set in Lugano, Switzerland, this hands-on experience explores both the creative possibilities and ethical impact of AI in cinema.⁠ ⁠ 👉 Learn more & apply via link in bio.⁠ ⁠ #FranklinSwitzerland⁠ #AIandCinema⁠ #Filmmaking⁠ #FutureOfFilm⁠ #AIinFilm⁠ #CreativeTechnology⁠ #StudyInSwitzerland

April brings more not-to-be-missed interviews on 15 with Fosca: April 3 — Aelita Leto, Reading Energy, Reading Time A Feng Shui master and Chinese astrologist, Aelita and I speak about her incredible journey and calling, she offers insights into The Year of the Fire Horse, and, when gently nudged, does a live reading of my chart! April 10 — Joseph Luzzi, The Innocents of Florence A formidable scholar of Italian literature, Joseph takes us inside the history of the Ospedale degli Innocenti with clarity and authority and provides a critical reading of an institution that helped redefine childhood and care in Renaissance Florence. We also talk about the future of the humanities and the enduring value of a liberal arts education. April 17 — Esther Tadjiev, In the Parlour As the founder of The Parlour in Florence, Esther has created a space that’s as much about community as it is about beauty. Esthers shares with us the behind-the-scenes story of why she founded The Parlour, her mission, and what makes it so magical and unique in the Florentine landscape. April 24 — Elettra Fiumi, The Human Side of AI Prepare yourselves, this episode blew my mind! A filmmaker working at the cutting edge of AI, Elettra brings a sharp, visually informed perspective to a conversation grounded in storytelling, culture, and the future of creative work. 🔗 in bio and story Follow, subscribe, comment & share!

🎬 AI Cinema, Workshop with @efiumi Elettra Fiumi An intensive two-day workshop exploring the creative use of artificial intelligence in cinema. Participants will work hands-on, from idea development to creating a short AI film. 📍 CYENS Centre of Excellence, Nicosia 📅 18–19 April 2026 ⏰ Sat 10:00–17:00 | Sun 10:00–13:30 🌐 Language: English 📌 Application deadline: 3 April 2026 👥 Max participants: 12 Apply through the link in bio — 🎬 AI Cinema, Εργαστήριο με την Elettra Fiumi Ένα εντατικό διήμερο εργαστήριο για τη δημιουργική χρήση της τεχνητής νοημοσύνης στον κινηματογράφο. Οι συμμετέχοντες θα δουλέψουν πρακτικά, από την ιδέα έως τη δημιουργία μιας μικρού μήκους AI ταινίας. 📍 CYENS Centre of Excellence, Λευκωσία 📅 18–19 Απριλίου 2026 ⏰ Σάββατο 10:00–17:00 | Κυριακή 10:00–13:30 🌐 Γλώσσα: Αγγλικά 📌 Προθεσμία αιτήσεων: 3 Απριλίου 2026 👥 Μέγιστος αριθμός συμμετεχόντων: 12 Κάντε αίτηση στο link του bio #CyprusFilmDays #CFD2026 #AICinema #Filmmaking

Interview Series: "Interviews with Curators, Artists and Cultural Thinkers" Curatorial Thought and the Transformation of Contemporary Art: A Conversation with Elettra Fiumi on Cultural Production Interviewer: Gökhan Çolak @gokhancolakfounder Interview Guest: Elettra Fiumi @efiumi In this interview for PR Carnet World, filmmaker and researcher Elettra Fiumi reflects on the evolving relationship between contemporary art, cinema, and digital technologies. Through questions on visual storytelling, archival research, artificial intelligence, and the transformation of cultural production, the conversation examines how interdisciplinary approaches shape contemporary artistic practices. The interview also addresses the role of museums and art institutions, the challenges faced by emerging creators, and the future of visual culture in an increasingly digital world. The interview was conducted by science and culture journalist, graphic designer, editor, and founder of PR Carnet and PR Carnet World, Gökhan Çolak. #interdisciplinarystudies #visualstorytelling #culturalheritage #newmedia #cinema

Last year I found archival images of Space Electronic, an experimental architectural club space in 1960’s Florence created by the architectural collective Gruppo 9999. Their transformation of a former car repair garage into an iconoclastic space of joy and experimentation reminded me of one of my favorite architecture projects, The Cineroleum (2010), by Assemble Studios. This self-built project transformed a petrol station into a public theater, merging the spectacle of a moving, silver stage curtain with the banality of an industrial relic in disuse, to produce a public cinema. I was curious to know how these types of spaces come in to being, and how we might think of making them ourselves, so I reached out to both Assemble and Gruppo 9999’s archivist, Elettra Fiumi. I’m now delighted to now share a conversation with founding member of Assemble, and former Loeb Fellow, Paloma Strelitz. More to follow. Thank you to Elettra Fiumi for generously granting me image credits #architecture #architecturephotography #design #designstudio #club

CHANEL Fall/Winter 2030 She’s carrying the future. She’s wearing Chanel. The most expensive ad ever made was a Chanel campaign — $33 million, Baz Luhrmann, Nicole Kidman. After @thedorbrothers made a $200 million movie with AI in a day, I made this one overnight. Chanel still doesn’t sell their shoes online. You have to walk into a boutique, be received, be seen. I’ve always loved that and their shoes. But I loved imagining what their 2030 woman looks like even more — and AI let me do that overnight. Unofficial concept film. Uninvited. Entirely AI-generated. Made as part of the @dreamina_ai (Seedream) and @CapCut creative programs with early access. — #Seedream #CapCut #Chanel #fashionfilm #aifilm

“Finding an idea is a muscle.” Grazie @paolosorrentino_real for that gym✨Trust the process by @bonnettestephania 📸: @angelsmelange

Mamma Robot has now received 4 awards ✨ 🏆 AI International Film Festival – Best AI Superintelligence Film – Best Story 🏆 Ponza Film Festival – Best Experimental Film 🏆 New York International Film Awards – Best Original Story This project was born last summer during the @nouvellebug Film Residency, and it’s been meaningful to see how far it’s traveled through festivals, conversations, and now into new work... In December, during @playlab_films film residency in Patagonia under the mentorship of @paolosorrentino_real , I began developing a new piece that continues this world. It’s not a sequel in the traditional sense, and it’s mainly live action fiction (my first time working with actors!) but part of a larger anthology I’m slowly building around technology, motherhood, archives and intergenerational inheritance. Still very much in development, but it feels good to follow the curiosity and let the work evolve organically, film by film. More to come 🌱