Pech

Johanna Charlotte Trede Edition for „Der Zeit den Hof machen“ @johannacharlottetrede

Laurids Oder Humour Collapse May 22–July 1, 2026 Opening: Thursday, May 21, 6–9 pm At the heart of it all is an effort to translate that which seems so charmingly deceitful. Pech is pleased to present an exhibition of new work by Laurids Oder. Laurids Oder (*1993, Hallein, Austria) studied at the University of Applied Arts Vienna. He has exhibited with City Galerie Wien in Vienna and Düsseldorf, Les Urbaines in Lausanne and Sihl Delta in Zurich, among others. Laurids M. Oder is a founding member of E++ as well as part of the music project UN. The exhibition is part of Independent Space Index 2026 @independentspaceindex #lauridsoder @1010auteur

Join us for the closing of „Der Zeit den Hof machen“: This Friday, 15.5.2026, 16:00-19:00 1) Johanna Charlotte Trede, a: I like weak paper 1, 2026 2) Johanna Charlotte Trede, a: I like weak paper 1, 2026 3) Johanna Charlotte Trede, a: I like weak paper 2, 2026 📷 @johannacharlottetrede

Johanna Charlotte Trede, c: ’m, 2026, Found wood, gifted wood, 61 × 150 ×13 cm @johannacharlottetrede #johannacharlottetrede As part of the exhibition Der Zeit den Hof machen at Pech 📷 @flavio_pesto

Pech is pleased to present Der Zeit den Hof machen, an exhibition of new works by Johanna Charlotte Trede @johannacharlottetrede Opening: Tuesday, April 14, 2026, 2-9 pm April 15 – May 16, 2026 Extended opening hours in frame of Klima Biennale Wien: 15.-19.4., Tue-Sun 2-7 pm 20.4.-10.5., Fri-Sat 2-7 pm Johanna Charlotte Trede is a keen observer of her surroundings. Her approach can be described as “material matchmaking.” She focuses on the most overlooked and unnoticed relationships and details—the nature of things in terms of their origin, content, and meaning. At the center of Trede’s work are the fragile constellations and moments that make contact, attention, and intimacy between things tangible. Johanna Charlotte Trede was born in Freiburg im Breisgau and completed her studies at the Academy of Fine Arts Vienna in the class for art and photography. She has exhibited works at Mumok and Musa, went to Paris on a BMKOES scholarship, and was nominated for the ZF Kunststiftung Friedrichshafen 2023. Since 2021, she has been a university assistant in Anna Jermolaewa’s class “Experimental Design” in Linz. The exhibition is part of Klima Biennale Wien @biennale.wien #johannacharlottetrede

Samuel Haitz, 69, 2026 Final Week On view until March 11 as part of the exhibition entitled "Abstraction" Thu-Sat 12-17h Große Neugasse 44/2, A-1040 Vienna #samuelhaitz Photo: @samuelhaitz

Samuel Haitz, Blowjob, 2026 On view until March 11 as part of the exhibition entitled "Abstraction" Thu-Sat 12-17h Große Neugasse 44/2, A-1040 Vienna #samuelhaitz Photo: @samuelhaitz

Samuel Haitz, Penetration, 2026 On view until March 11 as part of the exhibition entitled "Abstraction" Thu-Sat 12-17h Große Neugasse 44/2, A-1040 Vienna Photo: @samuelhaitz

Samuel Haitz, Archive (I’m not so much into superficial things, but when I close my eyes at night, all I can see is your face), 2026 Full documentation online @samuelhaitz #samuelhaitz Photos: @samuelhaitz

Pech is pleased to present Abstraction, an exhibition of new works by Samuel Haitz @samuelhaitz Opening: Wednesday, January 28, 2026 January 29 – March 11, 2026 Samuel Haitz (b. 1997) is a Swiss artist. His work deals with the legacies and concepts of artistic practice, as well as desire and its projections. He has held solo and duo exhibitions at, among others, GROTTO (Berlin, DE, 2024); Triangolo (Cremona, IT, 2024); All Stars (Lausanne, CH, 2022, with Julie Beaufils); Sangt Hipolyt (Berlin, DE, 2022); Cabaret Voltaire (Zurich, CH, 2021); and Plymouth Rock (Zurich, CH, 2019). Group exhibitions include Halle für Kunst Lüneburg (Lüneburg, DE, 2025); Good or Trash (Paris, FR, 2025); Clearing NY/LA (Basel, CH, 2025); Triangolo (Cremona, IT, 2024); Swiss Art Awards (Basel, CH, 2024); Etablissement d’en face (Brussels, BE, 2024). In 2025 he was a resident at WIELS (Brussels, BE) and was awarded the Kunstkredit Basel Prize. The exhibition was supported by Pro Helvetia, Schweizer Kulturstiftung. #samuelhaitz #abstraction

Onutė Narbutaitė, Elena’s Other Room, 2025, Original sheet music for solo guitar performed by Ayako Kaisho at Pech Final performance: Saturday, January 17, 2026, 4.30 pm @spottedraphaele @ayako_kaisho 📷 @kunstdokumentationcom

Elena Narbutaitė, Boule, 2025, IR laser, 13 x 10 x 5 cm @spottedraphaele #elenanarbutaite 📷 @kunstdokumentationcom