Perrotin Gallery

The Perrotin Guide to Venice 🇮🇹 In addition, Monira Al Qadiri will present an installation on view on the façade of San Gregorio Abbey. Maurizio Cattelan is participating in "Don't Have Hope, Be Hope," a group exhibition at Isola di San Giacomo in Venice, Fondazione Sandretto Re Rebaudengo. Tavares Strachan is included in "A Necessary Fiction: Maps, Art and Models of Our World" by the Ministry of Culture of Saudi Arabia, at Abbazia di San Gregorio. ℹ️ Save this post and click the link in bio to access all the information, as well as the program of our artists’ exhibitions in Venice. __ @labiennale @hundskogen @almaallen @fondationhartungbergman @hernanbas @julian.charriere @shimmoonseup @jr @paolapivi @gelitin_official @moniraism #Venice #Perrotin

Melanie Kress, Senior Curator at Public Art Fund, walks us through Genesis Belanger’s solo presentation at Frieze NY. The New York-based artist will open her forthcoming public exhibition in City Hall Park in NYC on June 2, curated by Kress. Come visit our booth to view Belanger’s work along with a dynamic range of works by gallery artists! 📍Booth B3 through May 17 __ @genesisbelanger @mel_kress @friezeofficial @publicartfund #FriezeNY #HeadsorTails #Publicartfund #Perrotinny

We are pleased to return to Art Dubai for the 2026 Special Edition with a collective presentation featuring established and emerging artists from the gallery’s roster. This year, the booth includes a solo corner dedicated to Lee Bae, alongside new works by Hugo Toro and Wang Fanseng presented for the first time in the region. The presentation also features works by Monira Al Qadiri, Julian Charrière, Jean-Philippe Delhomme, Mathilde Denize, Izumi Kato, Bharti Kher, Takashi Murakami, Jean-Michel Othoniel, Pieter Vermeersch, Bernar Venet, and Xiyao Wang. Discover the presentation throughout the fair! __ @artdubai #Perrotin #ArtDubai __ Installation views of Perrotin at Art Dubai, 2026 Jean-Michel Othoniel, Precious Stonewall, 2024 Takashi Murakami, Shangri-La, 2021 Lee Bae, Brushstroke A48, 2024 Jean-Philippe Delhomme, Anitra Red Legs, 2024 ©Adagp, Paris, 2026 ©2026 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Perrotin Photo: Ismail Noor Courtesy of the artists and Perrotin.

‘Il Gesto’ by JR unfolds across The Venice Venice Hotel as a site-specific installation activating both the façade and the interiors of Palazzo Ca’ da Mosto. On the Grand Canal, the building becomes a living image: faces from Refettorio Paris emerge from the windows, forming a contemporary banquet overlooking the water. Inside, the journey continues through the Second Piano Nobile. In the Grand Salon, portraits and voices come together in a collective archive where image and sound merge into a shared narrative. The experience extends into the Monumental Tapestry, woven by Bonotto, where the fleeting nature of the façade is translated into a dense, tactile composition of material and time. Across the building, ‘Il Gesto’ transforms the idea of representation into a collective act where hospitality, community and visibility become one shared gesture. On view through November 22. __ @jr @venicevenicehotel #JR #VeniceVeniceHotel #Venice __ Views of ‘Il Gesto’, a contemporary interpretation of The Wedding at Cana, JR at The Venice Venice Hotel, 2026 Textile production: Bonotto Photo: Tanguy Beurdeley Courtesy of the artist and Perrotin

Two distant voices meet across centuries in Lee Mingwei’s ‘The Copyist’s Paradox’, currently on view at Perrotin Paris through May 30. Bringing together an ancient invocation to the Moon God and a Song dynasty poem on impermanence, the work explores memory, transmission, and poetic exchange. Presented with a jade tablet, a mirror, and precious fabric, the installation invites viewers into an intimate space where distant histories become strangely close. Inspired by the tradition of Linmo, copying here is not about reproducing, but about internalizing the essence of the original. Visit the gallery to experience the performance firsthand. __ #LeeMingwei #LorsqueLaBeauteParait #PerrotinParis #Perrotin __ Lee Mingwei, The Copyist’s Paradox (Performance), 2025/2026 Performer: Jean Gabriel Manolis Courtesy of the artist and Perrotin

Discover the exhibitions by our artists currently on view in Venice 🇮🇹 From the 61st International Art Exhibition – La Biennale di Venezia to institutional exhibitions across the city, a selection of major presentations remains visible for the next few months. Highlights include Klara Kristalova at the Nordic Countries Pavilion, Alma Allen representing the US Pavilion, and ‘The Invisible Chord. Hans Hartung and Music’ at Fondazione Querini Stampalia, curated by Thomas Schlesser and supported by the Hartung-Bergman Foundation. __ Views of ‘How Many Angels Can Dance on the Head of a Pin?’, Nordic Countries Pavilion, Venice, 2026 Alma Allen’s exhibition ‘Alma Allen: Call Me the Breeze’ at the United States Pavilion, Venice, 2026 Hans Hartung’s exhibition ‘The Invisible Chord. Hans Hartung and Music’ at Fondazione Querini Stampalia, 2026 Hernan Bas: ‘The Visitors’, Ca’ Pesaro – International Gallery of Modern Art, Venice Courtesy of the artist, Lehmann Maupin, Perrotin and Victoria Miro. Photos: Andrea Rossetti Julian Charrière’s exhibition ‘Spiral Economy: Charrière and Canova’ at Museo Correr, Venice. Photo: Daniele Molajoli Copyright The Artist / VG Bild-Kunst, Bonn 2026 Shim Moon Seup’s exhibition ‘Harnessed from Nature’ at Ca’ Faccanon, 2026 ‘Il Gesto’, JR at The Venice Venice Hotel, 2026 Textile production: Bonotto Photos: Tanguy Beurdeley Courtesy of all artists, artist’s estates and Perrotin __ @labiennale @hundskogen @almaallen @fondationhartungbergman @hernanbas @julian.charriere @shimmoonseup @jr #Venice #Perrotin

Hello Frieze New York! We are thrilled to be back with a solo presentation by @genesisbelanger ahead of her first major public exhibition with @publicartfund at City Hall Park in New York City. Alongside the solo presentation, our booth features works by a range of artists on the gallery’s roster including Alma Allen, Daniel Arsham, Gabriel de la Mora, Bernard Frize, Laurent Grasso, Todd Gray, Hans Hartung, Jean-Michel Othoniel, and Emma Webster. Discover all of the artists at booth B3 through May 17! __ @friezeofficial #Perrotin #FriezeNY #Frieze __ Installation views of Perrotin’s booth B3 at Frieze NY, 2026 Emma Webster, The Last Unicorn, 2026 Hans Hartung, T1989-A13, 1989. ©️ADAGP, Paris & ARS, New York 2026. Courtesy Fondation Hartung - Bergman & Perrotin Todd Gray, Euclidean Gris Gris (Scales of Injustice, No Respect), 2019. ©️Todd Gray Alma Allen, Not Yet Titled, 2024. ©️Adagp, Paris & ARS, New York 2026. Photo: Guillaume Ziccarelli. Courtesy of the artists and Perrotin.

A gesture of friendship, a language of exchange. Pierre Soulages and Hans Hartung developed a close artistic bond after meeting in 1947, marked not only by dialogue and mutual influence, but also by personal exchanges of works and ideas. In the late 1940s, Hartung gifted two works to Soulages and his wife, while receiving a brou de noix painting in return, a work of deep personal and historical value. Together, they built a relationship where art became both conversation and connection. ‘SOULAGES-HARTUNG: AFFINITÉS ÉLECTIVES’ is on view at Perrotin Paris through May 30. __ @fondationhartungbergman @pierresoulages_officiel #HansHartung #PierreSoulages #AffinitesElectives #PerrotinParis #Perrotin __ Pierre Soulages, Peinture 202 x 125 cm, 19 juin 2017, 2017 Hans Hartung, T192-H43, 1982 Pierre Soulages, Brou de noix sur papier 100 x 75 cm, 1948 Hans Hartung, PAS-37, 1947 Courtesy of the artist’s estates and Perrotin

Sigrid Sandström has observed that ‘a haze tells you there is something behind the haze’, and contemplating the vaporous tumult of ‘Gust’, we may experience a feeling that some vital visual information has been willfully obscured. This is not the case. These are, above all, abstract works, and as such are committed to full pictorial disclosure. At the same time, and for all their undoubted poise and beauty, Sandström’s paintings have a restless quality, as though they were anticipating their own transfiguration. Like the sky, they reflect us back at ourselves. Like the sky, they do not stand still. ‘Squall’ is on view at Perrotin London through May 23. __ @sigridsandstromstudio #SigridSandstrom #Squall #PerrotinLondon #Perrotin __ Sigrid Sandström, Gust, 2026 Photo: Eva Herzog Courtesy of the artist and Perrotin

In Nick Doyle’s ‘Collective Hallucinations’ at Perrotin NY, he explores the relationships between land, technology, and manifest destiny using motifs of the vast landscapes of the American West. In two of his works created out of denim, his signature material, Doyle references the dramatic vistas captured by American photographer, Ansel Adams. “Imbued in the old, famous photographer’s scenes was all the optimism and potential energy of the Progressive Era. Even then, western pictures like his evoked visions of economic opportunity through, and in communion with, the land. Now, those same images feel more like Doyle’s interpretations, which are literally locked away—one behind a chain link fence, the other boarded up with bricks. Once again, Eden has become a cautionary tale.” — Taylor Dafoe Don’t miss Nick Doyle’s denim wall works along with his AI oracle booth, on view in until May 30 at Perrotin NY. __ Nick Doyle, Perimeter, 2026 Nick Doyle, Innocent Industry, 2026 Photo: Guillaume Ziccarelli Courtesy of the artist and Perrotin.

‘Harnessed from Nature’, organized by Shim Moon-Seup Art and Culture Foundation and curated by Sim Eunlog is now open at Ca’ Faccanon in Venice. Spanning more than five decades of practice, the exhibition brings together painting, sculpture and installation in a continuum where form is no longer fixed, but unfolds through time, transformation and relation. Rather than shaping matter, Shim Moon Seup creates the conditions for it to reveal itself. Wood, stone, clay and canvas become sites of slow change, where erosion, tension and coexistence define a sculptural language rooted in process rather than permanence. Here, sculpture is not an object but a field of becoming, where nature itself emerges as an active and generative force. The exhibition is on view through September 30. __ @shim_moon_seup @shimmoonseup.official #ShimMoonSeup #CaFaccanon #Venice __ Views of Shim Moon Seup’s exhibition ‘Harnessed from Nature’ at Ca’ Faccanon, 2026 Photo: Tanguy Beurdeley Courtesy of the artist and Perrotin

In this work from the Contours series, Mathilde Denize approaches painting as garment, surface and structure at once. Vertical bands recall straps or bindings, holding the composition in tension. Snaps, stitched seams and circular cutouts suggest fastening and release, protection and exposure. The canvas becomes a body, both armored and vulnerable. Inspired by Stéphane Mallarmé’s idea that poetry creates space through silence and form, Denize treats painting as a living structure where absence and presence shape meaning together. __ @mathildedenize #MathildeDenize #TimeAndLight #PerrotinTokyo #Perrotin __ Mathilde Denize, Contours, 2026 Courtesy of the artist and Perrotin