Philipp Doringer

@pdoringer

Graphic- & Informationdesigner working at the intersection of book design, cartography and data visualisation.
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Weeks posts
Very happy to share that two books (!) I designed and co-designed last year have been selected as part of the Most Beautiful Books of Austria 2025. The Design Academy Eindhoven Graduation Catalogue 2025 and the CIVA catalogue |indeterminate⟩⟨apparatus| were both awarded among “Die schönsten Bücher Österreichs 2025” @buecher.at . The CIVA catalogue was designed together with @manuelradde . Grateful to have worked on these projects and with such great collaborators. It’s an honour to be in the company of so many strong designers and publications from Austria. @designacademyeindhoven @civa_at @belvedere21wien The projects were printed at @gerindruckgmbh and @gugler_kommunikationshaus Special thanks to @johannes.fauland for the print supervision, the trust and help. Paper supplier: @designandpaper Thanks also to @bojjoe who even added some custom glyphs to her superb typefaces for the project. #bookdesign #editorialdesign #informationdesign #printedmatter
80 10
18 days ago
Happy to share that “Tom, Cuttlefish, and the Bombs” has been awarded at the @iiid_infodesign award 2026 in the category Science and Research. The project received a PERFORMANCE distinction, recognising outstanding achievement in information design. Developed for @zeit and @zeit_campus , the work focuses on cartography and data visualisation to communicate the environmental impact of WWII munitions in the North and Baltic Seas. Data visualisation: @pdoringer & @nd_chn Magazine design: @frieder.oelze Text: @theresatroendle #informationdesign #datavisualisation #cartography #editorialdesign #iiidaward
69 6
1 month ago
CIVA |indeterminate⟩⟨apparatus| Exhibition Design with @kammera_obscura_gerald_moser at @belvedere21wien The Civa media art festival @civa_at highlights the interplay between contemporary technologies, realities, and experiences across digital, physical, and hybrid spaces. This year’s festival and exhibition will focus on the realm of quanta. More than a century of research in quantum physics has shown that the universe is neither deterministic nor entirely comprehensible or rational. At the microscopic level, matter behaves according to principles that defy classical logic: particles can exist in multiple states simultaneously, their properties emerge through interaction, and through entanglement, they can remain connected even across light years. Quantum research has unsettled the long-standing distinctions between subject and object, perception and matter, and Self and Other. In a world shaped by ecological crises, technological disruptions, and epistemic ruptures, these insights also find resonance in contemporary art. |indeterminate⟩⟨apparatus| brings together artistic positions that approach the indeterminate as an aesthetic, political, and speculative space. The artists engage with quantum concepts through poetic gestures, multi-layered embodied experiences, and playful abstraction. They explore the infrastructures of emerging quantum technologies and experiment with their creative potential. In doing so, they shed light on the frequently overlooked ecological and social implications that these technologies present while also negotiating their possibilities and inherent ambivalences. Curator: @eva0707 Cocurator: @annaewadyrko Publication Management: @poesiesoso Graphic Design: @manuelradde & @pdoringer Typefaces: NaN Tragedy by @nan_xyz Image 9 Postcard Cover: Enrico Zago @nrczg Exhibition Photos: Manuel Carreon Lopez, Wien @kunstdokumentationcom
52 0
3 months ago
New year, (finally) new website ✨ Happy to share that my new website is live. Together with Sebastian Haiss, I spent over a year thinking and experimenting with how a primarily analogue, print-based portfolio could be translated into a digital archive. Instead of leading with book covers, the homepage highlights the materiality of each project through short videos and images, showing production details and close-ups of inks, paper, as well as visualisations and cartography—elements that would normally be missed. This approach offers a different entry point into the work and new ways of browsing the portfolio. Each project page then allows for a deeper dive, from cover to interior. I personally love how the combination of vertical and horizontal scrolling turned out on mobile devices. David Einwaller’s typeface proved to be the perfect fit for the site’s tone and structure. Go check it out. Webdesign Philipp Doringer, Sebastian Haiss Programming Sebastian Haiss Typeface David Einwaller @d.einw #InformationDesign #BookDesign #Cartography #DataVisualization #GraphicDesign
50 1
3 months ago
A map and a timeline: 25 years of magazine history.
My contribution to the new @ballesterer bibliothek #5. The aim of both the map and the timeline was to present 25 years of @ballesterer magazine history. The visualisations show, among other things, which printers were used, where the headquarters were located, who served as editor-in-chief and when, and how the page count increased over the years. The map illustrates where the magazine’s authors travelled over time to cover football-related stories. In collaboration with @wearelwz , the focus is on adding a fresh visual dimension to the magazine’s content each month.
63 1
4 months ago
Philipp Doringer @pdoringer , the designer behind this year’s Graduation Show catalogue walks us through the process and concepts behind the making of this impressive publication. 📖 Video by Leo Larche Hitchcox @le0lh 💜
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4 months ago
Travel with us through 25 years of magazine history! ballesterer library #5 brings together everything that defines ballesterer: iconic interviews, reports from near and far, powerful photos and graphics, humor, critique, and in-depth background stories. Discover the website 25.ballesterer.at and get your copy of the latest ballesterer library. Also makes a great gift. With @pdoringer @maria.koedel
245 9
5 months ago
CIVA |indeterminate⟩⟨apparatus| Catalogue accompanying the exhibition at @belvedere21 The Civa media art festival @civa_at highlights the interplay between contemporary technologies, realities, and experiences across digital, physical, and hybrid spaces. This year’s festival and exhibition will focus on the realm of quanta. More than a century of research in quantum physics has shown that the universe is neither deterministic nor entirely comprehensible or rational. At the microscopic level, matter behaves according to principles that defy classical logic: particles can exist in multiple states simultaneously, their properties emerge through interaction, and through entanglement, they can remain connected even across light years. Quantum research has unsettled the long-standing distinctions between subject and object, perception and matter, and Self and Other. In a world shaped by ecological crises, technological disruptions, and epistemic ruptures, these insights also find resonance in contemporary art. |indeterminate⟩⟨apparatus| brings together artistic positions that approach the indeterminate as an aesthetic, political, and speculative space. The artists engage with quantum concepts through poetic gestures, multi-layered embodied experiences, and playful abstraction. They explore the infrastructures of emerging quantum technologies and experiment with their creative potential. In doing so, they shed light on the frequently overlooked ecological and social implications that these technologies present while also negotiating their possibilities and inherent ambivalences. Design and Concept: @manuelradde & @pdoringer Publication Management: @poesiesoso Curator: @eva0707 Cocurator: @annaedwadyrko Printer: @gugler_kommunikationshaus Typefaces: NaN Tragedy by @nan_xyz & Ease Geometric A by @studiofeixen Paper Supplier: @designandpaper
64 2
5 months ago
Every autumn, Dutch Design Week becomes a window into the future of design — and at its center stands Design Academy Eindhoven, one of Europe’s leading schools for experimental, socially engaged, and forward-thinking design. Known for its interdisciplinary approach and emphasis on conceptual depth, DAE places the designer’s personal voice and position at the heart of its pedagogy. This philosophy lives on each year in the school’s Graduation Catalogue, a publication that not only documents the work of bachelor’s and master’s graduates but also captures the spirit of the academy itself. For 2025, the catalogue has taken on a fresh and thought-provoking form. Designed by Philipp Doringer, it moves beyond the traditional format of a showcase book and instead becomes a layered, multifaceted portrait of contemporary design practice. Read how the paper and printing choices play an integral role in the catalogue's conceptual framework, at 🔗 signandpaper.com Design and Concept: Philipp Doringer @pdoringer Photographic Concept: Philipp Doringer & @melanideluca Editor: @jeannettepetrik Project Supervisor: @annne__s Typefaces: DGM Sprinter and DGM Typeset by Giulia Boggio @bojjoe and Aether A by @ddott_type Book photography by @ronaldsmits #publishing #graduationcatalogue #graphicdesign #designpapers
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5 months ago
@designacademyeindhoven Graduation Catalogue 2025
3/3: MA Departments Student Pages. Contextual Design, Critical Inquiry Lab, Geo—Design, Information Design, Social Design. Each student spread—presenting a graduate and their work—is built around two perspectives: the left side focuses on the designer’s voice and the right side presents the project visually. The professional photography on the right is printed with a high-gloss finish, highlighting the refinement and clarity of the final work, while the left side embraces a looser, more process-driven aesthetic, without gloss, conveying individuality, experimentation and the messiness inherent in creation. Both sides blend visually into one another, underscoring how student and project inform and shape each other. As part of the catalogue’s conception, students were asked: “Where are you situated or rooted?” and: “Where is your project situated or rooted?” Their answers are represented by a circular symbol that appears twice on top of each spread, on the left for the student’s own position and on the right addressing the project’s. These markers add an additional layer of context, situating both the designer and their work in real or imagined spaces and concepts. 17 × 24 cm, Softcover, 496 pages, Print Run: 1500. ISBN 9789491400520 Design and Concept: Philipp Doringer Photographic Concept: Philipp Doringer & @melanideluca Editor: @jeannettepetrik Project Supervisor: @annne__s Typefaces: DGM Sprinter and DGM Typeset by Giulia Boggio @bojjoe and Aether A by @ddott_type Printing: @gerindruckgmbh Print supervision: @johannes.fauland Paper supplied by: @designandpaper #yearbook #graduationshow2025 #bookdesign #informationdesign #editorialdesign #layoutdesign #layout #printedmatter #catalogue #typography #details #cover #designacademyeindhoven
97 6
6 months ago
@designacademyeindhoven Graduation Catalogue 2025
2/3: BA Student Pages Each student spread—presenting a graduate and their work—is built around two perspectives: the left side focuses on the designer’s voice and the right side presents the project visually. The professional photography on the right is printed with a high-gloss finish, highlighting the refinement and clarity of the final work, while the left side embraces a looser, more process-driven aesthetic, without gloss, conveying individuality, experimentation and the messiness inherent in creation. Both sides blend visually into one another, underscoring how student and project inform and shape each other. As part of the catalogue’s conception, students were asked: “Where are you situated or rooted?” and: “Where is your project situated or rooted?” Their answers are represented by a circular symbol that appears twice on top of each spread, on the left for the student’s own position and on the right addressing the project’s. These markers add an additional layer of context, situating both the designer and their work in real or imagined spaces and concepts. 17 × 24 cm, Softcover, 496 pages, Print Run: 1500. ISBN 9789491400520 Design and Concept: Philipp Doringer Photographic Concept: Philipp Doringer & @melanideluca Editor: @jeannettepetrik Project Supervisor: @annne__s Typefaces: DGM Sprinter and DGM Typeset by Giulia Boggio @bojjoe and Aether A by @ddott_type Printing: @gerindruckgmbh Print supervision: @johannes.fauland Paper supplied by: @designandpaper #yearbook #graduationshow2025 #bookdesign #informationdesign #editorialdesign #layoutdesign #layout #printedmatter #catalogue #typography #details #cover #designacademyeindhoven
93 1
6 months ago
📚Graduation Show Catalogue 📚 This year’s Graduation Show catalogue is designed by @pdoringer . The book contains the works of 216 graduates, 131 BA graduates and 85 MA graduates. The Design Academy Eindhoven’s Graduation Catalogue 2025 aims to move beyond a flat, one-dimensional representation of design by offering a dynamic and multifaceted view of designers and their work. It is a space where different voices, stories and layers meet, emphasising complexity, ambiguity and the human presence at the heart of design. The concept of this graduation catalogue embraces the layered nature of both the graduating students’ personalities and their projects. Presenting not just polished outcomes, the catalogue also reveals personal perspectives and processes, giving graduating students an opportunity to address their positionality and the relational contexts of their work. During @dutchdesignweek you can grab a copy in the Grad Show bookshop ran by @limestone_books_maas at @microstad.coworking . Special thanks to everyone who made this beautiful publication happen. 💜 17 × 24 cm, Softcover, 496 pages, Print Run: 1500. ISBN 9789491400520 Design and Concept: Philipp Doringer Photographic Concept: Philipp Doringer & @melanideluca Editor: @jeannettepetrik Project Supervisor: @annne__s Typefaces: DGM Sprinter and DGM Typeset by Giulia Boggio @bojjoe and Aether A by @ddott_type Printing: @gerindruckgmbh Print supervision: @johannes.fauland Paper supplied by: @designandpaper Book photography by @ronaldsmits
752 2
6 months ago