My new EP “Reconstruction of The Hague Central Station” is out now — link in bio! 🚊🏗️🚉
The record is entirely sourced from field recordings made in and around The Hague Central Station and the reconstruction of its entrance at Koningin Julianaplein.
Experience urban sounds from the acoustic spectrum, infrasound, and electromagnetic fields; reconstructed into experimental soundscapes, hypnotic drones, dark textures and industrial rhythms.
💿 TRACKLIST
01. Intermodal
02. Crouwel
03. Lozenge
04. Terminus
05. Lozenge (@foresense_ remix)
💿 CREDITS
Sound design, production and mix by @okinomis and @semzeeman
All sounds sourced from field recordings
All recordings captured with a Zoom H5 in and around The Hague Central Station on 02.24.2025, 02.25.2025 and 12.29.2025
Artwork by @semzeeman
Master by @foresense_
Released on @antilounge
“Reconstruction of The Hague Central Station” — a site-specific release capturing movement in time, intermodal resonances and hidden sonic architectures.
This Friday I return with a new EP after more than two years: “Reconstruction of The Hague Central Station”.
The record is entirely sourced from field recordings made in and around The Hague Central Station and the reconstruction of its entrance at Koningin Julianaplein.
This video shows part of the creative process behind one of the tracks, “Crouwel” — named after the station’s architect.
The opening of the video features footage and field recordings of infrasound generated by public transport systems. These recordings were transformed into kicks and bass, shaping the track’s slow-burning, bass-driven character through submerged pulses and mechanical force.
Fragments of intermodal friction from the station itself — tram squeals, bells, movement and electromagnetic interference — are reconfigured into dark textures and a hypnotic, internalized soundscape.
All field recordings were made using a @zoomsoundlab H5, @lom.label Geofon and @somasynths Ether. All recordings were processed with @weareelektron Digitakt II and @apple Logic Pro X.
Mastered by @foresense_
Released on @antilounge
“Reconstruction of The Hague Central Station” — a site-specific release capturing movement in time, intermodal resonances and hidden sonic architectures.
Out on Bandcamp May 15th and followed later by streaming services.
#antilounge #thehague #denhaag #denhaagcentraal #fieldrecording
Last serie of captures from the organic- and tribal break set I played during 20 YEARS OF ANTILOUNGE RECORDS (@antilounge ) at PIP (@pipdenhaag ) in March.
Thanks to @antilounge and @kipkillah for the invite!
✖️
✖️
✖️
#antilounge #thehague #pip #denhaag #dj #producer #fieldrecording
First serie of captures from the organic- and tribal break set I played during 20 YEARS OF ANTILOUNGE (@antilounge ) at PIP (@pipdenhaag ) in March.
I opened the bunker at the release party for Antilounge Records’ 20th anniversary album called “Remixes XX”. My remix of Kid Baltan’s “Mechanical Motions” was included on the album.
✖️
✖️
✖️
#antilounge #thehague #pip #denhaag #dj #producer #fieldrecording
Last serie of captures from the organic- and tribal techno DJ-set I played during 5 YEARS OF DERAILED (@drld.radio.rec ) at Club PEP (@pep010.nl ) in March.
Thanks to everyone who came to dance!
✖️
✖️
✖️
#techno #dj #producer #derailed #drld #clubpep #fieldrecording
First serie of captures from the organic- and tribal techno DJ-set I played during 5 YEARS OF DERAILED (@drld.radio.rec ) at Club PEP (@pep010.nl ) in March.
Thanks to @invalid_requestt for the invite!
✖️
✖️
✖️
#techno #dj #producer #derailed #drld #clubpep #fieldrecording
✨ Official footage of Kid Baltan (Dick Raaijmakers) and Tom Dissevelt working in the Philips Physics Laboratory, Philips’ research department knows as NatLab in the late ‘50s.
🎛 The music created in NatLab is created with tape recorders, tone- and noise generators and is considered as the first ever made electronic music.
📹 Footage: VARA Television (January 17, 1959)
💿 Track: Kid Baltan - Mechanical Motions (OKIN-OMIS Remix) released on @antilounge
#kidbaltan #remix #antilounge #thehague #denhaag #fieldrecording #sampling #production #dickraaijmakers #natlab #philips #vinyl #bastamusic
✨ Official footage of Kid Baltan (Dick Raaijmakers) and Tom Dissevelt working in the Philips Physics Laboratory, Philips’ research department knows as NatLab in the late ‘50s.
🎛 The music created in NatLab is created with tape recorders, tone- and noise generators and is considered as the first ever made electronic music.
📹 Footage: VARA Television (January 17, 1959)
💿 Track: Kid Baltan - Mechanical Motions (OKIN-OMIS Remix) released on @antilounge
#kidbaltan #remix #antilounge #thehague #denhaag #fieldrecording #sampling #production #dickraaijmakers #natlab #philips #vinyl #logicprox #bastamusic
✨ Official footage of Kid Baltan (Dick Raaijmakers) and Tom Dissevelt working in the Philips Physics Laboratory, Philips’ research department knows as NatLab in the late ‘50s.
🎛 The music created in NatLab is created with tape recorders, tone- and noise generators and is considered as the first ever made electronic music.
📹 Footage: VARA Television (January 17, 1959)
💿 Track: Kid Baltan - Mechanical Motions (OKIN-OMIS Remix) released on @antilounge
#kidbaltan #remix #antilounge #thehague #denhaag #fieldrecording #sampling #production
🎛 RHYTHMIC & PRODUCTION PROCES of Kid Baltan’s “Mechanical Motions (OKIN-OMIS Remix)”
📹 In this second reel you see the proces behind the rhythmic elements of my “Mechanical Motion” remix. Starting with a sample from the original track, followed by the edited and processed sample for the kick, bass, snare and hats. At the end of this reel you’ll hear a snippets of this percussive, slow burning and bass heavy remix. Check out my previous reel to get an insight in the sampling and slicing proces behind this remix.
🍃 To accentuate the organic and percussive character of the original track, I layered a lot of my own field recordings in this remix.
💿 Since the original track is made in the 50s with tape recorders, tone- and noise generators in the Philips Physics Laboratory, I kept its experimental, randomness and variance within in a nowadays DJ-friendly grid. Instead of BPM switches, which were included in the original track, I choose to implement the nowadays common halftime / double time technique.
🔗 You can listen to the full remix through the link in my bio on Spotify, Soundcloud, Bandcamp or YouTube!
#kidbaltan #remix #antilounge #thehague #denhaag #fieldrecording #sampling #production #dickraaijmakers #natlab #philips #vinyl #logicprox #bastamusic #kick #bass #snare #hihat
