Rob O'Kelly

official trailer of 𝙒𝙤𝙧𝙧𝙮 𝙏𝙞𝙢𝙚 by Tom Brennan, celebrating its world premiere on the 𝗕𝗲𝗿𝗹𝗶𝗻 𝗖𝗿𝗶𝘁𝗶𝗰𝘀‘ 𝗪𝗲𝗲𝗸 opening night of films and debate, February 10, 8 p.m. at @hackesche.hoefe.kino.berlin Annette is finally getting her big break: she’s getting to actually make the film she wrote. Her story is one of abuse of women by men—a story based on a traumatic incident that all of her friends seem to have forgotten or forgiven. Not Annette. Obsessed with psycho-drama, violence, and her own vaginal discharge, she embarks on a shoot that is simultaneously a journey of self-discovery and self-destruction. We see bits and pieces of her film, a mystery tale which shifts between drama and gore. Emma Paetz and Tom Brennan have created a work that circles around fear, abuse, pregnancy and hate; but also around light, color, bodies, fake blood, sex, insanity and discomfort, both bodily and psychological. 🎟️ Get your tickets via the link in our bio or the cinema’s webshop! 🎥 film trailer of 𝙒𝙤𝙧𝙧𝙮 𝙏𝙞𝙢𝙚 by Tom Brennan, GBR 2025, 89 min @worrytimefilm @tbrennanbristol @afsanehdeh @benjaminaldrige @stefaniemartini @douggiemcmeekin @willyhudson007 @merchusey @theocowan @okellyr @cambriabaileyjones @sarahnocquet.mov @lauradrakec @_penny4 @heloiselowenthal @benjamin_shearn @catelebon @rumble.post @icoepr @woche.der.kritik #worrytime #tombrennan #film #wochederkritik #berlincriticsweek

𝗕𝗲𝗿𝗹𝗶𝗻 𝗖𝗿𝗶𝘁𝗶𝗰𝘀‘ 𝗪𝗲𝗲𝗸 celebrates the world premiere of 𝙒𝙤𝙧𝙧𝙮 𝙏𝙞𝙢𝙚 by Tom Brennan on February 10 at @hackesche.hoefe.kino.berlin . Annette is finally getting her big break: she’s getting to actually make the film she wrote. Her story is one of abuse of women by men—a story based on a traumatic incident that all of her friends seem to have forgotten or forgiven. Not Annette. Obsessed with psycho-drama, violence, and her own vaginal discharge, she embarks on a shoot that is simultaneously a journey of self-discovery and self-destruction. We see bits and pieces of her film, a mystery tale which shifts between drama and gore. Emma Paetz and Tom Brennan have created a work that circles around fear, abuse, pregnancy and hate; but also around light, color, bodies, fake blood, sex, insanity and discomfort, both bodily and psychological. @worrytimefilm @tbrennanbristol @afsanehdeh @benjaminaldrige @stefaniemartini @douggiemcmeekin @willyhudson007 @merchusey @theocowan @okellyr @cambriabaileyjones @sarahnocquet.mov @lauradrakec @_penny4 @heloiselowenthal @benjamin_shearn @catelebon @rumble.post @icoepr @woche.der.kritik 🎥 film still from Tom Brennan, 𝙒𝙤𝙧𝙧𝙮 𝙏𝙞𝙢𝙚, GBR 2025, 89 min – world premiere #worrytime #tombrennan #film #wochederkritik #berlincriticsweek

SISTER MIDNIGHT is on her way to the BAFTA’s tonight 🐐🤟🏼 @deathpunkbaby wishing you the best of luck for tonight! Can’t thank you enough for this incredible experience, bringing my team on board and entrusting us with your vision. @wellingtonfilms @griffinpicsltd I also wanted to say a huge thank you to my talented team that made magic happen. I don’t know what I would have done without such fantastic team of support and incredible talent. Goat army goals🫶🏼🐐 Animation and Direction: @honor_price Animation Producer: @thijmegrol Animation Director of Photography : @okellyr Puppets makers : @sculptdouble Nathan Flynn and Rachel Brown Animation Assistant : @ummmrenee Miniature bird puppets : @maivu_anim Puppet Rigging : @robin_the_rigger Puppet Maintenance : Kat Probert, @err.beauf @isabelamelia.garrett ScreenSkills animation trainee : @chris_plim Storyboard artist: Victoria Budgett Additional cinematography : @andriharaldsdp Rigger Gaffer: @martynajakimowska Electricians : @willjensenlighting , Camilla Dazzi, Jakub Paczos Lighting equipment: @greenkitlondon Master rigger: Neil Dengel Riggers : Richie Hayden, Tony Reading Rigging Equipment: Blitz Hire

🏆️ For Your Consideration: Best Animated Short "Curiosa is a mixed media production that incorporates pixelation, stop-motion animation of masks and miniature puppets as well as a few VFX effects." Overly curious Mary visits her boyfriend's flat for the first time, only to discover it’s been stripped bare of all personal belongings. After being denied explanation, she climbs into his head. 🚪Curiosa Dir.Tessa Moult-Milewska ▶️ Watch Now 🔗 Link in Bio Blurs the line between reality and the inner mind, hoping to show how “discovering what’s inside another human's mind could crack the idyllic image" we have. - S/W Curator, @marianarekka CREDITS Director: @tessanimate @nftsanimation Producer: @misssychelle Writers: Matthew Dickie & Tessa Moult-Milewska Cinematographer: @okellyr Production Designer: @seharkidwai Lead Animator: @ollierg_animations Editor: @giorgiazarantonello Composer: @casparleopard Sound Designer: Alexander Hubner Production Manager: @aaliyahyaqub Production Assistant: Gemma Wilks Dialogue recordist: Diego Hernandez Espana Cadena VFX Supervisor: @gypaete_ CGI Artist: Marta Giacobbe Colourist and Online editor: Esther Woodbridge Lead Model Maker: @agaclaymate @nftsmodelmaking Model Makers: Charlie Allwright Ellen Beaufoy, Emily Brook, Michelle C Cranwell, Jennifer Dingwall, Danielle Duncan-Rosembert, Callum Higgins, Olivia Savage, Jo Sperring, Tom Winfield Character design: Richard Smithson Animation: Tessa Moult-Milewska, @propaganda_animation Art Assistants: Edoardo Parada, Marta Sieczak, Chelsea Pentecost, Elizabeth Earl, Marisa Kimiko Mito, Omar Kent, Sophie Birch, Agatha Roudaut, Tara Kelly, Martha Cruz, Henrike Knappe, Annabelle Liu, Isabella Walker Standby Art Assistant: @annabelleliudesigns Compositing Artist(s): @escapestudios Viola Bascombe, Miranda Kay, Jean-Pierre Pereira, Antonia Palmer, Rahul Karavadra, Koren Morgan, Hannah Sheppard, Ryan Ball, Jack Neale Actors & Voices: Mary (Voice): @waterworthsanto Mary (Body): @lunatosin James (Voice): @itsdanconnolly James (Body): @malikibheis Additional Photography: @bistromstitel , Rui Jiang Ong Floor runner: Annabelle Liu Spark: Matt Glaz #ShortFilm #StopMotion #Animation #NFTS

Who’s a Good Boy? @erosv.xyz

Just in time for Halloween… Good Boy is now streaming on @disneyplus Starring the wonderful @trishallison and directed by supreme leader Mr Eros Vlahos @erosv.xyz and produced by @mindseyelondon Lighting dept. run by hero @jasperclarkson with kit supplied with great generosity from @greenkitlondon Focus pulling from the lovely @austenlane with kit from @somedia.tv Grade by @alexgregorycolour

It's time to suit up for the @sonyfuturefilmmakerawards 🤵‍♂️ This nomination is a testament to all the hard work, determination and love that went into making the film. From the first draft in October 2020 to the completion in October 2023, so many talented people made this film, and it was a real pleasure to work with them all. I’m incredibly proud, and so stoked that it’s getting this recognition. Thank you so much @sonyfuturefilmmakerawards ! LA, here we come! 🙌

8 months, 7 birds, 5 goats, 1 leak and 2 studios later our film is getting its World Premiere. Absolutely delighted that Sister Midnight has been selected for Quinzaine at this years Cannes Film Festival. It was my pleasure to serve as the Fur and Feathers Unit Cinematographer on the film, recreating @sfsordal ‘s beautiful main unit location photography from India in a studio in Hackney. Working with supremely talented director @honor_price and hero producer Thijme Grol to bring Karan Kandhari’s vision to life. I’d also like to express the utmost gratitude to @patmce12 @callumturnor @sophie.tstop and the rest of the team at @greenkitlondon for their expertise, kindness and generosity. You all went above and beyond and we couldn’t be more thankful ❤️

Earlier this year @bistromstitel and I decided to make some unique LUTs. Plus Lukas also needed to get some new material for his side hustle as a model. We took some fresh Kodak Vision 3 500T and 250D as well as some very expired Fuji stocks and put them side by side with a selection of digital cameras. Huge thanks to @kirstiescamera at @panavisionofficial who prepped the Panavision Millennium for us and all the digital cameras. @nielshalle who was our AC on the day. @danredrup at @digital_orchard who scanned the films for us. And @jo_barker_colourist and @noepostproducer who built the LUTs for us. Film stocks: Kodak Vision 3 5219 500T Kodak Vision 3 5207 250D Fuji Eterna Vivid 8547 500T Fuji Eterna Vivid 8543 160T Cameras: Panavision Panaflex Millennium Panavision DXL2 Sony Venice 2 Arri Alexa 35 Arri Alexa SXT Red V-Raptor Lens: Panavision Primo 35mm @kodak_shootfilm

Low loader bts from ‘Charity’ featuring a very happy looking @officialbenjsmith and a rather windswept gaffer @harrisonnewman

More ‘Charity’ BTS and a special thank you to all the crew that made the film possible. Big love ❤️