Objekt

I’m super excited to present “Fool’s Ovation” by Sepehr, the next release on Kapsela. :) I’ve been a fan of Sepehr for many years. He’s got a lot of different faces, but what I really love about his music is the moods he’s able to conjur. He’s a master at pitting harmony against dissonance, creating a surreal and ambivalent emotional tension that scratches a very deep itch for me. His last club EP, 2024’s “Genesis Domain”, is one of my favorite records of the decade so far and is a beautiful and haunting masterclass in weird melancholy. “Fool’s Ovation” is a natural follow-up: it continues on the same path, except this time he’s notched up the sass and the sleaze and imbued it with an irresistible psychedelic trickster energy. Having transcended the Genesis Domain – described at the time as “a metaphysical zone where your reality can be reinvented at any moment” – Sepehr now finds himself reincarnated as a jester in a grotesque, apocalyptic carnival where his only hope of survival is to delight and entertain the court as the palace burns around him. It’s been fun as hell bringing these tracks to completion and building a little world around them, and I can’t wait to share the full release. If you’ve seen me play in the last year or so then some of these might be familiar to you already. The lead single, “Fool’s Ovation”, is out now on all platforms (link in bio). Second single “Bow Before the Sun” comes out in 2 weeks, followed by the EP release on June 12 on digital and vinyl. Written and produced by Sepehr (@sepehr.inc ) Mixed by TJ Hertz (@objekttt ) Mastered by Beau at @teneightsevenmastering Artwork and design by @brodie_kaman Sepehr portrait by @kasiakimzacharko Vinyl distributed by @rubadubgla

We’re beyond delighted to have Objekt with us on the 22nd of May at Vespers as we fundraise for Palestine, and bring together collectives from the region. Objekt is TJ Hertz, a producer and DJ living in Berlin. Born in Tokyo to British-American and Filipino parents, Hertz grew up in Belgium and the UK before settling in Berlin in 2009. He first became known for head-turning club records, beginning with the self-released stamped whitelabel 12”s Objekt #1 and #2 in 2011, and following these up with remixes for Radiohead and SBTRKT and releases on influential dance music labels such as Hessle Audio. His club output quickly garnered critical acclaim and support from the likes of Aphex Twin and Autechre. Shocking out to the disassembled dubstep contortions of "Cactus" and “Unglued”, the juddering mindmelt of "Agnes Demise", or IDM headturner “Ganzfeld” became a familiar experience for a generation of open-minded clubgoers.

Just landed in NY for a little US tour – here’s where you can find me the next 2 weeks: Fri 05.08 / Queens, NY / Nowadays (all night) Sat 05.09 / Washington, DC / Para (all night) Thu 05.14 / Portland, OR / Process Fri 05.15 / San Francisco, CA / Parameter Sat 05.16 / Denver, CO / Sorted 📷 by @ccl_url on the ferry to Orcas Island earlier this year :)

Gala afterparty goers and friends far and wide, come through - This one is BIG, the Hazaz and @rpsprod clans team-up for a truly special night at @vespersclub , featuring the prolific @objekttt , @thelazergazer , @renataxsabella and @jadatoui . Rooted in experimentation and playfulness, the lineup moves across fluid electronic terrains from Objekt’s intricate deconstructions of club music to Renata’s genre bending, politically charged sets, LazerGazer’s immersive and unpredictable selections, and Jad Atoui’s textural, spatial improvisations. A living sonic ecosystem, rooted in sound, community, and experimentation, as we come together with music collectives from the region and across the diaspora. We are fundraising for Gaza, all proceeds going to @thesameerproject Tickets in bio Poster by @tuliphazbar Music by @objekttt

Aaaand it’s out! “(re)weave” by Tristan Arp is available from today on @kapselarecords , from Bandcamp/digital stores, streaming services and your favorite record shop (the vinyl is a little delayed but it’ll be ready soon). It was a joy to work on this release with Erin and I’m so happy to be able to share the rest of the EP – Shapeshifting Dub in particular is my favorite track on there. Link in my bio; I hope you enjoy. 💕 Written and produced by Tristan Arp (@tristan.arp ) Mixed by TJ Hertz (@objekttt ) Mastered by Anne Taegert at @dubplates.mastering Artwork and design by @brodie_kaman Tristan Arp portrait by @karolinabajda

When dreams turn real ✨ CCL & Objekt are playing Ankali this Friday. The genre-liquifying duo will play our #allnighter, pulling us through wormholes with near-telepathic synergy. Dreams truly are the original thrill. Presale on RA, link via bio Photo by Dimitri D’ippolito *reposting because @ankali_club got suspended recently (without an explanation) 🐙

“Mutable Field”, the second single from “(re)weave” by Tristan Arp (@tristan.arp ) is out today on @kapselarecords . You can stream and download it, as well as preorder the vinyl, at the link in bio. The full release is out on April 17th. :) Written and produced by Tristan Arp Mixed by TJ Hertz (@objekttt ) Mastered by Anne Taegert at @dubplates.mastering Artwork and design by @brodie_kaman Tristan Arp portrait by @karolinabajda

Ben UFO. Call Super. Objekt. Pariah.⁠ ⁠ The very best in UK dance music – B4B on Sunday, August 2nd. You don’t need a crystal ball to know this will be a highlight of #Dekmantel26. ⁠ Secure your ticket via dekmantelfestival.com.

Hello dearest music enjoyers. Today I am very pleased to share my remix of “Play” by James K (@___pet___ ), my first remix in over 10 years. It’s the first single, alongside JASSS’s remix, from a full James K remix LP coming next month. I hit pause on remix work a very long time ago*, but when Jamie asked last year if I would remix a track from her album it felt like the time was right: I adore the LP, had a clear idea in my head of what I wanted to do (with just enough time to try it out), and it was for a friend. I was drawn to Play in particular because of a nagging sense that the melody had another, darker side to it that the original arrangement belied – I couldn’t stop thinking about how it would sound reharmonized, with the vocal recontextualized over a moody, slinky pop-dancehall version. So I rewrote the chord progression, and the rest pretty much wrote itself (quite naturally for once). I’ve always been intrigued by the idea of producing pop music and really loved working on this; I hope I can explore this world further. I’m v grateful to Jamie for the opportunity and trust, and am really happy it’s out there. :) The rest of the remix LP is out next month and features a cornucopia of cuties including K Wata, Hesaitix, Roza Terenzi, Priori, Special Guest DJ, Yushh, Drew McDowall, Loidis, Stone and Arushi Jain. Listen now at the link in my bio. Slide 1: Single artwork by James K and Isha Dipika Walia Slide 2: 📷 by @clairemmcintyre in Berlin last weekend Slide 3: Jamie performing Play at Silent Green in Berlin last November Slide 3: Behind the scenes peek (+ *perhaps a hint as to why I don’t do so many remixes lol)

I’m very excited to announce the fifth release on Kapsela: a gorgeous club EP by Tristan Arp (@tristan.arp ) entitled (re)weave. It’s immersive, psychedelic bass music, though that doesn’t fully describe the melodic and narrative depth of these tracks IMO. In typical Tristan Arp fashion, the arrangements live and breathe like sentient beings, underpinned by a driving, percussive backbone throughout. It’s an exquisite record and I’m happy and proud to have been entrusted with its release. <3 The first single, Forking Paths, is available now for streaming and download (link in bio). “Mutable Field” will follow on April 3rd, and the full release will be out on digital and vinyl on April 17th. Written and produced by Tristan Arp (@tristan.arp ) Mixed by TJ Hertz (@objekttt ) Mastered by Anne Taegert at @dubplates.mastering Artwork and design by @brodie_kaman Tristan Arp portrait by @karolinabajda Vinyl distributed by @rubadubgla

2.28 週六 PURE G: Objekt ⊹ CCL 橫掃世界各大舞池、音樂節、年度獎項，成千上萬舞客心中的絕代雙驕 𓆰♡𓆪 𝐎𝐛𝐣𝐞𝐤𝐭 @objekttt 身為極少數能將「極致聲音工程」與「舞池直覺」完美結合的製作人，他也被公認為當代最強 DJ 之一 。聽 Objekt 的音樂，就像是在觀看一座由奈米機器構成的巨大建築，在眼前規律地崩解與重組。展示出對聲音空間感與質地的病態追求，近乎殘酷的精確，卻在複雜的切分結構中流露出驚人的生命力，將冷冰冰的數位訊號轉換成充滿未來主義色彩的感官衝擊。 即便在最混亂的瞬間，他仍能以外科手術般的精準度，縫補起不同音樂風格的斷層，將派對推向一種神聖的秩序。他為 Tresor 錄製的《Kern, Vol. 3》便被 Resident Advisor 評為「DJ 的精髓」，少數能在多種類型中同時保有開創性的靈魂。 自發行首張 EP 以來就掀起一陣旋風，隨後為 Radiohead 混音，並在 Hessle Audio 等知名廠牌推出張張炙手可熱的作品，並獲得傳奇鬼才 Aphex Twin 和 Autechre 的推崇。Objekt 對每張發行都高度要求，強烈實驗、精細呈現的音樂緊緊扭轉了各種舞曲類型的常規，迎來評論的一致讚賞，每張發行都必登上樂評媒體年度最愛。 他於柏林廠牌 PAN 發行的經典專輯《Cocoon Crush》，以純合成器手段模擬出破碎木頭、滴水岩洞與昆蟲振翅等類自然聲響；這種比真實更真實的數位質地，觸發了聲學上的恐怖谷效應，既熟悉又充滿異界感，不僅拿下 Pitchfork 8.0 高分，更被譽為電子舞曲史上最精心編排的作品之一。 ⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘ 𝐂𝐂𝐋 @ccl_url 被 Mixmag 譽為定義 2024 年的 DJ 之一，並被 Resident Advisor 選為過去十年對電子音樂最具影響力的 20 大混音之一。幾乎年年蟬聯各大樂評媒體的最佳混音，任何陳腔濫調都不會在 CCL 身上發生，Dub、Bass、另類電子與運用得最出色的 DnB，再帶入更深層的 Techno，像一灘水銀被倒進一個透明的幾何迷宮，不斷地分裂、匯聚、變形，填滿每一個細小的縫隙，各種音樂類型互相交織，卻始終保持著高度一致且流暢到令人意想不到的液態質感，深具實驗性且風格兼具。 CCL 在柏林最著名的獨立廠牌之一 !K7 Records 釋出首張 EP《Plot Twist》。當前電子音樂界正在經歷一波復興熱潮，CCL 以嶄新視角將二十年前最受歡迎的風格重新演繹，既忠實再現原味，又賦予其當代的獨特韻味；而她所經營的廠牌與派對系列 subglow，則更像是一台潛入海溝深處的探測器，在柏林的黑暗中精準捕捉那些帶有螢光色澤、充滿生命力的低音節奏。 ༯ CCL ༯ Objekt ༯ KUAN ༯ Sylav Poster by @sadcheerleader @s4thi NT$800 Before 00:30 NT$900 After @final_taipei 台北市大安區復興南路一段 249 號 B1 2.28.2026 11PM - 5AM

ObjektとCCLによる All Night Long が2年ぶりに開催決定 ObjektことTJ Hertzは、現代のダンスミュージックシーンにおける最も先進的なDJ/プロデューサーの1人だ。テクノを軸にエレクトロ、ブレイクス、ドラムンベースまで、ジャンルの枠を縦横無尽に飛び越える彼のプレイは、全音楽ファンが一度は体験すべき唯一無二のクオリティを誇る。 一方、シアトル出身のCCLもまた、緻密なリズムとメロディを自在に操る類まれな才能の持ち主。 鋭いテクニックと並外れた創造性、そして音楽への飽くなき探求心を兼ね備えた両者が紡ぐ、一夜の音楽体験に期待が高まる。 また、東間屋には、テクノを軸にベースミュージックなどの要素をそれぞれ独自の視点でミックスする、ZUNDOKO DISCO、Ryogo、SOGIの3組が登場。盤石のラインナップが脇を固める。 TJ Hertz, aka Objekt is one of the most forward-thinking DJs/producers in the modern dance music scene. His sets, that’s built around techno yet seamlessly crosses genres from electro and breaks to drum and bass, are known for an incomparable quality that every single music lover should experience at least once. The Seatle-born artist CCL has exceptional ability with liquidating rhythms and melodies. Expect a night of music experience woven together by these two, who possess refined skills, extraordinary creativity, and an insatiable musical curiosity. AZUMAYA lined up three acts—ZUNDOKO DISCO, Ryogo and SOGI, each blend techno and various elements of bass music from their own unique perspectives. Objekt × CCL -All Night Long- 2026-2-7 Sat. OPEN 23:00 MIDNIGHT EAST (Spotify O-EAST ⇄ AZUMAYA) 東京都渋谷区道玄坂2-14-8 /east/schedule/objekt-x-ccl-all-night-long/ DOOR：¥4000 ADV：¥3000 U23：¥2000 RE-ENTRY : ¥1000 (inc. 1 Drink) ZAIKO：https://midnighteast.zaiko.io/e/objekt-ccl-allnightlong RA：https://ra.co/events/2315223 -O-EAST- Objekt × CCL -All Night Long- Sound Design : Ryosuke Tsuchiya Laser : LASER BRUNO SYSTEM -AZUMAYA- ZUNDOKO DISCO Ryogo SOGI Flyer Design : @kotsu0830 NOTES： オールスタンディング 20歳未満入場不可(要顔写真付きID) 出演者は予告なく変更になる場合がございますので、予めご了承ください 前売りチケットが完売した場合は、当日券の販売はございません。予めご了承ください 客席を含む会場内の映像・写真が公開されることがあります INFORMATION： Spotify O-EAST 03-5458-4681 /east/ MIDNIGHT EAST /midnight_east/ /east_midnight