Object Density

@objectdensity

Artistic Objects of use, currently based in Sydney, Australia
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Weeks posts
Details of Salt Glass, Salvaged Aluminium, Cast hardware, Eucalyptus, Acacia⁠ ⁠ Proudly on show at the National Gallery of Victoria ⁠until 1 February 2026⁠ The Ian Potter Centre: NGV Australia, Fed Square, Level 3⁠ ⁠ Photography by @kyleford.co ⁠ ⁠ #ngvmelbourne #riggprize #35under35 @ngvmelbourne
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6 months ago
Salt Credenza⁠ Glass, Salvaged Aluminium, Cast hardware, Eucalyptus, Acacia⁠ Exploration of place, materials, and identity translated through sandstone erosion patterns and pigmentation of local flora. An homage to our coastline as an ‘aquatic common’, a place of shifting boundaries and shared experience. ⁠ On show at the National Gallery of Victoria ⁠ ⁠ Rigg Design Prize 2025⁠ 19 September 2025 - 1 February 2026⁠ The Ian Potter Centre: NGV Australia, Fed Square, Level 3⁠ ⁠ Photography by @kyleford.co ⁠ #ngvmelbourne #riggprize #35under35 @ngvmelbourne
61 2
7 months ago
Salt Credenza⁠ Glass, Salvaged Aluminium, Cast hardware, Eucalyptus, Acacia⁠ ⁠ On show at the National Gallery of Victoria ⁠ ⁠ Rigg Design Prize 2025⁠ 19 September 2025 - 1 February 2026⁠ The Ian Potter Centre: NGV Australia, Fed Square, Level 3⁠ ⁠ Photography by @kyleford.co ⁠ ⁠ #ngvmelbourne #riggprize #35under35 @ngvmelbourne
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7 months ago
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7 months ago
The @ngvmelbourne Rigg Design Prize is now open! After months of meticulous making, we are super excited to see our piece Salt in such a beautiful space. (We're beaming on the inside, I promise) This exhibition celebrates the next wave of leading voices in the Australian Design community and shows a really diverse cross section of materiality, making processes and designers. Join us for a series of discussions with the designers at the exhibition, we'll be speaking with the exhibition curator @simoneleamon at around 14:15. Image 1. Portrait of the designers with the exhibition piece @timcarrafa Image 2. Open image of the exhibition pieces @madeleineburke #ngvmelbourne #RiggDesignPrize #RiggDesignPrize2025 #ngv
178 4
7 months ago
We’re incredibly excited to share our contribution to the @ngvmelbourne Rigg Design Prize - Salt, a piece that explores ideas of place and Australian material culture in relation to the Greater Sydney coastline. Exploration of place, materials, and identity has been a common thread throughout our practice, and we believe this is a truly special piece in our body of work. Being so tied to the places we grew up and continue to cherish, this credenza speaks to both individual and collective identities - our coastline as an ‘aquatic common’, a place of shifting boundaries and shared experience. Being an environment shaped by the ongoing interplay of sea and land, we drew upon the distinctive erosion patterns of Hawkesbury sandstone and native eucalypts and acacias for the form and detailing of the credenza. The outer skin is made from slump-formed glass - a process in which we photographed and digitally translated sandstone patterns, then kiln-firing flat glass to take on the textures. Inside is an aluminium frame that has been anodised and coloured with natural dyes made from leaves and bark of three local species. Custom cast aluminium ‘puddles’ pin the glass to the frame, catching the light like water pools in tidal rock.  Beautiful photography by @kyleford.co #ngvmelbourne #riggprize #35under35
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7 months ago
The cat's out of the bag, and we couldn't be more excited to share that we will be a part of the 2025 Rigg Deisgn Prize. We're already deep in the development process, and looking forward to showing what will be a very special project. This one feels like it brings together all the elements and processes that have come to define our studio - waste material recontextualisation, craft making process innovation and a visual language driven by concept. We've roped in old friends to help as production partners and honour their knowledge of materials and craft in our work. A sincere thankyou to @simoneleamon and the team at @ngvmelbourne for their trust and assistance through this journey. Let's goooooo (Official info below) The Rigg Design Prize is Australia’s most prestigious accolade for contemporary design. Since its inception in 1994, this triennial prize exhibition has featured over one hundred designers across a range of disciplines, celebrating their creative achievements and providing a valuable platform for visibility, recognition and impact. For its landmark tenth edition in 2025, the $40,000 prize will be awarded to an early-career Australian design practice, drawing attention to the new generation of talent. Bringing together thirty-five emerging designers under the age of 35, the exhibition spans ceramics, glass, furniture, woodwork, metalwork, textiles, lighting and contemporary jewellery, presenting ambitious works that reflect bold approaches to materiality, form and function. Portrait by @matthewmcquiggan #ngvmelbourne #riggprize #35under35 Olive Gille-Hille, Hastings, 2023 Olive Gille-Hille Photo : Simon Hewson
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11 months ago
Absolutely thrilled to take home the IDEA award for Furniture, Object and Lighting - Rising with the Proportions of Space collection. It's really encouraging to be recognised at such an industry focused event, by a jury of leading voices in the Australian Design community. A huge thankyou to @australiandesignreview for supporting Australian designers through this program and @axolotl for the stunning trophies, and all those who's contributions make for such a great event. #design #ceramicdesign #industrialdesign #collectibledesign #ceramic #waste #repurpose #reuse #narrative #artdesign #upcycled #maker #designermaker #furnituredesign #interiordesign #NGV #ngvmelbourne #melbournedesignweek24 #ideaaward #ideaaward24 Final image by @tesskellyphotography during Melbourne Design Week 2024
151 19
1 year ago
Tall Type I side table form the Proportions of Space collection. shot in the beautiful light of @villaalbamuseum during @_matters #melbournedesignweek24 DM for details or enquire though our website #design #ceramicdesign #industrialdesign #collectibledesign #ceramic #waste #repurpose #reuse #narrative #artdesign #upcycled #maker #designermaker #furnituredesign #interiordesign #melbournedesignweek24
38 0
1 year ago
Tall Type II side table form the Proportions of Space collection. shot in the beautiful light of @villaalbamuseum during @_matters #melbournedesignweek24 DM for details or enquire though our website #design #ceramicdesign #industrialdesign #collectibledesign #ceramic #waste #repurpose #reuse #narrative #artdesign #upcycled #maker #designermaker #furnituredesign #interiordesign #melbournedesignweek24
39 1
1 year ago
The beautiful blue that was @_matters Melbourne Design week! A huge and heartfelt thankyou to @marlo__lyda + @_jordanfleming for their tireless effort in pulling together such an amazing exhibition of Australian Design. It's out of the pot and into the pan, as the pieces are already set up at @designshow_au as part of Australia's Next Top Designer ---------- #Repost @marlo__lyda It’s taken a minute to come down off the adrenaline high of the @_matters journey… (from a more peaceful state of mind) I’de like to celebrate the MATTERS champions once again. A heartfelt thank you to each and every person that contributed to this years show. With over 2,500 visitors @_matters #melbournedesignweek was nothing short of a spectacular success. It was a pleasure to manage and curate this journey, alongside @_jordanfleming , and I can’t wait (with a little bated breath) to see what next year has to offer us. I think there’s big things underway for @_matters so stay tuned. This event was supported by the @ngvmelbourne @creative_vic for #melbournedesignweek 📸 @tesskellyphotography
79 1
1 year ago
The Proportions of Space collection. Now on show at @villa_alba_museum as part of @_matters beautifully curated by @marlo__lyda . Proportions of Space is a collection of tables that explores our relationship to the different landscapes within the Netherlands. Through an analysis of selected locations determining – forms, relationships, patterns, textures, dimensions and experience, this collection seeks to capture the intangible feelings that a space evokes. Reflecting upon the pervasive tension between the built and natural environment, we see clusters of offset planes – flat volumes that extend on different axes as one moves from space to space. This seemingly modular organisation of space is shared between the natural and the built landscape, expressed through the assembled forms that create this collection. The glazes developed for this collection make use of ‘Glass fines’, a waste by-product of the glass recycling industry identified by Dr. Stefan Lie of UTS. Small pieces of clear and coloured glass that cannot be sorted or effectively recycled are combined and crushed, and deemed impure and unpredictable to mass manufacturers. We have displaced the virgin glass typically found in ceramic glazes with Glass fines in an effort to give value back to this material and show its potential for further use. A colour palette was developed to reflect the landscapes that resonated though our process, while the grain and variation of the waste material brings a natural texture to the pieces. This event is part of Melbourne Design Week & the Victorian Design Program. 📷 @tesskellyphotography #MelbourneDesignWeek #NGV #ngvmelbourne @ngvmelbourne #design #ceramicdesign #industrialdesign #collectibledesign #ceramic #waste #repurpose #reuse #narrative #artdesign #upcycled #maker #designermaker #furnituredesign #melbournedesignweek24 #MDW24
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1 year ago