Nina Maria Küchler

This drawing has just found a new home and will remain in Switzerland ❤️ FS41, after Lee Krasner (Façade Series) Polychromos on colored paper 34 × 26 cm, framed, 2026 "Ornament & Beton", Altes Spital Solothurn, Switzerland #geometricart #contemporarydrawing #geometricdrawing #artinsolothurn #facadedrawing #leekrasner

FS40 (Façade Series) Polychromos on colored paper 34 × 26 cm, framed, 2026 "Ornament & Beton", Altes Spital Solothurn, Switzerland #geometricart #contemporarydrawing #geometricdrawing #artinsolothurn #facadedrawing

Some works from my exhibition "Ornament & Beton": CHORDA 3 oil and acrylics on canvas 175 x 125 cm, 2026 The “CHORDA” series consists of paintings and drawings inspired by 16th-century diagrams by G. Zarlino on the tuning of instruments. The title term “Chorda” (Latin for “string” or “cord”) refers in music to the instruction to strike only one string at a time (“una Chorda”). #artinsolothurn #gioseffozarlino #contemporarypainting #kulturnachtsoloturn #geometricart #geometricpainting #diagrams #pianotuning #abstractpainting #alfagallerymiami #architekturforumsolothurn #klavierkontor

Some works from my exhibition "Ornament & Beton": CHORDA 4 oil and acrylics on canvas 175 x 125 cm, 2026 The “CHORDA” series consists of paintings and drawings inspired by 16th-century diagrams by G. Zarlino on the tuning of instruments. The title term “Chorda” (Latin for “string” or “cord”) refers in music to the instruction to strike only one string at a time (“una Chorda”). #artinsolothurn #gioseffozarlino #contemporarypainting #kulturnachtsoloturn #geometricart #geometricpainting #architekturforumsolothurn #klavierkontor

Some works from my exhibition "Ornament & Beton": CHORDA 3 & 4 oil and acrylics on canvas 175 x 125 cm, 2026 The “CHORDA” series consists of paintings and drawings inspired by 16th-century diagrams by G. Zarlino on the tuning of instruments. The title term “Chorda” (Latin for “string” or “cord”) refers in music to the instruction to strike only one string at a time (“una Chorda”). photo 3: wikicommons / geometrical demonstration of Equal temperament, Gioseffo Zarlino #artinsolothurn #gioseffozarlino #contemporarypainting #kulturnachtsoloturn #geometricart #geometricpainting #architekturforumsolothurn #klavierkontor

Some works from my exhibition "Ornament & Beton": CHORDA 4 / Lommiswil oil and acrylics on canvas bluebackprint on wall 60 × 45 cm 260 x 200 cm 2026 Ornament & Beton Altes Spital Solothurn 18.–30. April 2026 Montag: 8 bis 17 Uhr Dienstag bis Freitag: 8 bis 18 Uhr #swissbrutalism #architekturforumsolothurn #artinsolothurn #kulturnachtsolothurn #kirchelommiswil #contemporarypainting #geometricpainting

HABITATIS (Trailer) Film, black and white, 12 min., 2026 Film premiere in my exhibition "Ornament & Beton" Altes Spital Solothurn, Switzerland 18.04.–30.04.2026 The film depicts a series of Brutalist churches in Switzerland. The buildings stand in the landscape like mountains carved from concrete—angular, monumental, and seemingly uninhabited. The film moves around and through these silent spaces: steep walls, rugged forms, and deep shadows evoke Alpine rock formations. In the absence of people, another inhabitant fills these sacred spaces: a white donkey roams the sites. The white Baroque donkey is a breed now nearly extinct, which was bred in Austria and Hungary during the Baroque period. At that time, light-colored animals were very popular among the nobility, as they were considered bringers of light, while dark animals were a metaphor for death. The animals that exist today are the result of artificial breeding. The short film envisions a fictional scenario in which the churches, as artificial mountains, gradually become part of the landscape again from which their forms were inspired. #swissbrutalism #kunstsolothurn #architekturforum_solothurn #brutalism #sacralbrutalism #shortfilm

Chorda II Öl und Acryl auf Leinwand, Affichenpapier auf Wand, 44 x 60 cm // 155 x 258 cm, 2026 in: Die Gläserne Kette III MAERZ Künster:innenvereinigung, Linz @maerz.at kuratiert von @salveberlin 18.3.–3.4.2026 Die Arbeit „Chorda II“ beschäft sich mit dem Konzept des Erhabenen in den Epochen Barock und Brutalismus. Fotos von sakralen brutalistischen Gebäuden in der westlichen Schweiz werden kombiniert Malereien nach Diagrammen aus dem Barock. Barock und Brutalismus arbeiten beide mit Monumentalität, mit Dramatik und mit einer Inszenierung von Raum, die den menschlichen Maßstab zu sprengen sucht. @maerz.at @salve_berlin #maerzat #brutalism #swissbrutalism #contemporaryart

DIE GLÄSERNE KETTE III, Curated by @salve_berlin @nmkuechler @veryzeix @petragell in Linz at @maerz . Exhibition until Friday 3 March 2026. Fotos: Otto Saxinger Bruno Taut‘s Maik idea for the Glass Pavilion was a utopian fantasy: to build an ‚Outfit for the soul‘. Je saw color in architecture as a symbol of new hapiness a positive influence on the everyday lives of city dwellers. My installation presents color as a subjective ideology, a visual manifesto, a vision, a form of communication. With great works by @simonebarlian @stefanbrandmayr @veryzeix @petragell @jenshanke1 @nmkuechler @heti_prack @markusproschek @andreas_werner_artist @eva_wilde

26.03.2026, 18:30 h screening at S11 Künstlerhaus Solothurn: "Gibellina – La città moderna" thank you very much for the invite @architekturforum_solothurn

Another glimpse into our catalogue Fade into Form now available @syker_vorwerk >> Shop or via link in bio. With texts by @elisalotta @manya.gra @nicigi 🙏🏻🙏🏻 #sykervorwerk #catalogue #ninamariaküchler #carolinestreck #duoexhibition

Finally our catalog „Fade into Form“ is now available: @syker_vorwerk Thank you for the wonderful texts @manya.gra 😍 and Nicole Giese-Kroner @nicigi 😍 Elisa Mosch @elisalotta 😍