This project took so long, and every moment of that time shaped how I think about architecture, care, and community. Constructed entirely from Cross Laminated Timber, Night Chapel is an experiment in weight and light, mass and breath. CLT’s strength and warmth allow the structure to be both monumental and mobile, a paradox I wanted to explore. Sacred spaces are so often imagined as permanent, heavy, immovable. Night Chapel resists that. It asks: what happens when sacred architecture can move, when it meets people where they are rather than waiting for them to come?
The chapel organizes space for care, dialogue, solitude, ritual, and gathering. I see it less as an object and more as a spatial strategy: a choreography of belonging, a structure of invitation, a vessel for community. Its form and materiality are meant to engage not just the body, but also memory, emotion, and social spirit.
At its core, this work is about mental health, healing, and spatial justice. I believe architecture can hold more than walls and roofs. It can carry memory, hold grief, invite joy, and offer a place for people to come back to themselves. Night Chapel is designed to listen as much as it speaks, to be present as much as it is built.
Night Chapel opens this week at Seattle’s
@naamnw Northwest African American Museum, running September 19 through December 2025, with programming led by local leaders, creatives, and cultural practitioners. This is the first work of my Building Motions initiative, an ongoing exploration of how architecture can move , heal, and serve.
Special thanks to the Softwood Lumber Board for their support in making this project possibl