Death Cab for Cutie - “Punching the Flowers”
“The natural light is beautiful”*
*Natural light: XT52, S360, Vortex8
DP: @patshahabian
KG: Henry Martinez
CLT: @geehanski
ACLT: @lights_camera_chris
Full spot and macro work from the Ryze campaign. (2025)
Lighting for macro shots and miniatures can be tricky especially when working with probe lenses that require a lot of light. It can be a challenge to get the right exposure and also being mindful of every single reflection. It’s important to remember that lighting approach/theory remains the same just on a much smaller scale.
DP: @caseystolbergdp
KG: @itsmattplanet@zerogripla
CLT: @geehanski@mischieflighting
#gaffer #filmlighting
Tommy Hilfiger Fall 2025
A couple Arrimax’s and M40’s for shape and eye light on a gloomy day exterior.
DP: @patshahabian
CLT: @geehanski
KG: @kyle_sorvig
Seeing @dinhster share these stills brought back so many memories! This is from a pilot we did back in 2022 called “AZNBBGRL” and although it didn't get picked up, I'm incredibly proud of what we accomplished. Nearly every department head was Asian American and that alone is an amazing accomplishment. Hands down, my favorite film set experience to date.
Led by the immensely talented @linmego and keyed by other half @charles_tae_ .
I could not have done any of this without my ACLT @quinnbrudossommers , LCP @zane_blanchard and Rigging CLT Roy Granada.
And of course all of the many many many SLT’s who came out. @peter_doyle_murphy@paulkaneimage@bringer_of_juice@thebowenimage@diegonc90@electric_luu@jibarra_ and many more!
2025 brought countless commercials, music videos, and even a feature. Cheers to all my favorite collaborators, you know who you are. And thanks to the best crew a gaffer could ask for.
