Bijeenkomst Open Oproep Over grenzen 🗺️
Van de Doggersbank tot Hasselt tot een AZC in Amsterdam: grenzen bepalen hoe we wonen, reizen, plannen en samenleven. Op dinsdag 2 juni organiseert @vereniging_deltametropool een dag rondom de inzichten uit de dertien projecten die zijn geselecteerd voor onze Open Oproep Over grenzen.
Via ontwerpend onderzoek zijn verschillende dimensies van grenzen onderzocht: van fysieke en landschappelijke grenzen tot bestuurlijke scheidslijnen en sociale barrières. Samen zoeken ontwerpers en onderzoekers nieuwe antwoorden op urgente opgaven in onze grensgebieden.
📅 Dinsdag 2 juni
⏰ 10:45 – 15:45
📍 Stadhuis Terneuzen, Oostelijk Bolwerk 4
Het programma omvat workshops met alle 13 projectteams, rondleidingen, een interactieve performance en een plenaire afsluiting met panelgesprek. De dag start met een introductie door Rijksadviseur @thijsvanspaandonk .
Meld je aan via de website van @vereniging_deltametropool .
📸 Quinten Buijsse
#overgrenzen #openoproep #ruimtelijkontwerp #grensgebieden #ontwerpendonderzoek
“I Had White Cotton in My Yard, I fed it, I Watered it“ joins favorite film festival close to the heart close to home @dokufest
w/ @rendepra
thnx to @mondriaanfonds voucher international
"I had white cotton in my yard, I fed it, I watered it"
Part of UnNatural Encounters, celebrating 7 years of @european_media_art_platform curated by @silent.green and @transmediale .
Much gratitude for the work and thoughtfulness!
Produced with EMAP Partner @onassis.stegi
In this work, mobility of sound and body places migrant subjects on the verge of a perpetual shifting, or in the words of Algerian-French sociologist Abdelmalek Sayad in a life of “double absence”. Movement and human subject are narrated through their in-between status where the question of belonging crystallises as an unsettled experience of being. The performers’ bodies serve as both repositories of memory and conduits for its transmission allowing for new forms of commonality, of returning,and of re-vivifying the rural.
1-6. I had white cotton in my yard, I fed it, I watered it 7. Nature makes no noise by @davorsanvincenti
9. Endlager by Juliane Jaschnow& @stefanieschroeder87
10. Outside Natural Encounters
11. Perfect Opening ending with @otreaifos
wave function collapse: in defence of the ear
aural publication cassette & riso printed + embossed cover, ed.50
With works by @diana_malaj supported by @grupi_ata , @rendepra , Tijana Cvetkovic with Vahida Ramujkic (minipogon), @rae_gsvi , Klodiana Millona, Yuan Chun Liu
*
All tracks are mastered both digital and analogue by Giulia Francavilla @rae_gsvi
Designer Yuan Chun Liu
Editing Klodiana Millona
Printing @jve.printingpublishing , @anonghena , @tvdv1962 , @margriet.thissen
Web Development Yuan Chun Liu
Cassette Manufacturing Headless Duplicated Tapes
Available physically @kioskrotterdam Rotterdam,NL, @grupi_ata Kamëz,AL &
and at the bandcamp link in bio
A year ago at @arcusproject working on “the un-making of two miracles”;
moving between two events in time, in two distant geographies, retracing their interconnectedness. both of these events centre around two “Miracles”, and both of these “Miracles” refer to two engineered rice seeds.
two channel digital video, archive images, blackboard drawing, fermented rice paper objects
Invitation: Klodiana Millona & Yuan-Chun Liu: Info session for non-EU artists and cultural workers in the Netherlands
Wednesday 18 September 2024
11:00 – 12:00
Jan van Eyck Auditorium
In this informal session, Klodiana Millona & Yuan-Chun Liu go through the possibilities of extension of stay – conditions, preparations, timeframes and costs for applying, – possibilities (and limitations) of working as self employed non-EU artists and cultural workers in the Netherlands, housing, taxes and how to read the language of Immigration and Naturalization authorities in its official sources and its many vacuums.
❗Disclaimer
This session is tailored for art students and participants of art residencies that are subjected to the (unequal) precarity of immigration policies in order to extend their stay in Netherlands.
Everyone is welcomed to join, learn, understand better and think together on how to assist and extend networks of support and solidarity on the draining and asymmetrical processes produced by visa regimes.
ℹKlodiana Millona & Yuan Chun Liu
are architects, researchers and educators, working with moving image, sound and text. Their work grounds in the politics of space in relation to bodies, namely the politics of invisibility in space and invisibilized spatial practices. Thinking through the practice of counter mapping they interrogate constructions of history, (its) spatial ecologies of ruptures and architecture’s implication in perpetuating regimes of invisibility. Their current research looks at the spatial implications of citizenship practices and the (long term) effects on the bodies subject to it.
@millonaliu #janvaneyckacademie
Klodiana Millona & Yuan-Chun Liu, Open Studios 2024
The duo's work is grounded in the politics of space in relation to bodies, namely the politics of invisibility and invisibilized spatial practices set against the hyper-visibility of certain bodies mobilized by regimes of surveillance. Thinking through mapmaking as a practice of erasing, extracting, and producing historical ruptures, Millona & Liu use counter mapping to construct alternative cartographies that reveal state architecture’s integral role in national identity building.
#janvaneyckacademie #jveopenstudios @millonaliu #artistresidency #artistinresidence #maastricht
NON EU ONLY
is a short incomplete guideline of self assembled tricks and tips on how to navigate as a non EU artist and cultural worker the architecture of citizenship in the Netherlands, or how to extend your stay through artistic and cultural practice.
It can be found at @limestone_books_maas & @kioskrotterdam or dm for a copy
*
edition of 100
printed at @jve.printingpublishing@janvaneyckacademie
comic illustrations by @kimmyjjung
‘metallic taste of patience’ at @janvaneyckacademie open studios 2024
book of one copy,
704 pp
to never be reproduced
*
sound design by Giulia Francavilla @rae_gsvi
first picture by @olena_newkryta
thanks to curator @brunoalvesalmeida for the support
“Qyteti që s’duhej të ishte në hartë” ka shfaqjen e tij në Dokufest në datë 8 gusht në orën 20.30, në kinemanë KinoLumi në Prizren.
Përkundër epistemës gjeografike që qëndron gjithnjë kundër banorit të qytetit të Kamzës, si harta, territori, kufiri, ky film e lexon Kamzën - një qytet i bërë vetë nga banorët e tij pas viteve 90 - si ushtrimin më radikal të njerëzores dhe të drejtësisë hapësinore.
Prodhuar si rezultat i punës së angazhuar në terren përgjatë shkollës trajnuese Writing Urban Places, në lagjen e Bathores dhe Paskuqanit, filmi lëviz nga ulëset e furgonit, shoferi i të cilit me shpoti refuzon të navigojë nëpër qytetin që ia përmohon ekzistencën, e deri te ura me dërrasa e Paskuqanit, ndërtuar nga duart e të ardhurit për të lidhur skajet e Kamzës me Tiranën.
I jemi falenderues Klodiana Millonës për kontributin e veçantë në përgatitjen e këtij filmi, si dhe gjithë grupit që ka kontribuar në punën në terren, në kamera dhe editim: Nebi Bardhoshi, Elsa Paja, Antonela Pepkolaj, Busra Dilaveroglu, Holly Dale, Klodian Gjonpalaj, Lorin Niculae.
*Mirënjohje: Artistit Killua për huazimin e tingujve të “Magjistari OZ” Familjeve pritëse të Kamzës
Dorina Pllumbi, Willie Vogel, Writing Urban Places
Shihemi në Prizren!
days of intense beauty and heaps of contradictions in Sardinia, an island as much stunning as it is cursed, between preservation and its implicit destruction, stories of invisibilized violence told in whispers amid loud tourism and the twisted interrelation between militarization and preservation
part of our research on the Mediterranean territories with A Natural Oasis? @bjcem_aisbl hosted greatly by @sardegnafilmcommission
with @simone.frangi & @castiglioni.ale & fellows @evanezis@s.mudu@marienourh@marieanneherve & joachim friis
suported by @stimuleringsfonds
