Madeline Hollander

In Finitum ♾️ with @mchollander is on view for two more weeks, through April 24 at Windward School ✨

ARCH EDITIONS Available Online at: ARCH is proud to launch ARCH EDITIONS, a new initiative developed in collaboration with artists who have worked with us over the years. This endeavor celebrates our community and reflects our commitment to fostering lasting relationships while strengthening the artistic ecosystem we are honored to be part of. Participant artists: Aliki Panagiotopoulou, Anna Lea Hucht, Athanasios Argianas, Joanna Piotrowska, Konstantinos Giotis, Lena Henke, Madeline Hollander, Patricia Treib, Polys Peslikas, Rowena Hughes, Tula Plumi, Yu Nishimura. Madeline Hollander Constellation Calendar, 2026 Prints on X-PER Premium White paper, 140gsm folded, 27 x 21 x 5 cm (approx.) unfolded , 27 x 16,8 cm Edition of 20, +2 APs Artwork © Madeline Hollander (2026) Courtesy the artist Madeline Hollander (b. 1986, California), lives and works between New York City and Los Angeles. Madeline Hollander continues her search for patterns of perpetual motion in oft-imperceptible realms, from the materials and phenomena of nanoscience to the cosmos. Looping events are, for Hollander, sites which illustrate the psychological ambiguities of rhythm—teetering between sameness and difference, objectivity and subjectivity. These 70 watercolors correspond to the International Astronomical Union (IAU)’s officially recognized constellations that are seen from the Norther Hemisphere throughout the calendar year. Rather than follow the arbitrary and accepted patterns drawn up by astronomers, which flatten each star onto a single plane, Hollander has created a celestial route in three-dimensions, moving from closest to farthest star, demarcated by map pins. These watercolors, representing each constellation, have been organized by month, functioning as a perpetual calendar of the night sky over the course of a year. Ph: @stathis.mamalakis

Excited to announce the opening of “In Finitum” - a two person exhibition at Windward School by Colleen Hargaden and Madeline Hollander. Join us for the public reception on Thursday, March 19th from 5-8pm. 🌀🌀🌀 In Finitum Colleen Hargaden & Madeline Hollander March 19 - April 24 This exhibition brings together artist and Windward animation faculty Colleen Hargaden, and choreographer/artist and Windward alumna Madeline Hollander (‘04) in a collaborative exploration of perpetual motion. Inspired by illustrations of historical and contemporary patents for “perpetual motion machines”, the artists elaborate on the seductive promise of endless energy systems, the physics of self-regulation, and the stubborn truth of entropy. Yet in pursuing the phenomenological beauty contained in these machines, they also invite us to reflect on endlessly fascinating rhythms that appeal to an innate psychological desire for persistence. - Tony De Los Reyes @tonydlreyes

✨There’s a rhythm to making — and to becoming. On the opening of EARTHSEED DOME, we experienced movement as a form of listening. Radial Ritual presented by my dear friend & acclaimed choreographer @mchollander is a site-specific performance to celebrate our living sculpture in the making. The choreography draws inspiration from multiple scales: the rhythmic mechanistic movements of the 3D printing arm, the motions of germination as redwood seeds unfold their roots, as well as traditional agricultural folk dances. Through its cyclical repetition, the performance becomes a ritual that connects ancient technologies with the new and reveals the synergies made possible by this interplay of material, form, and community action. It felt like both a celebration and a ceremony — a way of sensing what it means to care for something that’s alive and still unfolding. Grateful to Madeline for bringing this ritual to life with such presence and grace, @artatatimelikethis for developing this inspiring program with us, the @icasanfrancisco for presenting such an immersive art experience, the @svanefoundation for making this work possible and of course to everyone who wandered with us through the redwoods 🌲 plus the most exquisite attire by @kamperett . Every week we will be posting updates on the dome taking shape and force, thank you for being a part of the process.

SF Art Week and Institute of Contemporary Art San Francisco (@icasanfrancisco ) are excited to celebrate the start of SF Art Week and the public opening of ICA SF’s new site-specific exhibitions at Transamerica Pyramid Center (@transamericapyramidcenter ), Tara Donovan: Stratagems (@tadodonovan ) and Lily Kwong: EARTHSEED DOME (@lily_kwong ).  On Saturday, January 17, please join us for a kickoff party featuring music by Marcus Rosario (@_mawkus_ ), drinks by Sausalito Liquor Company (@sausalitoliquor ), Best Day Brewing (@bestdaybrewing ), and more.   In addition, we are thrilled to announce Madeline Hollander (@mchollander )’s site-specific performance Radial Ritual, commissioned by ICA SF and presented in partnership with Art at a Time Like This (@artatatimelikethis ) that celebrates the inception of Lily Kwong’s EARTHSEED DOME. Performances will take place at 6:30 PM, 7:30 PM & 8:30 PM. Thanks to a generous grant from the Svane Family Foundation’s Culture Forward Initiative (@svanefoundation )—SF Art Week and ICA SF will also present a dedicated SF Art Week Hub at the Transamerica Pyramid Center throughout the week. We look forward to seeing you all!  Visuals: @ryan.abary @daniels.film #SFArtWeek #ICASF #TransamericaPyramidCenter #BayAreaArts #ContemporaryArt

Tomorrow night, Madeline Hollander presents Radial Ritual, a site-specific performance marking the inception of Lily Kwong’s EARTHSEED DOME in Transamerica Redwood Park. Commissioned by ICA SF and presented with programming partner Art at a Time Like This, the work unfolds as a cyclical ritual inspired by 3D printing, seed germination, and agricultural folk dances. In this singular public performance, Radial Ritual continuously cycles from the future site of EARTHSEED DOME, through Transamerica Redwood Park to the location of the 3D printing arm, and back through the park to the site. The audience is welcome to follow the performers through the redwoods. Featuring dancers Eloise DeLuca, Nayomi Van Brunt, Katie Gaydos, Natalya Janay Shoaf, Celine Alwyn, and Isabella Soo-Hoo. Costumes provided by Kamperett.  Live performances on January 17 at 6:30pm, 7:30pm, and 8:30pm. RSVP to @sf_artweek Kick Off Party is required Video/Photo: @ryan.abary @daniels.film

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Countdown to the NEW YEAR at American designer Kelly Wearstler’s Beverly Hills home, where artist-choreographer Madeline Hollander maps time with an aquatic performance for Side Hustle Gallery ⏳⁠ ⁠ Staged within Wearstler’s 1934 James Dolena-designed pool house, the film reimagines director Busby Berkeley’s kaleidoscopic choreographies, and his language of synchronized spectacle as a spatial study and celebratory time keeping ⁠ ⁠ Tap the link in bio to watch the full film on NOWNESS 🎥⁠ ⁠ Choreographer @mchollander ⁠ Designer @kellywearstler ⁠ Gallery @sidehustlegallery @jobpiston ⁠

What makes an audience jump? 😱 Tonight at 8 pm at the Performa Hub (424 Broadway), join artist and choreographer Madeline Hollander and artist and Monkeypaw Productions Creative Director Ian Cooper—Jordan Peele’s producing partner on films including “Us,” “Candyman,” and “Nope”—for a free conversation on how they develop movement languages within the cinema landscape, with a focus on the choreography of horror films. The discussion traces shifts in physicality—both corporeal and cinematic—from silent films to the introduction of “talkies,” examining how the synchronization of image and sound affected our perception of the body, narrative, and the uncanny.

COUNTDOWN 💦💦💦for @sidehustlegallery & @kellywearstler featuring the spectacular @aquabatixusa performers, costumes by @kamperett , music by @ceellliiiia , curated by @jobpiston ❣️

✨VALERIE HOLLANDER PARKER✨ (or “Twilight” as Max calls her) arrived on 7/30/25 with a grande acrobatic entrance and we are all bursting with love ❤️❤️❤️❤️❤️❤️ Once again, and in a whole new way, I’m deeply humbled by the superpowers of all mothers to hold, transform, birth, break open, move through immense pain, heal, nurture, and so so much more. ❤️‍🔥

TODAY!! 2-5pm: 𝗣𝗲𝗿𝗽𝗲𝘁𝘂𝗮𝗹 𝗥𝗼𝗹𝗹𝗶𝗻𝗴 𝗞𝗻𝗼𝘁𝘀: 𝗔 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝗯𝘆 𝗠𝗮𝗱𝗲𝗹𝗶𝗻𝗲 𝗛𝗼𝗹𝗹𝗮𝗻𝗱𝗲𝗿 Please come by today, June 28 to witness the activation of 𝑩𝒐𝒃 (2023) and 𝑪𝒉𝒂𝒓𝒍𝒊𝒆 (2023), two large aluminum trefoil knots featured in the current exhibition, The Abstract Future @jeffreydeitchgallery . Bob & Charlie will be accompanied by the dancers, Katie Gaydos @katiegaydos & Nayomi Van Brunt @nayomivanbrunt who will present movement sequences guided by the choreographies inherently embedded within these sculptures’ own code. Each entwined mobius-like form is composed using a formula which optimizes its rolling capabilities; once nudged into action they have the capacity to roll perpetually. 925 N Orange Drive location. FREE & No RSVPs required. Charlie, 2023 Bent aluminum Dimensions variable Diameter: 5 ft Bob, 2023 Bent aluminum Dimensions variable Diameter: 3 ft