maxime pascal

🎶🔥 Hur låter ett sammanbrott – och vad händer efteråt? Den 22 maj kliver vi rakt in i Hector Berlioz dramatiska universum, där besatt kärlek övergår i hallucinationer, och där musiken till slut blir en väg tillbaka till livet. Tillsammans med vår chefsdirigent Maxime Pascal och skådespelaren, och här recitatören, Stina Ekblad rör vi oss i gränslandet mellan symfoni och teater, mellan inre röster och yttre verklighet. Symphonie Fantastique och Lélio, ou le retour à la vie är inte bara musik – det är en berättelse som fortsätter där de flesta verk slutar. Välkommen till en säsongsfinal som känns. Inifrån och ut. 🪄 Läs hela artikeln med Maxime och Stina på helsingborgskonserthus.se 📸: @lisa_wikstrand

❤️‍🔥 KÄRLEK, VANSINNE & ÅTERFÖDELSE I PASCALS PASSIONSFINAL 🎬 Välkommen in i Berlioz värld. Inför säsongsfinalen möter du här vår chefsdirigent Maxime Pascal och skådespelaren Stina Ekblad i ett samtal om de två verken, berättelsen och det sceniska mötet mellan symfoni och teater. 🎼 Symphonie Fantastique och Lélio, ou le retour à la vie är en resa genom mörker, dröm och återkomst, där gränsen mellan verklighet och fantasi suddas ut. Det här är vår säsongsfinal. Och den känns. Vi ses i Stora salen 22 maj! 🔥 Biljetter finns på helsingborgskonserthus.se

DECEMBER 17, 18, 19, 2026 Hector Berlioz L'Enfance du Christ, Oratorio, op. 25 Berliner Philharmoniker (@berlinphil ) Musical direction Maxime Pascal Rundfunkchor Berlin (@rundfunkchor ) Mezzo-soprano (Sainte Marie) Julie Boulianne (@julieebouliannee ) Tenor (Un récitant) Allan Clayton Baritone (Saint Joseph) Huw Montague Rendall (@huwmontaguerendall ) Bass (Hérode) Jean Teitgen (@teitgenjean ) Baritone (Un père de famille) Edwin Crossley-Mercer (@edwincrossleymercer ) Baritone (Polydorus) Theodore Platt (@theodoreplatt ) Tenor (Un centurion) Caspar Singh (@caspsingher ) 📸 : Simon Gosselin

Dal 22 aprile al 9 maggio al Teatro alla Scala è in scena la nuova produzione di Pelléas et Mélisande di Claude Debussy, con la regia di Romeo Castellucci e la direzione di @maxime.pascal . L'opera verrà trasmessa in diretta su LaScalaTv il 30 aprile dalle 19.45 con @richtertenorofficiel (Pelléas), @sara__blanch (Mélisande), Simon Keenlyside (Golaud), Marie-Nicole Lemieux (Geneviève) e @johnrelyeabass (Arkel). • From 22 April to 9 May, Teatro alla Scala presents a new production of Pelléas et Mélisande by Claude Debussy, staged by Romeo Castellucci and conducted by Maxime Pascal. The opera will be broadcast live on LaScalaTv on 30 April at 7.45pm, featuring Bernard Richter (Pelléas), Sara Blanch (Mélisande), Simon Keenlyside (Golaud), Marie-Nicole Lemieux (Geneviève) and John Relyea (Arkel). Video Di Stefano - Lodolo D'Oria © Teatro alla Scala

«Debussy sentiva qualcosa prima nella sua mente, nel suo corpo, nel suo mondo interiore. E come musicista, la ricerca di tutta la sua vita è stata quella di far sentire agli altri ciò che lui sentiva dentro di sé.» Nell’intervista, @maxime.pascal riflette sulla scrittura di Pelléas et Mélisande e sul rapporto tra suono, materia e immaginazione, al centro della nuova produzione firmata da Romeo Castellucci. L'opera è in scena dal 22 aprile e sarà trasmessa live su LaScalaTv il 30 aprile dalle 19.45. • "Debussy heard something first in his mind, in his body, in his inner world. And as a musician, the quest of his life was to make others hear what he heard inside himself." In the interview, Maxime Pascal reflects on the writing of Pelléas et Mélisande and on the relationship between sound, matter and imagination at the core of the new production directed by Romeo Castellucci. The opera has been on stage since 22 April and will be broadcast live on LaScalaTv on 30 April from 7.45pm. Video Di Stefano - Lodolo D'Oria © Teatro alla Scala

MITTWOCH AUS LICHT @deutscheoperberlin 19, 20, 23, 26, 27 septembre 2026

Make Love … and welcome to the 26/27 season! Dr Aviel Cahn’s first season as Artistic Director is here, and with a fresh new look, a new website and an exciting artistic vision, it promises plenty of surprises. Look forward to unusual premieres in contemporary productions, exciting world premieres, new concert formats and cycles, artists in residence, as well as curatorial concepts, fresh perspectives and dialogues in the urban space with the cross-disciplinary UNLIMITED programme. Discover the brand-new season on 2026deutscheooerberlin.de and the season brochure on Issuu – both also accessible via Linktree in bio! On Wednesday, 15 April at 10 am, we will open the early-bird ticket sale for all holders of the Deutsche Oper Card 26/27 (more info via Linktree in bio) and members of the Förderkreis (Patron circle). General advance booking starts on 2 May 2026. #2627Season #Opera #Berlin #AvielCahn @olgaprader @titus.engel.dirigent @michelespotti_conductor @maxime.pascal @elisaerkelenz @beatebreidenbach @orchester_deutsche_oper_berlin @chor_der_deutschen_oper_berlin @junge_deutscheoperberlin @mwanzamujila @baragisladottir @sofiajernberg @zadmoultaka @s_k_kennedy @dirigiedre @annahandler.music @milorau4 @iipm_milorau @conticonductor @peterlundberlin @fcbergman @stefanomontanariconduc @kornelmundruczo @directorkramer @wolfgang_tillmans @rirkrit_team @mouvoir_company @zafraanensemble @senkultgz @commerzbankstiftung @maccosmeticsgermany @karlschlechtstiftung @evs_musikstiftung @livingberlincom @berlincapitalclub @borosagency Animation © Olga Prader / Boros Agency Music: From VÍDDIR (2020) © Bára Gísladóttir

Maxime Pascal on one of the most extraordinary sound worlds in opera: the role of the birds in Olivier Messiaen’s Saint François d’Assise. The way Messiaen translates birdsong into music becomes a central poetic principle and at the same time a unique challenge for the orchestra and the conductor: absolute precision, the most delicate tonal colours, and an ear pushed to the very limits of perception are required to bring these sounds of nature to life within the musical space. Look forward to a production of exceptional spiritual and sonic intensity. 🎟️ Secure your tickets now and be part of this unique operatic experience: link in bio. *** Maxime Pascal über eine der außergewöhnlichsten Klangwelten der Opernliteratur: die Rolle der Vögel in Olivier Messiaens Saint François d’Assise. Wie Messiaen Vogelgesänge in Musik übersetzt, wird hier zum zentralen poetischen Prinzip und zugleich zu einer besonderen Herausforderung für das Orchester und den Dirigenten: höchste Präzision, feinste Klangfarben und ein Hören bis an die Grenze des Wahrnehmbaren sind gefragt, um diese Naturstimmen im musikalischen Raum lebendig werden zu lassen. Freuen sie sich auf eine Produktion von außergewöhnlicher spiritueller und klanglicher Intensität. 🎟️ Jetzt Tickets sichern und Teil dieses besonderen Opernerlebnisses werden: Link in Bio.

BHAKTI 26 NOVEMBRE 2026 @musikverein.wien @ircam_paris

Just around the corner: The 26/27 season is coming closer and in six days’ time, on 14 April, Dr Aviel Cahn will present his first season as Artistic Director of the Deutsche Oper Berlin. Look forward to a total of seven major premieres and several world premieres, numerous concerts and special events, surprising cycles and new productions, as well as an extraordinary opening weekend. Bargain hunters and early birds take note: With the Deutsche Oper Card 26/27, you can book the entire season at special rates and take part in the early-bird booking period for over two weeks, starting 15 April. Get your card via Linktree in bio! General ticket sales begin on 2 May 2026. #2627Season #Countdown #Opera #Berlin #AvielCahn @titus.engel.dirigent @michelespotti_conductor @maxime.pascal @elisaerkelenz @beatebreidenbach @orchester_deutsche_oper_berlin @chor_der_deutschen_oper_berlin @junge_deutscheoperberlin Animation © @borosagency

📢Conductor @maxime.pascal has been announced as one of four Artists in Focus at the @musikverein.wien in the 2026 – 27 season, alongside Franz Welser-Möst, Anne-Sophie Mutter and Yuja Wang. In a series of five concerts, Pascal will appear with several leading Viennese ensembles as well as @le.balcon , the collective he founded in 2008, in programmes centred on twentieth‑century and late Romantic repertoire. The residency commences with Pascal’s debut with the @viennasymphony and the @wienersingverein in Berlioz’s monumental Grande Messe des Morts. In November he brings his ensemble, @le.balcon , to the Musikverein for the first time with Jonathan Harvey’s Bhakti for chamber forces and quadraphonic tape, presented with Wien Modern. Pascal later reunites with the ORF RSO Wien for a programme built around Bernd Alois Zimmermann’s genre‑defying Musique pour les soupers du Roi Ubu, combining orchestra with jazz ensemble. Bringing the residency to a close is Schönberg’s chamber version of Mahler’s Das Lied von der Erde with musicians of the @viennaphilharmonic . 🔗Read more via the link in our bio #classical #conductor #announcement #musician

🌱🎶 VÅRENS SISTA AFTER WORK IMORGON 8 APRIL   ✨🎻 När Pjotr Tjajkovskij arbetade med sin femte symfoni var vägen allt annat än självklar. Skaparlusten sviktade, tvivlen var många – men resultatet blev ett av hans mest levande och gripande verk.   Symfonin rör sig mellan mörker och ljus, där de inledande tonerna bär på en känsla av öde som följer genom hela verket.  I ett av de mest älskade partierna får hornen ta plats i en innerlig melodi som för tankarna till John Denvers Annie’s Song. Men idyllen bryts, och musiken kastas vidare genom oro, kraft och kamp.   💥 Och segern kommer inte lätt – men när den väl gör det, hämtar vår chefsdirigent Maxime Pascal hem den som bara han kan!  🪄 Fåtal biljetter kvar nu. Knip din plats på helsingborgskonserthus.se   🎷🎵 LIVEJAZZ EFTER KONSERTEN Och du. Efter konserten blir det livejazz i Markelius. Varmt välkommen att fortsätta kvällen tillsammans med oss!