Maha Mohan

@maha.mohan

MFA RISD’25 @risd1877 25-26 Artist in Residence @printshoporg info : [email protected]
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Grateful to have my work on view in ABSENCE TAKES FORM at @wassermanprojects , presented in conjunction with NCECA 2026. Curated by Adrienne Spinozzi, Associate Curator in the American Wing at the Metropolitan Museum of Art. Honored to show alongside an incredible group of ceramic artists. January 31st - April 4, 2026 #AbsenceTakesForm #NCECA2026 #Ceramics #GroupExhibition
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3 months ago
A flower is not a flower? May be!! Porcelain babies
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7 months ago
Meet the Artist : Maha Mohan Part of RISD Ceramics Grads Showcase 2025 Thesis : Echoes of Longing My art explores the existential tension shaped by emotional vulnerability, intergenerational memory, and soft inheritances. Through ceramic sculptures, drawings, and installations, I examine how somatic and relational imprints shape self-worth. Rooted in figurative abstraction, my work approaches the body as both a vessel and a site of memory where tenderness and fracture coexist. I see clay as a living medium that parallels human experience, quietly preserving mental and physical traces. These works are not created for resolution, but function as psychological performances, as spaces for coexistence, catharsis, and reflection. They are narrative antidotes through which I find the courage to voice what words cannot hold. Shaped by the weight of expression and the fear of intimacy, they hold vulnerability with care, honoring emotional residue without shame. Clay’s inherent nature to be shaped, broken, and reformed echoes the cyclical nature of loss, healing, and renewal. This cycle inspires my practice, where repetition becomes ritual, each gesture both an offering and an act of becoming. Geometric forms in my work reflect the tension between internal life and external structures, referencing systems that span from the domestic to the institutional. My practice speaks a language of emotional lineage and reparenting, where inherited stories, rituals, and embodied knowledge continue to travel through bodies. Through making, I seek to understand the layered complexities of the human psyche. Learn more about her @maha.mohan Photo credits : @srikar_hari @maha.mohan Shoutout to @sanjaytomarx - one of your works has been on my wall as inspiration while I’ve been working in the studio. @risd_ceramics @risd1877 @risdalumni @risdgraduatestudies #mahamohan#RISDceramics#RISDMFA2025#ceramicsculptures#artinstallation#Echoesoflonging#thesis2025#contemporaryceramics#meettheartist
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10 months ago
gucci’um naanum , 🤍
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1 month ago
Happy to see our group show “Aftermath” featured in @bostonartreview Thank you for the thoughtful writing @usadistudio Beautifully curated by @enna0j Documented by @w.h_h.u 🤍
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2 months ago
The exhibition <Aftermath> is now on view through March 29 at Machines with Magnets. Thank you so much to everyone who came to the opening and took the time to experience the show. Artists: Jungeun Park (@enna0j ) Carrie Kouts (@impossiblyinteresting ) Nahom Ghebredngl (@nahom.ghebredngl ) Maha Mohan (@maha.mohan ) Special thanks to: Alexandra Reintjes (@artandtheoryspam ) for writing support Hyein Shin (@shlnhyeln ) for the Korean curatorial statement Dohee Kim (@doheeikm ) for the poster Griffin VanHorne (@tensegrity_audio ) for live music Wenhan Hu (@w.h_h.u ) for photos Details about the closing event will be announced in mid-March. Come ready to dance, this time until 1 AM 🥵
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2 months ago
Keepsake Porcelain, Wood 25x10inches 2026 Documented by @w.h_h.u
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3 months ago
360,000 umbilical cords were cut today. A deer has been struck by a car and met its demise. What emerges from our hands never leaves the body. Everything we create repeatedly translates its vulnerability. Our work addresses bodies in the aftermath of events: bodies that exist after irreversible change, after conditions have already been ‘decided’. This exhibition lingers with the irreversible. It attends to bodies that are passed over and brushed aside, to lives that were never fully acknowledged as worthy of care; it remains as a state of being.  How we differentiate between bodies, deciding which deserve attention and which do not, ultimately mirrors how we evaluate and treat ourselves.  An abandoned helmet grew skin and gestated life. Glass and ceramic salvaged bodies from decay. Lanternflies crushed to death rebirthed into steel. Aftermath opens this Friday, 1/23 6-9 pm Curated by Jungeun Park (@enna0j ) Works by: Jungeun Park (@enna0j ) Carrie Kouts (@impossiblyinteresting ) Nahom Ghebredngl (@nahom.ghebredngl ) Maha Mohan (@maha.mohan ) Special thanks to: Alexandra Reintjes (@artandtheoryspam ) for writing support Hyein Shin (@shlnhyeln ) for the Korean curatorial statement Poster by Dohee Kim @doheeikm
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3 months ago
It’s been a while since the wheel. These days, I sculpt. Practice sessions, House of Chitram, Madurai, 2023
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4 months ago
Late Afternoons, House of Chitram, Madurai, 2023
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4 months ago
Days at my Madurai Studio, House of Chitram,2023
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4 months ago
Making, 2023
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5 months ago