LOCUMENT

REWORLD explores the invisible entanglements between artificial intelligence, bodies, labour, memory, and the living world. Rather than imagining AI as something abstract or immaterial, this section approaches intelligence as an ecological and embodied process, shaped through relationships between humans, technologies, environments, and more-than-human systems. Through digital art, REWORLD invites us to rethink value beyond speed and efficiency; towards care, reciprocity, and sustainable coexistence. 📍 AKM Istanbul 🗓️ June 3–7 🎟️ Free #IDAF26 #Retell #REWORLD #DigitalArt #digitalartexperience

SLEEPING GIANTS a l'@artphotobcnfest @grandeza.studio @locument

REWORLD, yapay zekâ, beden, emek, hafıza ve yaşayan dünya arasındaki görünmez bağları keşfe çıkıyor. Yapay zekâyı soyut ve maddesiz bir yapı olarak görmek yerine; insan, teknoloji, çevre ve insan-ötesi sistemler arasındaki ilişkilerle şekillenen ekolojik ve bedensel bir süreç olarak ele alıyor. REWORLD, dijital sanat aracılığıyla değeri hız ve verimlilikten öte; bakım, karşılıklılık ve sürdürülebilir bir birlikte varoluş üzerinden yeniden düşünmeye davet ediyor. 📍 AKM İstanbul 🗓️ 3–7 Haziran 🎟️ Giriş ücretsiz! #IDAF26 #Retell #REWORLD #DigitalArt #digitalartexperience

🌿 COMPETIÇÃO NACIONAL // NATIONAL COMPETITION 🌿 EN below ⬇️ A Competição Nacional do FICS regressa em 2026 com uma seleção de filmes portugueses e coproduções internacionais que disputam o prémio de Melhor Filme da Competição Nacional. Entre longas e curtas-metragens, esta secção reúne obras que atravessam paisagens, memórias, comunidades e conflitos contemporâneos, olhando para o território como espaço de disputa, pertença e transformação. Entre o rural e o urbano, o íntimo e o político, os filmes desta secção exploram relações com a terra, o trabalho, o ambiente, a herança, o corpo e o futuro. A programação inclui várias estreias nacionais e mundiais, bem como a presença de realizadores convidados ao longo do festival. Deslize para conhecer os filmes desta secção 🎞️ — The FICS National Competition returns in 2026 with a selection of Portuguese films and international co-productions competing for the Best National Competition Film award. Bringing together feature films and short films, this section explores landscapes, memories, communities and contemporary conflicts, looking at territory as a space of dispute, belonging and transformation. Between the rural and the urban, the intimate and the political, the films in this section explore relationships with land, labour, environment, heritage, the body and the future. The programme includes several national and world premieres, as well as the presence of guest filmmakers throughout the festival. Swipe to discover the films in this section 🎞️ — @ficsantarem @santarem.cultura @municipiodesantarem @cineclubedesantarem @institutodocinemaeaudiovisual #FICS #ficsantarem #cinemadaterrapelaterra #FICS2026 #internationalfilmfestival

This weekend, we are exhibiting a selection of images of GIGANTES DURMIENTES (SLEEPING GIANTS) at @artphotobcnfest @dissenyhub Barcelona. The project is the second collaboration betwen @grandeza.studio & @locument and we are currently developing it at @hangar_org . Prints by @vmfotolab

REWORLD 3 - 7 June Atatürk Cultural Center Istanbul, Turkey AI isn't abstract but deeply physical. It runs on energy, water, and human labour. It's trained on our voices, movements, and memories. Far from disembodied, AI circulates through machines, environments, and living bodies. Thinkers like Haraway and Barad remind us that intelligence is distributed, shared between humans, technologies, forests, rivers, and nervous systems. What if we stopped measuring AI by speed and efficiency, and started measuring it by care, reciprocity, and connection? Participating artists: Bianca Shonee Arroyo-Kreimes @shhonee Mit Borrás @mitborras Sougwen Chung @sougwen Jacopo Di Cera @jacopodicera Alper Derinboğaz @alperderinbogaz Alexandra Daisy Ginsberg @daisyginsberg Chino Moya @chino_moya_ Marina Otero & Locument @locument Pilar del Puerto @pilardelpuerto ScanLAB Projects @scanlab_projects Ben Cullen Williams @bencullenwilliams Curated by Gonzalo Herrero @gonzaloherrero An exhibition part of the 2026 Istanbul Digital Art Festival @digitalartfestistanbul (c) Clip from Life Cycle (2025) by Ben Cullen Williams

Junto a queridísimas Marina, Paco, Aurora, Francisco, Romea y Pablo, trabajamos en “The Cloud Bubble” para la última edición de la Bienal Española de Arquitectura y Urbanismo (@bienal_beau ). En cómo desmontar la idea de lo etéreo y lo inmaterial de la nube a través del estudio del territorio de Talavera y Aragón. En cómo activar el debate sobre infraestructuras digitales más justas y no extractivas. Siempre todo el ♥ a @atelieranderbados y @miguelramon._ por acompañarnos en la aventura y montar todo este engranaje, y a @juanbaraja por capturar todo ese mar de paneles.

El Instituto Cervantes ha elegido al Camp d’Elx Rural FilmFest, entre los miles de festivales del panorama nacional, para el comisariado del programa con el que se celebra El día más corto [ED+C]. Estamos muy felices de presentar el ciclo «Cine rural, herramienta de sabiduría y entendimiento», una selección de cuatro cortometrajes que han pasado por nuestro festival y que nos enfrentan con el estado de nuestro planeta y su cuidado. - «Strata Incognita» (España, 2023), de Romea Muryn, Francisco Lobo, Amaia Sánchez-Velasco y Jorge Valiente Oriol. ️- «Chinamperos: maintaining ancestral farming practices» (México y Alemania, 2025), de Rodrigo Jardón. ️- «Pasando Teruel» (España, 2023), de Manuel Omonte. ️- «El Jable» (España, 2024), de Bruno Atkinson. Disfruta de El Día Más Corto con nosotros en el canal de Vimeo del Instituto Cervantes: /showcase/el-dia-mas-corto-2025-rural —- ‘Institut Cervantes ha triat al Camp d’Elx Rural FilmFest, entre els milers de festivals del panorama nacional, per al comissariat del programa amb el qual se celebra El dia més curt [ED+C]. Estem molt feliços de presentar el cicle «Cinema rural, eina de saviesa i enteniment», una selecció de quatre curtmetratges que han passat pel nostre festival i que ens enfronten amb l’estat del nostre planeta i la seua cura. - «Strata Incognita» (Espanya, 2023), de Romea Muryn, Francisco Lobo, Amaia Sánchez-Velasco i Jorge Valiente Oriol. ️- «Chinamperos: maintaining ancestral farming practices» (Mèxic i Alemanya, 2025), de Rodrigo Jardón. ️- «Pasando Teruel» (Espanya, 2023), de Manuel Omonte. ️- «El Jable» (Espanya, 2024), de Bruno Atkinson. Gaudeix del Dia Més Curt amb nosaltres en el canal de Vimeo de l’Institut Cervantes. . . . . . #ruralfilmfest #campdelxruralfilmfest #institutocervantes #eldiamascorto @jaromben @coordinadoradelcorto @institutocervantescasablanca @institutocervantestanger @institutocervantesrecife @institutocervantesespana @institutocervantessydney @institutocervantestunez @institutocervantesmanchester @institutocervantessalvador @institutocervanteslondon @instituto_cervantes_munich @institutocervantesvarsovia @festimapp @fermincresporodriguez

Vier verhalen. Eén stad. Duik in Amsterdam zoals je dat alleen bij Arcam kan: van mini-wonen tot megaverandering, van afval tot architectuur. Laat je verrassen, en vooral: kom kijken vóór 23 november! En vanaf 28 november '25 weer twee nieuwe tentoonstellingen!

We are so glad to see 'Strata Incognita' still touring. This weekend, it will be screened in New York City and Madrid! Thanks to XVIII Science New Wave Festival @labocine (New York City, October 17–19) and to 14th Another Way Film Festival @anotherwayff (Madrid, October 14–19 @cinetecamadrid ) for inviting us! STRATA INCOGNITA is a film by @grandeza.studio + @locument Written and directed by: @amaia.sanchezvelasco @jorge.valiente.oriol @romeeea @franciscoslobos With Microscopic Cinematography by @jam_and_germs Sound Design by @pulsarsoundstudios Voiceover @terevilas and @pabibdur (recorded by Benigno Moreno and Mayca Aguilera) Music by @johannsebastianni With images courtesy of @spununderground and Dr. Loreto Oyarte Galvez (“Flow of nutrients inside arbuscular mycorrhizal network”), Dr. Juan Montero Gutiérrez (“Detail of the skeletal remains exhumed from the mass grave of Mount Estépar, Burgos”), Iván Cabrera & Víctor Ortega Ramos from Instituto Volcanológico de Canarias (“Drone images over Tajogaite crater”) Distributed by Curtas @agenciapt_shorts Initially commissioned for @foodscapes2024 (curated by @castillo_vinuesa and Manuel Ocaña @fastfuriousoffice , with Ana Ara) the Pavilion of Spain at Biennale Architettura 2023 @labiennale curated by @lesleylokko with @emmett_scanlon , Laurence Lord, Alice Clancy & Sarah de Villiers With support from the Government of Spain through DGAUA (Ministry of Transport, Mobility, and Urban Agenda), @acecultura @aecid_es @fundacion.arquia Many thanks to Farmerrain, Jesús Isiegas Mainar (CRDOP Cariñena), Toby Kiers and Kelcie Walther (SPUN), Rufina Santana (CSF), Abel Torrelles (Compost Segrià), Charo Baguena Felipe, Reme Fernández Gómez, Amaya Serrano Baguena, Antonio Mainar Royo, Luis Martín González, Ciro Cabal, Juan Carlos Castro-Dominguez, Alfonso García Díez, Denise Perpen, Crístofer Pérez Díaz, Michel Daniel Pérez Guillén, Nathalie Rompillon & Miguel Valiente

UNDOMESTICATED 2020 Locument Original Soundtrack: André Júlio Turquesa _ MAXXI The National Museum of XXI Century Arts, Rome, IT In a period of forced social isolation, the growing dissociation and disbelief of current social structures and world dynamics, new forms of communities emerge to redefine domesticity as a response to global concerns - political, environmental and social. In an effort to transform their surrounding environment, intentional communities materialize, sharing a common vision, principles and values, they aim to reshape and redesign social principles by creating micro-environments from which emerge new domestic typologies. These groups redefine the concept of domesticity and the structure of communal living. Domesticity is a concept that goes beyond the four walls of a house, domestic space is a place of security, comfort and shared identity. Undomesticated is a documentary film that aims to portray new approaches to contemporary living. Focused on self-isolating and self-sustaining communities that propose an alternative approach to everyday life, the film aims to portrait the pursuit for a way of life that can reflect their vision of the world. Produced for the Architecture Film Summer School organized by MAXXI in collaboration with Copenhagen Architecture Festival part of Future Architecture, Co-funded by the Creative Europe Programme of the European Union. directed by: Locument original score: André Júlio Turquesa curated by: Pippo Ciorra and Alessandra Spagnoli curatorial assistance: Chiara Castiglia technical and scientific consultant: Francesca Molteni tutors: Ila Beka and Louise Lemoine, Jamina Cibic, Nina Fischer and Maroan el Sani, Olivo Barbieri and Daria Menozzi, Petra Noordkamp special thanks to: Josephine Michau, Copenhagen Architecture Festiva Miguel Braceli, Will Jennings, Sonja Lakic, MIES TV

Celebrating 25 Years of “Being a legend” And we couldn’t have done it, nor would we have wanted to, without our filmmakers, partners, supporters, friends, team and of course fans! So, what better way to kick things off than with a big thank you to everyone who sent their heartfelt congratulations to AFFR! Some filmmakers even sent in video shout-outs, and we have turned them into a mini reel that captures the overarching spirit. This anniversary edition is unlike any before. It is packed with premieres, debates, a new immersive programme, a 25-hour celebratory marathon and for the first time the #AFFRAwards25. And you are invited to join the celebration! Raise a glass with us to a quarter-century of architecture, film, and the city. See you tonight for the big opening. Doors open at 19:15 at Theater Rotterdam. PS. Wait for the cat, so cute! #AFFR25Years