Hugo Lioret

▬ 𝗔̀ 𝗖𝗢𝗡𝗧𝗥𝗘-𝗖𝗛𝗔𝗡𝗧, 𝗨𝗡 𝗣𝗛𝗔𝗥𝗘 ▬ 𝗖𝗥𝗘́𝗔𝗧𝗜𝗢𝗡 𝗩𝗮𝗿𝗶𝗮𝘁𝗶𝗼𝗻𝘀 𝗮𝘂𝘁𝗼𝘂𝗿 𝗱’𝘂𝗻 𝗽𝗮𝘆𝘀𝗮𝗴𝗲 𝘀𝗼𝗻𝗼𝗿𝗲 𝗜𝗻𝘀𝘁𝗮𝗹𝗹𝗮𝘁𝗶𝗼𝗻 𝗶𝗺𝗺𝗲𝗿𝘀𝗶𝘃𝗲 𝗲𝘁 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲-𝗰𝗼𝗻𝗰𝗲𝗿𝘁 @lioret__ / @henricolombat 𝖳𝗋𝗂𝗉𝗍𝗒𝗊𝗎𝖾 𝖽𝖾 𝖼𝗋𝖾́𝖺𝗍𝗂𝗈𝗇 𝗌𝗈𝗇𝗈𝗋𝖾 𝖾́𝖼𝗈𝗌𝗈𝗉𝗁𝗂𝗊𝗎𝖾 𝗌’𝖺𝗍𝗍𝖺𝖼𝗁𝖺𝗇𝗍 𝖺𝗎𝗑 𝗌𝗉𝖾́𝖼𝗂𝖿𝗂𝖼𝗂𝗍𝖾́𝗌 𝗌𝗈𝗇𝗈𝗋𝖾𝗌 𝖽𝖾 𝗅’𝖾́𝖼𝗈𝗌𝗒𝗌𝗍𝖾̀𝗆𝖾 𝖽𝖾 𝗅’𝖨̂𝗅𝖾 𝖵𝗂𝖾𝗋𝗀𝖾 : 𝟤 𝗉𝖺𝗋𝖼𝗈𝗎𝗋𝗌 𝗌𝗈𝗇𝗈𝗋𝖾𝗌 𝗀𝖾́𝗈𝗅𝗈𝖼𝖺𝗅𝗂𝗌𝖾́𝗌, 𝟣 𝗂𝗇𝗌𝗍𝖺𝗅𝗅𝖺𝗍𝗂𝗈𝗇 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗏𝖾, 𝟣 𝖼𝗈𝗇𝖼𝖾𝗋𝗍 𝗌𝗉𝖺𝗍𝗂𝖺𝗅𝗂𝗌𝖾́ —𝗠𝗲𝗿𝗰𝗿𝗲𝗱𝗶 𝟮𝟵 𝗮𝘃𝗿𝗶𝗹 𝟮𝟬𝟮𝟲 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲-𝗰𝗼𝗻𝗰𝗲𝗿𝘁 𝘖𝘶𝘷𝘦𝘳𝘵𝘶𝘳𝘦 𝘢̀ 𝘱𝘢𝘳𝘵𝘪𝘳 𝘥𝘦 17𝘩30 𝟭𝟴𝗵 - 𝗦𝗲𝘀𝘀𝗶𝗼𝗻 𝟭 𝟭𝟵𝗵 - 𝗦𝗲𝘀𝘀𝗶𝗼𝗻 𝟮, 𝗮𝘃𝗲𝗰 𝗶𝗻𝘁𝗲𝗿𝗮𝗰𝘁𝗶𝗼𝗻 𝗱𝘂 𝗽𝘂𝗯𝗹𝗶𝗰 📌 @meme_si_malou_editions - 𝟥𝟫 𝖻𝗈𝗎𝗅𝖾𝗏𝖺𝗋𝖽 𝖡𝖾𝖺𝗎𝗆𝖺𝗋𝖼𝗁𝖺𝗂𝗌, 𝟩𝟧𝟢𝟢𝟥 𝖯𝖺𝗋𝗂𝗌 🎫 𝖤𝗇𝗍𝗋𝖾́𝖾 𝗀𝗋𝖺𝗍𝗎𝗂𝗍𝖾 (𝗃𝖺𝗎𝗀𝖾 𝗅𝗂𝗆𝗂𝗍𝖾́𝖾) 𝖨𝗇𝗌𝖼𝗋𝗂𝗉𝗍𝗂𝗈𝗇 𝗉𝗋𝖾́𝖺𝗅𝖺𝖻𝗅𝖾 𝗉𝖺𝗋 𝗆𝖺𝗂𝗅 𝖺̀ [email protected] 🔗 ensemble2e2m.fr/a-contre-chant-un-phare (lien en bio) —𝗮𝘃𝗲𝗰— @avecchiatoooo , 𝖿𝗅𝗎̂𝗍𝖾 𝖵𝖾́𝗋𝗈𝗇𝗂𝗊𝗎𝖾 𝖥𝖾̀𝗏𝗋𝖾, 𝖼𝗅𝖺𝗋𝗂𝗇𝖾𝗍𝗍𝖾 @dorotheenodelanglois , 𝗏𝗂𝗈𝗅𝗈𝗇 @siracusalouis , 𝖼𝗈𝗇𝗍𝗋𝖾𝖻𝖺𝗌𝗌𝖾 — 𝗜𝗻𝘀𝘁𝗮𝗹𝗹𝗮𝘁𝗶𝗼𝗻 𝗶𝗺𝗺𝗲𝗿𝘀𝗶𝘃𝗲 - 𝗗𝘂 𝟭𝟱 𝗮𝘂 𝟮𝟴 𝗮𝘃𝗿𝗶𝗹 𝟮𝟬𝟮𝟲 𝖩𝖾𝗎𝖽𝗂-𝗌𝖺𝗆𝖾𝖽𝗂, 𝟣𝟣𝗁-𝟣𝟫𝗁 𝖾𝗍 𝗌𝗎𝗋 𝗋𝖾𝗇𝖽𝖾𝗓-𝗏𝗈𝗎𝗌 𝖵𝖾𝗋𝗇𝗂𝗌𝗌𝖺𝗀𝖾 : 𝗆𝖾𝗋𝖼𝗋𝖾𝖽𝗂 𝟣𝟧 𝖺𝗏𝗋𝗂𝗅, 𝟣𝟪𝗁𝟥𝟢 — @culture_gouv - 𝖣𝖱𝖠𝖢 𝖨𝖣𝖥 @iledefrance @valdemarne_94 @villedechampignysurmarne ville_gennevilliers @meme_si_malou_editions @ensemble2e2m @paysdesabers , 𝖺𝗏𝖾𝖼 𝗅𝖾 𝗌𝗈𝗎𝗍𝗂𝖾𝗇 𝖽𝖾 𝗅𝖺 𝖬𝖺𝗂𝗌𝗈𝗇 𝖽𝖾 𝗅𝖺 @musiquecontemporaine 𝖾𝗍 𝖽𝖾 𝗅𝖺 @spedidam 𝖱𝖾𝖼𝗁𝖾𝗋𝖼𝗁𝖾 𝗆𝖾𝗇𝖾́𝖾 𝖺𝗏𝖾𝖼 𝗅𝖾 𝗌𝗈𝗎𝗍𝗂𝖾𝗇 𝖽𝖾 𝗅’@iremus_officiel (𝖨𝗇𝗌𝗍𝗂𝗍𝗎𝗍 𝖽𝖾 𝗋𝖾𝖼𝗁𝖾𝗋𝖼𝗁𝖾 𝖾𝗇 𝗆𝗎𝗌𝗂𝖼𝗈𝗅𝗈𝗀𝗂𝖾 – 𝖢𝖭𝖱𝖲/𝖲𝗈𝗋𝖻𝗈𝗇𝗇𝖾 𝖴𝗇𝗂𝗏𝖾𝗋𝗌𝗂𝗍𝖾́), 𝖽𝖾 𝗅𝖺 𝖲𝖺𝖼𝖾𝗆 𝖾𝗍 𝖽𝗎 @elektronmusikstudion_ems (𝖲𝗍𝗈𝖼𝗄𝗁𝗈𝗅𝗆, 𝖲𝗎𝖾̀𝖽𝖾) 𝘗𝘩𝘰𝘵𝘰 © 𝘏𝘶𝘨𝘰 𝘓𝘪𝘰𝘳𝘦𝘵

🌊🎧 Découvrez l’ADN du Pays des Abers !  Partez à la rencontre de parcours sonores immersifs créés par Hugo Lioret, en collaboration avec Malou Éditions, Biophonia et Abers Tourisme.  La composition a été construite à partir d’enregistrements sonores (field recordings) réalisés exclusivement sur l’espace de l’île Vierge (île et petit phare) et le littoral, ainsi que de diverses sources de synthèse sonore analogique et numérique. Ces créations révèlent l’identité sonore unique de l’île Vierge et du littoral, à la pointe du Kastell Ac’h (Plouguerneau).  Suivez le parcours depuis votre canapé ou vivez l’expérience sur place grâce à des zones interactives qui déclenchent automatiquement les audios au fil de votre promenade.  Écoutez le paysage sonore et participez à l’enquête doctorale d’Hugo Lioret.  👉 Lien en bio vers l’expérience sonore à l’île Vierge 🎶  « À contre-chant, un phare »    🌊🎧 Discover the DNA of the Pays des Abers!  Set off to explore immersive sound journeys created by Hugo Lioret, in collaboration with Malou Éditions, Biophonia, and Abers Tourisme.  The composition was created using sound recordings (field recordings) made exclusively in the area of Île Vierge (the island and the small lighthouse) and along the coastline, as well as various sources of analog and digital sound synthesis. These creations reveal the unique sound identity of Ile Vierge and the coastline, at Pointe du Kastell Ac’h (Plouguerneau).  Follow the journey from the comfort of your home or experience it on site thanks to interactive zones that automatically trigger audio as you walk.  Listen to the landscape and take part in Hugo Lioret’s doctoral research study.  👉 Link in bio to the sound experience on Ile Vierge 🎶  “« À contre-chant, un phare »”  📷 Hugo Lioret, VAM-OTPA

Presentation accepted by the scientific committee of the international conference Music and Local Identities: Anchoring and Circulation, to be held at the @universiteclermontauvergne Maison des Sciences de l’Homme in Clermont-Ferrand from May 11 to 13, 2026! My presentation will present preliminary results based on the analysis of the process and reception of the multimodal creation “À contre-chant, un phare” with @paysdesabers @ensemble2e2m @conservatoiredulittoral @biophonia @pharesilevierge @elektronmusikstudion_ems @lettres_sorbonne @meme_si_malou_editions . Written conference proceedings will follow.

📷 𝗥𝗘𝗧𝗢𝗨𝗥 𝗘𝗡 𝗜𝗠𝗔𝗚𝗘𝗦 ▬ 𝗔̀ 𝗖𝗢𝗡𝗧𝗥𝗘-𝗖𝗛𝗔𝗡𝗧, 𝗨𝗡 𝗣𝗛𝗔𝗥𝗘 𝟤𝟫.𝟢𝟦.𝟤𝟢𝟤𝟨, @meme_si_malou_editions - 𝖯𝖺𝗋𝗂𝗌 𝟥 𝘝𝘢𝘳𝘪𝘢𝘵𝘪𝘰𝘯𝘴 𝘢𝘶𝘵𝘰𝘶𝘳 𝘥’𝘶𝘯 𝘱𝘢𝘺𝘴𝘢𝘨𝘦 𝘴𝘰𝘯𝘰𝘳𝘦 𝗜𝗻𝘀𝘁𝗮𝗹𝗹𝗮𝘁𝗶𝗼𝗻 𝗶𝗺𝗺𝗲𝗿𝘀𝗶𝘃𝗲 𝗲𝘁 𝗽𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲-𝗰𝗼𝗻𝗰𝗲𝗿𝘁 𝗱’@lioret__ 𝗲𝘁 𝗱’@henricolombat • 𝗰𝗿𝗲́𝗮𝘁𝗶𝗼𝗻 — 𝘱𝘢𝘳𝘵𝘦𝘯𝘢𝘪𝘳𝘦𝘴 𝘦𝘵 𝘴𝘰𝘶𝘵𝘪𝘦𝘯𝘴 @meme_si_malou_editions | @paysdesabers | @pharesilevierge . 𝖠𝗏𝖾𝖼 𝗅𝖾 𝗌𝗈𝗎𝗍𝗂𝖾𝗇 𝖽𝖾 𝗅𝖺 𝖬𝖺𝗂𝗌𝗈𝗇 𝖽𝖾 𝗅𝖺 @musiquecontemporaine 𝖾𝗍 𝖽𝖾 𝗅𝖺 @spedidam . 𝖱𝖾𝖼𝗁𝖾𝗋𝖼𝗁𝖾 𝗆𝖾𝗇𝖾́𝖾 𝖺𝗏𝖾𝖼 𝗅𝖾 𝗌𝗈𝗎𝗍𝗂𝖾𝗇 𝖽𝖾 𝗅’@iremus_officiel (𝖨𝗇𝗌𝗍𝗂𝗍𝗎𝗍 𝖽𝖾 𝗋𝖾𝖼𝗁𝖾𝗋𝖼𝗁𝖾 𝖾𝗇 𝗆𝗎𝗌𝗂𝖼𝗈𝗅𝗈𝗀𝗂𝖾 – 𝖢𝖭𝖱𝖲/𝖲𝗈𝗋𝖻𝗈𝗇𝗇𝖾 𝖴𝗇𝗂𝗏𝖾𝗋𝗌𝗂𝗍𝖾́), 𝖽𝖾 𝗅𝖺 𝖲𝖺𝖼𝖾𝗆 𝖾𝗍 𝖽𝗎 @elektronmusikstudion_ems (𝖲𝗍𝗈𝖼𝗄𝗁𝗈𝗅𝗆, 𝖲𝗎𝖾̀𝖽𝖾) @culture_gouv - 𝖣𝖱𝖠𝖢 𝖨𝖣𝖥 | @iledefrance | @valdemarne_94 | @villedechampignysurmarne | ville_gennevilliers
 𝘱𝘩𝘰𝘵𝘰𝘴 @ 𝘊𝘦́𝘭𝘪𝘯𝘦 𝘉𝘰𝘥𝘪𝘯

Venez découvrir le prototype de l’expérience en réalité virtuelle "Devenir Lucien : La caverne aux hormones" écrite, réalisée et narrée par Lucien Pin ! En première mondiale dans le cadre de la sélection « Carte blanche / Work-in-progress » du festival NewImages 2026. Embarquez dans la mystérieuse caverne aux hormones ! Lucien affronte la dysphorie et part à la recherche de sa nouvelle voix… Devenir Lucien est un autoportrait documentaire en réalité virtuelle où Lucien, homme trans de 28 ans, partage son parcours de transition à l’enfant qu’il était vingt ans plus tôt. Infos pratiques : Essai du prototype VR - 10 minutes Mardi 7 avril (14h30-18h30) 8 au 12 avril (10h-13h / 14h-18h30) 14 au 18 avril (12h-18h30) Entrée libre / Réservation conseillée en DM ou à [email protected] Conférence et rencontre avec l’équipe Le vendredi 10 avril à 15h Animée par Lucien Pin et l’équipe de création En accès libre NewImages Festival 2026 Au Carrefour Numérique² (niveau -1) de la Cité des sciences et de l'industrie 30 avenue Corentin-Cariou 75019 Paris

To everyone listening • “Your compassion, answered the shrub, Arises from a kind nature; but leave off this care. The winds are less fearful to me than to you. I bend and do not break.” Jean de La Fontaine, The Oak and the Reed (Le Chêne et le Roseau) Hambach Forest A sound installation by Ida Hiršenfelder @beepblip & Hugo Lioret 21.11.2025 - 09.12.2025 — Part of the Terrain(s) d’entente(s) cycle — Graphic design: → Juanma Gomez Web development: → Olivier J. — Produced by Même si — Malou éditions @meme_si_malou_editions With the support of the Ministry of Culture of the Republic of Slovenia and IReMus (Institute for Research in Musicology, CNRS / Sorbonne University)

On Friday, January 30th, I premiered the first public session of « À contre-chant, un phare » at the pointe du Kastell’Ach, with the soundwalk version of part A. The itinerary proposes a gradual unfolding of symbolic sounds of @pharesilevierge in relation with the dramaturgie implied by the dualities based on the actual route (left/right turns and declivities, covering/discovering, low/high level difference). This bio-inspired journey is permanently accessible via the @paysdesabers website with @meme_si_malou_editions through @echoesxyz . This sonic proposition is rooted in a tourism dynamic characterized by an ecology of attention, offering a practice of situated listening. The tourist office will initiate guided sound walks, inspired by the original conduction I proposed.

Recording session with @ensemble2e2m for the mixed version of « À contre chant, un phare » co-composed with @henricolombat • The sound materials produced by the musicians are inspired by the behaviours and qualities of symbolic sounds field recorded on the @pharesilevierge (water, wind, pipit maritime, lighthouse whistle in both extracts). These sonic interactions are written as an exemple of a bio-inspired approach in my phd thesis. You will be able to hear the mixed and installative version next April from 13th to 29th at @meme_si_malou_editions ! Musicians: Jean-Philippe Grometto - Flute Véronique Fèvre - Clarinet Dorothée Nodé-Langlois - Violon Louis Siracusa - Double Bass

The Hambach interactive sound map is available at /Hambach-Forest/ 🌿 The Hambach Forest (North Rhine) is a territory scarred by the devastation caused by lignite extraction. Over 12,000 years old and home to numerous protected species and thousands of century-old trees, this primeval forest once covered more than 4,600 hectares when mining operations began in 1978. After deforestation was halted in 2020, only 650 hectares remain. This former green lung of northern Germany has now given way to a vast open-pit mine covering 53 km² and plunging over 300 meters deep. Grounding their sound-based practice in field recording and electroacoustic composition, Ida Hiršenfelder and Hugo Lioret chose to focus on this post-industrial landscape. During the summer of 2025, they collected a set of geophonic (wind, rain…), biophonic (birds, insects, mammals…) and anthropogenic (mining excavators, mechanical vibrations…) sounds, in order to listen to the residual life of a forest at the heart of a profoundly artificialized territory. Rather than attempting to reconstruct a lost harmony, they seek to make perceptible what still persists and resists amid the devastation. Their approach resembles an acoustic archaeology of the living, attentive to what continues to proliferate in the interstices of disaster. Reworked into a three-part sound piece — Le Couloir d’images, Solastasis, and Présence — within the installation “How Far Does the Branch Bend Before It Breaks?” - These field recordings form an online sound atlas that extends, through geo-localized listening, the work presented at Même si from 20 November to 9 December 2025. A collaboration with @juanmagomez_fr @beepblip @meme_si_malou_editions Olivier J.

Pre-listening session with @beepblip for our sound installation « How long can a branch bow before it breaks? » This first guided listening session kicked off a series of mediations that took place throughout the exhibition’s opening days from 21.11.25 to 09.12.25! 📸 : Joël Houzet Produced by Même si — Malou éditions @meme_si_malou_editions With the support of the Ministry of Culture of the Republic of Slovenia and IReMus (Institute for Research in Musicology, CNRS / Sorbonne University) @cnrs @lettres_sorbonne

The sound installation How long can a branch bow before it breaks? takes root in the Hambach Forest, in the Rhineland — a once vast primary forest almost entirely destroyed by lignite extraction and transformed into an immense open-pit mine stretching over 53 square kilometres and 300 metres deep. Several years after the ecological struggles that marked the region, Ida Hiršenfelder @beepblip and Hugo Lioret returned to listen — to what endures, to what still resists. Each recording becomes a fragment of a ruined ecosystem, whose electroacoustic transformation produces a recomposed soundscape weaving together geophonic sounds (rain, wind), biophonic traces (birds, insects), and anthropophonic layers (mining machines). By combining field recording, transformation, and spatialization,the artists compose a sonic landscape that brings forth the presence of life within the field of devastation. Their approach echoes Anna Tsing’s “arts of noticing” (The Mushroom at the End of the World, 2015): those practices of attention that, within the ruins of industrial capitalism, teach us to perceive what persists, adapts, and recomposes itself into a paradoxical new nature. Alongside the three sound installations presented at Même si (The Image Corridor, Solastasis, and Presence), each reflecting a different tension between survival and erasure, resilience and fragility, threat and recomposition, an interactive map of Hambach Forest allows visitors to listen to and geolocate the field recordings — connecting the installation’s sensory dimension to the situated and documentary approach at its core. __________ Vernissage 20 November 2025 · 6:30-9 pm Pre-listening 20 November 2025 · 5:30-6:15 pm (Registration required) Exhibition 21 November → 9 December 2025 Produced by Même si — Malou éditions @meme_si_malou_editions With the support of the Ministry of Culture of the Republic of Slovenia and IReMus (Institute for Research in Musicology, CNRS / Sorbonne University) @cnrs @lettres_sorbonne

5 days artistic research residency at @pharesilevierge !! I am staying on site during 5 days days in order to do field recording and design a listening experience based on the specific characteristics of this island, part of @conservatoiredulittoral . The data collected will be used to create a geolocated sound piece, a sound installation @meme_si_malou_editions and a unique concert with the @ensemble2e2m . The aim is to study public reception of a project related to bioinspiration, sound ecology, through different mediations and modes of investigation. More information coming soon! Immense thanks to @paysdesabers @meme_si_malou_editions @lettres_sorbonne @ensemble2e2m @biophonia @elektronmusikstudion_ems who made this project possible as part of my doctoral study.