Here she is ‘Piecing Pages: On working in fragments’!! 248 pages of blood, sweat, and tears, and the source of some of my greatest joy in 2025. Now available @printedmatterinc in New York, @after.8.books in Paris, @san.serriffe in Amsterdam, @modealsomode in Melbourne, @artdata_london in London. As well as online and for international distribution via @ideabooksnl , and in NL/BE distribution via @jessepresse . I’m so thankful to the contributors who have each added a piece of their work to this publication: @asefeht , @hankavdvoet , Joke Robaard, Linda van Deursen, Lucy L. Lippard, @melissameyer201 , Miriam Schapiro, @publiclibraryquilts , @ronja_andersen , Rietlanden Women’s Office, @rositakaer , @sharbreon , @hellosusulee and @sohnyoungeun .

Today is the last day to see the show @san.serriffe ! Here are some snapshots of the references, works and archive material on display by the wonderful book contributors Asefeh Tayebani, Hanka van der Voet, Jess Bailey and Sharbreon Plummer, Joke Robaard, Linda van Deursen, Lucy R. Lippard, Melissa Meyer and Miriam Schapiro, Rietlanden Women’s Office, Ronja Andersen, Rosita Kær, Susu Lee, Youngeun Sohn. Open today from 1–5pm 🌷

Thanks to @ideabooksnl for this wonderful video! ‘Piecing Pages’ is available via Idea Books for online orders and international distribution, and in NL/BE distribution via @jessepresse 💌

MacGuffin Nº 15 The Stitch includes part of an impressive study by @linearngaard and @rositakaer on ‘The Bog Pattern’ – a garment construction method preserved for thousands of years on the bodies of their original wearers, lying under burial mounds in Denmark. The pattern transforms a single piece of fabric into a timeless, T-shaped blouse with just two seams, and was a source of fashion inspiration, from Balenciaga to Issey Miyake. Equally captivating: Line’s publication on working in fragments - ‘Piecing Pages’, which also includes articles by The Stitch contributors @hankavdvoet , Joke Robaard and @rositakaer . The beautifully designed book unravels how a traditional women’s craft technique – assembling scraps – informs the fragmented working methods of designers, artists and writers today. Available through @jessepresse , @ideabooksnl and @san.serriffe #macguffinmagazine #thestitch

One month ago, my book ‘Piecing Pages: On working in fragments’ was finally launched @san.serriffe in Amsterdam, in a room more full of people and support than I could have ever dreamed of. And this weekend is the last chance to see the launch display at San Serriffe which includes a selection of projects, artworks and research material relating to the book. A big thanks to Pieter, Cathy, Kimberley, Hanka and Till for all the help with the launch 💌

It’s finally here: ‘Piecing Pages: On working in fragments’ a book project I have been pouring my heart into editing, designing and publishing for the past three years.   Please join for the book launch at San Serriffe (Sint Annenstraat 30, Amsterdam) on September 25, 6pm. At 6.30 there will be a small presentation of both the book and a selection of projects, artworks and research material exhibited in the space. During the launch Sumin Lee and Kimberley Cosmilla will be serving homemade drinks and bites.   “Piecing Pages is a (visual) reader which collects the work of fifteen artists, writers and designers across twelve contributions. Each contribution offers insights into a practice or research project that in some way embodies the notion of working in fragments. Together, these contributions unravel how a traditional women’s craft technique – assembling scraps – continues to influence and inform the fragmented working methods of designers, artists and writers today.”   With contributions by Asefeh Tayebani, Hanka van der Voet, Jess Bailey and Sharbreon Plummer, Joke Robaard, Linda van Deursen, Lucy R. Lippard, Melissa Meyer and Miriam Schapiro, Rietlanden Women’s Office, Ronja Andersen, Rosita Kær, Susu Lee, Youngeun Sohn.   The book is available via @jessepresse and @san.serriffe

Built Homecoming: The House of Aldo and Hannie Van Eyck. Exhibition on at @nieuweinstituut until 12 January 2025. curated by @acamposuribe and Dirk vd Heuvel spacial design by @oliviergoethals.info production by @christie.bakker photos by Petra van der Ree and more graphic design by @linearngaard typeface by @orangeslicetype hands by @maudvervenne

Greetings from @statensvaerksteder where l have been textile printing for the past weeks. These textiles are part of a book project titled ‘Piecing Pages’ which I have been working on for a year as part of the @stimuleringsfonds talent development programme. More soon (I hope) 🥀

After a long Instagram silence I thought it might be prudent to start the year with a banger! I’m so happy to share that ‘Handle/Collecting Alibis’ Amie Dicke’s two volume monograph is out now. Lots of time, energy and heart has gone into both editing and designing this book (or perhaps I should say books) The book will be launched at the end of February at @eenwerk_gallery in Amsterdam, but if you can’t wait the book can already be found at @buchhandlungwaltherfranzkoenig bookshops around the world. Thank you, @amiedicke , for trusting me with this project. lithography by @marcgijzen , letter & poem by @mariekelucasrijneveld , interview by Amelia Groom, project coordination by @annelakeman

Meet Line Arngaard, who designed Warehouse Review 002 ‘A Review of Reviews’. 🌸

Warehouse Review 002 ‘A Review of Reviews’ is out 🚨 Join the online talk on November 18th, you can find more info on @amsterdam.warehouse . The book is edited by @hankavdvoet and @johannesreponen and it contains nine reviews of fashion reviews plus haikus by @hankavdvoet . designed by yours truly ❤️

Our eight Bog Jackets are on view at Eight Cubic Meters in the city center of Amsterdam till May 5th. Pass by, it’s always open! In collaboration with @rositakaer . Photos by @doralionstoned . @rietveldacademie Produced with skilled help from @teuntjekranenborg & @asefeht