Jiaming Liao

@liao_jiaming_

Mar Perform @artcentralhk Apr Solo @videotage_hk May @hauberlin @goetheinstitut_hk Sept-Oct Residency @hangar_cia Old media art tits @augustleoo
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「(無)歷史、(非)酷兒、(不)科技的身體」 (un)historical, (non)queer, and (anti)technological human bodies 誠邀參與配合展覽「神又係你,鬼又係你」舉辦的藝術家分享會。 藝術家廖家明 @liao_jiaming_ 和策展人童詠瑋 @yungwei_desertorosso 將從展覽作品及廖家明的創作脈絡切入,視「身體」為一個高度不穩定且被持續爭奪的動態場域——其生成交織於歷史敘事、酷兒文化與科技媒介之中。沿著這些彼此滲透、時而衝突矛盾的向度,本次對談將進一步追問:在當代藝術的語境裡,肉身如何被再現,乃至如何被操作、規訓與重構於不斷變動的可見性及權力機制之中。 You are invited to an artist sharing held in conjunction with the exhibition “Spectres in Heaven.” Artist Liao Jiaming and curator Tung Yung-Wei will take the works in the exhibition and Liao’s artistic trajectory as points of departure, approaching the “body” as a highly unstable and continuously contested field—one whose formation is entangled with historical narratives, queer culture, and technological mediation. Moving across these interpenetrating and at times conflicting dimensions, the conversation further asks: within the context of contemporary art, how is the corporeal body represented, and how is it operated upon, disciplined, and reconfigured within ever-shifting regimes of visibility and power? 日期 Date: 25 April (星期六 Saturday) 時間 Time: 16:00 – 17:30 地點 Venue: 錄映太奇 Videotage (土瓜灣牛棚藝術村13號 | Unit 13, Cattle Depot Artist Village, To Kwa Wan) * 分享會將主要以國語進行。 * The sharing is mainly conducted in Mandarin.
199 2
26 days ago
廖家明:神又係你,鬼又係你 Liao Jiaming: Spectres in Heaven 🔆 Exhibition Details | 展覽詳情 11.4.2026 - 30.4.2026 12:00 - 19:00 (Wed to Sun 三至日) 🔆 Opening Reception | 開幕酒會 16:00 | 11.4.2026 (Sat 六) 「神又係你,鬼又係你」嘗試整合廖家明近年來透過不同藝術類型與方法,橫跨人工智慧、酷兒文化、身體規訓、香港歷史等主題之共同創作關懷——藝術家站在當下此一交錯節點,往後回看未竟的歷史殘篇,往前望向未明的未來科技,從中探尋並重構那些已然佚失或尚未實現的肉身想像。 在此一框架下,本展浮現出一個更為核心的命題:集體性與個體性之間​​的多重辯證。前述的各個主題及相應作品,都隱含著「控制」與「賦權」的雙面刃,並經由藝術家個人的身分衝突與生命軌跡,串連起相互牽引的錯位關係,進而互為提問,而非解答。 「神又係你,鬼又係你」原帶有反覆無常的欺騙意味,在此成了藝術家逃脫認同陷阱、得以暫時安全降落的曖昧狀態,亦是可持續前進或後退的策略位置。在一個看似穩定,實為幽靈籠罩的天堂中,四散的發光體,遊蕩的肉身及化身,如同呼吸一般,向時間的縫隙延展,持續召喚不可化約的主體生成與集體感知。藝術家藉此向觀眾發出邀請:我想帶你進入一場遊戲,但我不是唯一的話事人。 Curated by | 策展:Tung Yung-Wei 童詠瑋 @yungwei_desertorosso Visual Design | 視覺設計:Ria Zhang Riwen 張日雯 @yat._.yat Venue Partner | 場地伙伴:Videotage 錄映太奇 @videotage_hk (English version in comment session)
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1 month ago
Recap of our panel talk in 𝓐𝓻𝓽𝓲𝓯𝓲𝓬𝓲𝓪𝓵 𝓕𝓵𝓪𝓿𝓸𝓻 ✨ In our fourth panel talk, SATA continued its exploration of the digital frontier with ‘Hyperreal Bites: Artificial Materiality’. We were honored to host curator Richard Bakes (@richardbakes ) alongside artists Liao Jiaming (@liao_jiaming_ ) and Eason Tsang Ka Wai (@easonpage ) to dive into the friction between our natural world and synthetic reality. The conversation bridged continents, contrasting European "technoscepticism" with the rapid digital integration of Hong Kong. Jiaming shared his investigation into digital masculinity, using AI to generate "distorted bodies" from dating app aesthetics and transferring them onto physical T-shirts to explore the gap between virtual ideals and lived experience. Eason followed with a focus on urban residue, scanning meters of shipping tape to document the "dust" of logistics and re-purposing CRT monitors to explore the physical dimensions of virtual screens. Together, they reflected on the artist’s role as a "slow lens" in an automated age, maintaining the human sensitivity needed to define art and observe the stories technology often overlooks. 🖥 The full version of panel talk highlights is available on our website - Link in bio. Thank you to everyone who joined us to discuss the intersection of art, technology, and materiality. Stay tuned for more recaps from our Artificial Flavor series! 💫
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29 days ago
RSPV for the talk now💫Link in bio 🚀 This Basel week, 𝓐𝓻𝓽𝓲𝓯𝓲𝓬𝓲𝓪𝓵 𝓕𝓵𝓪𝓿𝓸𝓻 presents a series of panel talks dissecting the cyborg condition in modern art and urban design. Save the dates for March 24 & 28 for deep dives into our co-constitutive realities. 🗓 Talk 4: Hyperreal Bites: Artificial Materiality 📅 Date: 28 March (Sat) ⏰ Time: 3 - 4 pm 📍Venue: 101080 HHH, 2/F, Hollywood Centre, 233 Hollywood Road, Sheung Wan, Hong Kong Meet our guest speakers: 🔸In a practice that engages mainly with photography, video, and lightboxes, Eason Tsang Ka Wai (@easonpage ) takes inspiration from Hong Kong’s urban density and everyday objects. His works, most commonly addressing humans’ relationship to technology and urbanism, foreground a distinct perception that subverts common perspectives on daily existence in the city and the individual’s powerlessness against imposed social mechanisms. Notions of vulnerability, anxiety, escapism, and coercion are nodal to Tsang Ka Wai’s work, which he addresses and reflects on in relation to society’s structural elements – urban planning and geographies, new media, architecture – and the complex, specific political and economic reality of Hong Kong. Tsang Ka Wai’s work embraces a dark, futuristic, dystopian aesthetic that investigates individuals’ conception and perception of time, space and self in the contemporary megalopolis. 🔸Liao Jiaming (@liao_jiaming_ ) explores the narratives and power dynamics embedded in images through diverse media, including photography, video, installation, and performance. His work often delves into the gap between reconstructed realities and reality, examining themes of gender, the body, and identity. In recent years, his interests and practices have expanded to include the phenomenological use of technology—such as artificial intelligence—in the narratives of queer and non-human experience. Moderator: 🔹Richard Bakes (@richardbakes ) – curator, gallerist – Berlinskej Model, graphic designer and artist based in Prague – Czech republic.
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2 months ago
𝕊𝕪𝕞𝕓𝕚𝕠𝕤𝕚𝕤 𝟛.𝟘: 𝓐𝓻𝓽𝓲𝓯𝓲𝓬𝓲𝓪𝓵 𝓕𝓵𝓪𝓿𝓸𝓻 is landing in Hong Kong! This edition features 9 artist units joining the exhibition Let’s meet the lineup🔥 Artwork Showcase: Open Yourselves (Ourselves) Artist: Liao Jiaming (@liao_jiaming_ ) Developed from the artist’s long-term research into the profile images on gay dating apps and their subsequent manipulation through generative AI, the work results in an image manually transferred onto the artist’s old shirts. The original composition survives only as exhausted tatters. Yellowed, stained, and sewn together to reconstruct the image, the clothes recall the intimacy that is intensely desired yet perpetually lost—echoing a collective longing to be seen, worshipped, and consumed. Gel medium image transfer on the artist’s used clothes, stainless steel tube, stainless steel chains 215 x 145 cm 2024 Opening Hours 🕒 19 March (Thu): Opening Reception at 7pm–9pm 🎉 20–30 March: Exhibition open daily 12nn–7pm Venue 📍 101080 HHH, 2/F, Hollywood Centre 233 Hollywood Road, Sheung Wan, Hong Kong
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2 months ago
𝕊𝕪𝕞𝕓𝕚𝕠𝕤𝕚𝕤 𝟛.𝟘: 𝓐𝓻𝓽𝓲𝓯𝓲𝓬𝓲𝓪𝓵 𝓕𝓵𝓪𝓿𝓸𝓻 is landing in Hong Kong! This edition features 9 artist units joining the exhibition Let’s meet the lineup🔥 Liao Jiaming (@liao_jiaming_ ) explores the narratives and power dynamics embedded in images through diverse media, including photography, video, installation, and performance. His work often delves into the gap between reconstructed realities and reality, examining themes of gender, the body, and identity. In recent years, his interests and practices have expanded to include the phenomenological use of technology—such as artificial intelligence—in the narratives of queer and non-human experience. Opening Hours 🕒 19 March (Thu): Opening Reception at 7pm–9pm 🎉 20–30 March: Exhibition open daily 12nn–7pm Venue 📍 101080 HHH, 2/F, Hollywood Centre 233 Hollywood Road, Sheung Wan, Hong Kong
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2 months ago
Jiaming Liao | 廖家明 The sea and its harbors are central to life in Hong Kong, yet their meaning has shifted over time. How to Find Balance on Water is a work based on the artist’s research on the culture and traditions of the Tanka people, an “indigenous” community in Hong Kong. The work features three performers who were invited to find their balance in three former pier locations. Simultaneously, three Hong Kong residents learned and performed the ceremonial songs of the Tanka. By weaving together past and present, this piece invites the audience to reimagine their own sense of identity and place in the turbulence of our contemporary world.  大海與港口是香港生活的重要部分,但它們的意義也隨著時間而變化。藝術家近年為疍家人群體著迷,并借用這些香港水上原居民的文化與習俗發展成作品《陸上行舟》。作品邀請三位表演者在曾經是碼頭的地點表演「保持平衡」,並邀請了三位香港「陸上」居民學習和吟唱疍家人的「歌堂歌」(即葬禮和婚禮所唱的歌)。藝術家將過去與當下重疊,試圖引領大家在變幻動蕩的現代社會中重新想象我們的身份和所在。 📲派送途中:香港情感遷徙 Out of Delivery: Emotional Migration in Hong Kong 中東亞地區歌德學院寂境:孤獨與自由項目之一 | 展覽 A Goethe-Institut Regional Project on Solitude: Loneliness & Freedom | Exhibition 📆Fri, 08.08. –Thu, 11.09.2025 📍香港藝術中心14/F香港歌德學院Goethe-Gallery & Black Box Studio, Hong Kong @goetheinstitut_hk
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8 months ago
A duo exhibition, 𝙊𝙣𝙘𝙚 𝙇𝙤𝙨𝙩, 𝙉𝙤𝙬 𝙁𝙤𝙪𝙣𝙙 responds to the transient nature of the hotel (@mondrianhongkong ) and its harbor-side location. @5l_aaron and I revisited some of our previous works and both created site-specific new works, echoing the pervasive sense of uncertainty and search in the time of turbulence. Exhibition period: 𝟮𝟬 𝗠𝗮𝗿 - 𝟰 𝗠𝗮𝘆 (𝟯 - 𝟭𝟬𝗽𝗺 𝗱𝗮𝗶𝗹𝘆) Thanks for @hucki_ladidar ‘s invitation! Photos by @fswproduction
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1 year ago
Supper Club Day 6 Recap We are deeply grateful for everyone who has attended Supper Club and particularly those who have supported our artists for our evening performances. On Saturday, Liao Jiaming (@liao_jiaming_ ) performed “WYSIWYG”—the title being an acronym of “what you see is what you get”—as a powerful interrogation of societal constructions of beauty, power, and identity. Within “WYSIWYG”, the performers continuously augmented their bodies in a “ceremony of metamorphosis”, engaging with the audience and the artworks within Supper Club to encourage reflection on the politics of perception. This performance was co-presented by THE SHOPHOUSE (@theshophousehongkong ) and Programme Sponsor Cc Foundation. Supper Club 2025 is co-organised by Lead Event and Programme Partner HART (@harthongkong ) and Venue Sponsor H Queen’s (@hqueenshk ); its Show Director and Curator is Jims Lam (@jims_lam ), and VIP Director is Michelle Hsieh (@ymhsieh5 ). Supper Club Hong Kong Dates: 24–30 March, 2025 Venue: 9/F & 11/F H Queen’s, 80 Queen’s Road Central, Central, Hong Kong #supperclubhongkong
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1 year ago
𝙏𝙝𝙚 𝙄𝙣𝙩𝙤𝙪𝙘𝙝𝙖𝙗𝙡𝙚 (2021) When I was creating this work in 2021 for my first solo exhibition, I knew barely nothing about installations but wanted to make an installation that displays the images I collected “organically”. Believe it or not, Felix Gonzalez-Torres‘ work of light bulbs inspired me to eventually make it like this, stable yet resilient and ever-changing. The “intouchable” in the title comes from Salinger‘s famous quote “Love is a touch and yet not a touch.” Thanks for @tlalocberlin ‘s invite and his magical curation to bring the works together. 𝙃𝙤𝙬 𝙏𝙤 𝘽𝙚 𝙃𝙖𝙥𝙥𝙮 𝙏𝙤𝙜𝙚𝙩𝙝𝙚𝙧 is on view at @parasite.hk until 6th April. Pic1-3 at @parasite.hk , taken by @felixscimagery Pic4 at @harthongkong (curated by @lamlvera ), taken by @aray_bw0203 Pic5 at @hkipf , taken by @jimichiu
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1 year ago
A mural of entangled bodies printed atop a quilt-like collage of the artist’s used clothes, Liao’s Open Yourselves (Ourselves) (2024) draws a connection between the representation of beauty in religious iconography and that in social technology. Developed from the artist’s ongoing investigation of technology’s impact on queer culture, the artwork begins with Liao’s vast collection of found imagery from gay dating apps – specifically, headless mirror selfies boasting perfectly sculpted torsos. Despite their dehumanizing anonymity, these images have become almost an archetype of desirability on gay dating platforms. Contemplating the emphasis, even fetishization, of bodily perfection within this culture, the artist feeds these images into AI, subsequently generating a grotesque yet lavish profusion of flesh, visually evocative of a Renaissance fresco. Yet, as the resultant image is manually transferred onto the artist’s old shirts, the original composition appears only in exhausted tatters. Yellowed, stained, and sewn together to mimic the image, the clothes recall the intimacy that is coveted yet lost in the collective desire to be worshipped. “Liao Jiaming: Melting Suns on the Screen” is on view at DE SARTHE until Sept 28. - Liao Jiaming Open Yourselves (Ourselves) 2024 Gel medium image transfer on the artist’s used clothes, stainless steel tube, stainless steel chains 215 x 145 cm #DESARTHE#deSAR #deSAR2024 #contemporaryart #HongKong #ArtistResidency #HKResidency #HongKongArtist #Art #AI #Exhibition#hkexhibition#MeltingSunsontheScreen #Studio#hkart #artist#liaojiaming
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1 year ago
With reference to the interior of gothic churches, a selection of images generated by The Arcana Intelligent were developed into varied stained-glass installations placed around the gallery. The most monumental of which is a triptych titled (Modern) Revelations (2024). Depicting fragmented roses and racecars amidst glorious greenery, the tarot card from which the artwork found its composition was generated based on the question: “How do I be young and rich forever?” Subtly aglow, the form of the artwork in juxtaposition with its prompt alludes to the growing egocentrism fostered by modern beliefs. In a similar way that stained glass had memorialized saints, social technology has provided the means for self-glorification and immortalization. Ultimately, it is also the collective products of this process that inform the wisdom of Liao’s contemporary deity. “Liao Jiaming: Melting Suns on the Screen” is on view at DE SARTHE until Sept 28. - Liao Jiaming (Modern) Revelations 2024 Stained glass, wrought iron, silicone 248.5 x 250 x 2.5 cm Liao Jiaming Divine Guidance: When is the Extinction of Human Being? 2024 Stained glass, iron frame 70 x 50 x 4 cm Liao Jiaming Divine Guidance: How is Tomorrow? 2024 Stained glass, iron frame 70 x 50 x 4 cm #DESARTHE #deSAR #deSAR2024#contemporaryart#HongKong #ArtistResidency#HKResidency #HongKongArtist #Art #AI #Exhibition#hkexhibition#MeltingSunsontheScreen #Studio #hkart #artist#liaojiaming
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1 year ago