Jims LAM

COMING SOON | KNOT I: The Drawing Room and HUA International Opening on 23 Mar 2026 7/F, H Queen’s, Central, Hong Kong We are pleased to announce KNOT I, the inaugural programme developed with The Drawing Room (Manila) @drawingroommanila and HUA International (Berlin/Beijing) @hua_international , curated by Jims Lam @jims_lam . With KNOT I, Knotting Space embarks on an ongoing series of paired presentations to connect cross-cultural perspectives and cross-regional geographies. We seek to bring together distinct yet compatible practices, inspiring new readings to emerge through proximity. The Drawing Room showcases artists whose respective practices reflect the complex realities of the Philippines. HUA International focuses on cross-disciplinary and performative practices, presenting across two locations in Berlin and Beijing. The thematic exhibition draws together new and latest works partnering with the two galleries, exploring experiences of sensation and perception. More details to be announced soon. —— 我們榮幸宣布最新項目 「KNOT I」，呈獻兩個合作單位 The Drawing Room （馬尼拉）@drawingroommanila 與戶爾空間 （柏林／北京）@hua_international 。計劃由總監兼策展人林志恒 @jims_lam 策劃 。 由 「KNOT I 」打開序幕，Knotting Space將開展一系列 配對展覽，串連不同的文化視野與地理經緯。透過將獨特卻又能相互啟發的藝術單位並置，我們希望在近距離閱讀中引發新的解讀。 The Drawing Room 一直關注菲律賓社會歷史與現況，呈現多元的藝術家創作。戶爾空間則聚焦跨領域與行為藝術，活躍於柏林與北京兩地。本次主題展覽匯聚兩家畫廊藝術家的新近作品，探索不同感知模式。更多詳情即將公佈。 #knottingspace #knot #thedrawingroom #huainternational #hongkongartweek

🌀 Moore’s Visions. More Revisions. 📍 Bookshop Gallery, British Council Hong Kong 🗓 3 June – 5 October 2025 Opening tomorrow. This project revisits the legacy of Henry Moore through a new perspective, featuring 7 rarely seen lithographs from the British Council Collection alongside old and new works by Chihoi, Wilson Shieh, Liao Wen, and Zheng Bo. From surreal comics and sculptural tension to gendered skyscrapers and botanical kinship, these works don’t imitate Moore—they revise him. XD @chihoichihoi Courtesy of Chihoi and Blindspot @liaowenll Courtesy of Liao Wen @wilson_shieh_studio Courtesy of Wilson Shieh #zhengbo Courtesy of Zheng Bo and Kiang Malingue 🌱Poster design by Yau Kwok Keung🌱 #MooresVisionsMoreRevisions #BritishCouncilHK #BookshopGallery #HenryMoore #ContemporaryArt #Chihoi #WilsonShieh #LiaoWen #ZhengBo #ArtExhibition #HongKongArt #ArtOpening #ModernMeetsNow

即買即睇💙

Thank you to everyone who stepped into the space for the inaugural exhibition, Knot I. 𝑺𝒐𝒇𝒕 𝑹𝒆𝒂𝒍𝒊𝒕𝒚, 𝑯𝒂𝒓𝒅 𝑫𝒓𝒆𝒂𝒎𝒔. The feedback on the launch of this new project space has been incredible. Super grateful for the encounters, the new faces, and the potential collaborations that emerged over the last few days. For those lucky enough to witness our special guest performance—the honor was entirely mine. Knot I is just the beginning. The show remains on view through 18 April. 📍 Knotting Space, 7/F, H Queen’s 🕒 Tue – Sat, 1:00 – 7:00 PM

So incredibly blessed to have the unconditional support from Orange Terry @orangeterry on Knotting Space @knottingspace.hk 🕊️ The reception desk is more than just art. Made of 100 panels extracted from the decades-old chairs at the HKSKH Calvary Church 黃大仙聖十架堂, it is a beautiful piece of Hong Kong history created in Terry’s unique aesthetic. 📍 Come see this HOLY furniture at Knot, 7/F, H Queen’s in person!

We are delighted to announce Jims Lam as the curator for PAVILION Hong Kong. Jims Lam is an independent curator based in Hong Kong and the Director of Knotting Space, a forthcoming exhibition platform located at H Queen’s. His recent curatorial practice focuses on developing new models of exhibition engagement and collaborative presentation. He was also the Director and Curator of Supper Club 2025, an alternative art fair that brought together 23 galleries through an experimental, curator -led format. He is currently the Curator for Pavilion Hong Kong, continuing to work with galleries on exhibition development and presentation frameworks. He has curated exhibitions for institutions including the Goethe-Institut, British Council, Tai Kwun, Para Site, and Blindspot Gallery. “Rather than isolated booths, we’re building a dynamic system where participants support each other through proximity and shared context. With Knotting Space running in parallel at H Queen’s, PAVILION becomes a week of connected threads. The curatorial idea is simple: tie different sensibilities together and let the tension do the work.”—Jims Lam 藝軒很榮幸邀請林志恒（Jims Lam）擔任藝軒香港的策展人。 林志恒是一位駐香港的獨立策展人，同時兼任即將於H Queen’s開設的展覽平台Knotting Space總監。他近期的策展實踐專注於開發新型展覽參與模式與協作呈現框架。他曾擔任2025年藝匯的總監暨策展人，該非傳統藝博會以實驗性、策展主導的形式匯聚了23間畫廊。他現為藝軒香港的策展人，持續與畫廊合作發展展覽策劃與呈現框架。他曾為歌德學院、英國文化協會、大館當代美術館、Para Site藝術空間及刺點畫廊等機構策劃展覽。 「我們並非在構建孤立的展位，而是在打造一個動態系統，讓參與者能透過空間的鄰近性與共享的語境相互支持。隨着Knotting Space在H Queen’s同期運作，藝軒開放的一週將成為串連多方脈絡的一週。策展理念很簡單：將不同的感知力繫結，讓其中的張力自然發酵。」—林志恒 #PAVILIONHongKong

Some Taipei in January. HOT x HOT 🔥 💨

📣 📣 📣 𝗔𝗻𝗻𝗼𝘂𝗻𝗰𝗶𝗻𝗴 𝗣𝗔𝗩𝗜𝗟𝗜𝗢𝗡 𝗛𝗼𝗻𝗴 𝗞𝗼𝗻𝗴: 𝗔𝗻 𝗔𝗹𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝘃𝗲 𝗔𝗿𝘁 𝗙𝗮𝗶𝗿 𝗜𝗻𝘀𝗽𝗶𝗿𝗲𝗱 𝗯𝘆 𝗖𝗼𝗹𝗹𝗮𝗯𝗼𝗿𝗮𝘁𝗶𝗼𝗻 𝗮𝗻𝗱 𝗦𝗹𝗼𝘄 𝗚𝗿𝗼𝘄𝘁𝗵
 𝘐𝘮𝘢𝘨𝘦: 𝘗𝘈𝘝𝘐𝘓𝘐𝘖𝘕 𝘏𝘰𝘯𝘨 𝘒𝘰𝘯𝘨 𝟤𝟢𝟤𝟨 𝘵𝘦𝘢𝘮 (𝘭𝘦𝘧𝘵 𝘵𝘰 𝘳𝘪𝘨𝘩𝘵): 𝘔𝘪𝘤𝘩𝘦𝘭𝘭𝘦 𝘏𝘴𝘪𝘦𝘩, 𝘝𝘐𝘗 𝘋𝘪𝘳𝘦𝘤𝘵𝘰𝘳; 𝘞𝘪𝘭𝘭𝘦𝘮 𝘔𝘰𝘭𝘦𝘴𝘸𝘰𝘳𝘵𝘩, 𝘤𝘰-𝘧𝘰𝘶𝘯𝘥𝘦𝘳; 𝘠𝘴𝘢𝘣𝘦𝘭𝘭𝘦 𝘊𝘩𝘦𝘶𝘯𝘨, 𝘤𝘰-𝘧𝘰𝘶𝘯𝘥𝘦𝘳; 𝘑𝘪𝘮𝘴 𝘓𝘢𝘮, 𝘊𝘶𝘳𝘢𝘵𝘰𝘳; 𝘒𝘦𝘭𝘭𝘺 𝘊𝘩𝘢𝘯, 𝘋𝘪𝘳𝘦𝘤𝘵𝘰𝘳. 𝘗𝘩𝘰𝘵𝘰 𝘣𝘺 𝘍𝘦𝘭𝘪𝘹 𝘚𝘊 𝘞𝘰𝘯𝘨. 𝘊𝘰𝘶𝘳𝘵𝘦𝘴𝘺 𝘗𝘈𝘝𝘐𝘓𝘐𝘖𝘕 𝘏𝘰𝘯𝘨 𝘒𝘰𝘯𝘨.  •        The inaugural edition of PAVILION Hong Kong takes place at H Queen’s from March 23-28 •       Initial confirmed galleries include 47 Canal (New York), Bremond Capela (Paris), Capitain Petzel (Berlin), NORITO (London), sangheeut (Seoul), Sultana (Paris), and Tong Gallery+Projects (Beijing).  Visitors to Hong Kong during Art Basel week will have a new event to attend: PAVILION Hong Kong, an alternative art fair that platforms experimental contemporary art in an intimate, relaxed setting. The event takes place from March 23-28 across the 11/F and 12/F at Venue Partner H Queen’s. Founded by Hong Kong gallerists Willem Molesworth and Ysabelle Cheung of PHD Group, PAVILION is inspired by similar alternative models such as Basel Social Club, Onsen Confidential, and Supper Club, which ran for two successful editions in Hong Kong. As galleries continue to shutter across the globe and hyper-commercially driven markets fluctuate, new collaborative models are not only needed but absolutely necessary for survival, Molesworth says.  “With PAVILION, we aspire to change the way people collect and engage with art,” Molesworth continues. “Our model not only encourages greater discovery, but also creates space for art lovers to slow down and appreciate a work of art with greater depth. A sales pitch becomes a conversation at PAVILION, and we hope this ignites passion, engagement, commitment, courage, and authenticity in the collecting process.” Text continues in the comments below 👇

🎉 Opening this Friday Colours of Humanity 2025: Pool of Resonance 🗓 21.11.2025 (Fri) | 🕕 6–8pm 📍 Goethe-Gallery, 14/F, Hong Kong Arts Centre, Wanchai Following Ripple Effects in 2024, this year’s edition turns inward. We gathered works that speak through care, reflection, and action. From across the city, artists and community organisers responded to an open call exploring belonging, identity, and resonance in today’s Hong Kong. Come celebrate with us. All are welcome. Artists: Alex Huda, Arianna San Pedro (@artisaanp ), Chu Hoi Ding (@chuhoiding ), Yvonne Feng (@yvonne.ywfeng ), Florence Lam (@florencelamsoyue ), itit Cheung (@​​ititcheung), Jeeyun Kim (@kimjeeyunstudio ), Jodie Luk (@jodie.luklw ), Kelvin Au, Louise Wan (@wlyvlo ), Marina Kniazeva (@knyazeva.marina ) and Sergei Kniazev, Ngo Chun Phoenix Tse (@phoenixchunzz ), Rico Lau(@Rici_draw_ ), Siufa Yu(@yu_siufa ), Thomas Fung (@thomasfytint ), Tianyi Zheng (@zheng_tianyi ), Veron Wei (@vibrant.within.vortex ), and Yau Kwok Keung (@yaukkeung ). Curatorial and Community Project Team: Eunice Tsang (@eeunicee ), Jims Lam and Slavica Habjanovic (@s.l.a.v_i.c.a ) Co-organised with the European Union Office to Hong Kong and Macao Supported by Eaton HK

What’s in this image? In 1986, while preparing for a Henry Moore exhibition, a helicopter airlifted one of his sculptures to the formerly Queen’s Pier. A second helicopter can be spotted in the background. It was, quite literally, a monumental event. One local critic even joked that it felt like a divine offering—Henry Moore sent down from the sky. 🌱🗿📖 #MooresVisionsMoreRevisions #BritishCouncilHK #BookshopGallery #HenryMoore #ContemporaryArt #Chihoi #WilsonShieh #LiaoWen #ZhengBo #ArtExhibition #HongKongArt

@kueis Emily Kueis: Skin in Limbo Opening tomorrow — 29 May, 6–8pm @squarestreetgallery Subtle, symbolic, and emotionally charged—Emily’s paintings emerge through layers of thin oil wash, pigment, and erasure. Come by and spend time with a body of work that doesn’t explain, but lingers. #EmilyKueis #SkinInLimbo #SquareStreetGallery #ContemporaryArt #hongkongartscene

📣OPENING SAVE THE DATE: Thu 29 May 6 - 8 pm Square Street Gallery is pleased to present “Skin in Limbo” by Emily Kueis @kueis , marking the artist’s debut solo exhibition with the gallery. At its centre are three new large-scale oil paintings. Shown alongside recent works on canvas and paper, they form a kind of metaphysical landscape shaped by a pictorial language that unfolds like a diary, reflecting Kueis’ shifting sense of self, place, and identity as a painter in Hong Kong. Join us on the 29th May from 6 - 8 pm for the opening reception. Video editor: Milk Tsang @milkdrinkmilk 𝐒𝐤𝐢𝐧 𝐢𝐧 𝐋𝐢𝐦𝐛𝐨 𝐄𝐦𝐢𝐥𝐲 𝐊𝐮𝐞𝐢𝐬 Curated by Jims Lam @jims_lam 30 May - 19 July 2025 21 Square Street, Sheung Wan