Kasmin Gallery

@kasmingallery

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Weeks posts
Explore Alma Allen on Park Avenue, car-free, during NYC Summer Streets today, August 2, from 7am–3pm. Between East 52nd and East 70th Streets, Alma Allen’s (@almaallen ) largest outdoor installation to date includes examples that reach over 10 feet tall and were realized especially for the exhibition, demonstrating the artist’s distinctive approach to sculpture as a manifestation of human intuition. NYC Summer Streets opens select streets to walkers, runners, and cyclists, providing car-free fun, fitness, and live entertainment as the city’s ​roadways transform into playgrounds for all to enjoy. If you can’t make it today, Summer Streets will happen again on August 9th & 16th 📍Alma Allen on Park Avenue will remain on view until September 2025. Follow the link in our bio to explore the exhibition online. #NYCSummerStreets @fundforparkavenue @nycparks @nyc_dot
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This summer in Spain, Tina Barney: Family Ties is on view at Kutxa Fundazioa, Artegunea (@kutxafundazioa ) in San Sebastián. Tina Barney’s (@tinabarney_ ) first European retrospective showcases 40 years of the artist’s career, from early photographs to vibrant family portraits, landscapes, and editorial campaigns. Throughout her body of work, Barney shares the same complexity, sensitivity, and humor across her practice. Though at first appearing as family snapshots, Barney carefully stages her large-scale portraits, creating intricate tableaux that establish a dialogue with classical painting. Tina Barney: Family Ties remains on view through November 2, 2025. Plan your visit and learn more about the exhibition by following the link in our bio. _ Installation views of Tina Barney: Family Ties at Kutxa Fundazioa, Arteguena, 2025. Photography by Juantxo Egaña.
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Museum & Offsite — Diana Al-Hadid: unbecoming at the MSU Broad Art Museum In a nearly 20-year survey of her work, Diana Al-Hadid (@dianaalhadid ) invites visitors to look closely and consider how her materials both break down and accumulate into their final form, prompting a reflection on the similarly constructed expectations about womanhood and femininity. Based in New York, Al-Hadid works prolifically between painting, sculpture, and handmade paper drawing on diverse sources ranging from art history to Greek mythology and global literature. These narratives, even when fictional, hold ideals about women and their conduct that remain relevant today. Diana Al-Hadid: unbecoming is on view at the MSU Broad Art Museum (@msubroad ) in East Lansing, Michigan, through December 14, 2025. Follow the link in our bio to learn more about the exhibition and the accompanying catalog. _ Installation views of Diana Al-Hadid: unbecoming, MSU Broad Art Museum, 2025. Photography by Charlie Rubin.
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From the Smithsonian American Art Museum (@americanart ): Freedom” is from a series of word drawings that artist Judith Bernstein created in the 1990s focusing on both the highest aspirations (“Justice,” “Equality”) and harsh realities (“Fear,” “Evil”) of American life. In densely applied charcoal, the “F” of “Freedom” dominates the left side, like a flag flying proudly from a pole. The rest of the word appears in looping cursive, punctuated at upper right by a handprint. With her forceful, kinetic mark-making, Bernstein seems to affirm both the political freedoms Americans hold dear and the personal freedoms she has asserted throughout her life—to be an artist, to have a political voice, and to make the work she wants to make. “Freedom” is currently on view #atSAAM Image: 1 - Judith Bernstein, “Freedom,” 1995, charcoal on paper, Smithsonian American Art Museum, Museum purchase, 2022.30A,B, Courtesy the artist and Kasmin, New York 2 - Installation view of Judith Bernstein, “Freedom,” 1995; Smithsonian American Art Museum, 2025
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Last Chance—Daniel Gordon: Color Light Studies Following a series of black-and-white Light Studies in 2024, Daniel Gordon’s (@danielgordonstudio ) newest works introduce color into his ongoing inquiry of transparency, light, and shadow. Inviting viewers to continually question and reinterpret what they see, Gordon meticulously constructs his still life tableau from paper replicas of familiar objects found in his home and studio. The shadows of Gordon’s compositions are equally considered, carefully planning where each shadow will fall when viewed from a frontal vantage point. The result suggests that the viewer might observe the shadow of a bottle through a clear glass, contradicting the material reality of the photographed object. Schedule a viewing to see the new body of work or explore the exhibition online by following the link in our bio. _ Artwork © Daniel Gordon; Studio photography by Charlie Rubin.
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Final Week—Theodora Allen: Oak In Oak, Theodora Allen’s (@theodora_allen ) atmospheric oil paintings draw from mythology and medieval imagery to depict natural phenomena and symbols chosen for their enduring presence in human history and culture. From hearts and infinity loops to rainbows and locusts, Allen’s scenes emerge as ruins burgeoning with life, offering glimpses into a realm where the natural world and the metaphysical entwine. Theodora Allen: Oak is on view through this Friday, July 25 at 297 Tenth Avenue. Follow the link in our bio to explore online now.
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Alexis Ralaivao’s second solo exhibition at Kasmin, Éloge de l’ombre (In Praise of Shadows), closes this Friday, July 25. Don’t miss your last chance to see Alexis Ralaivao’s (@oavialar ) newest series of arresting portraits and still life tableaux–rendered entirely in black and white. In this reduced palette, the artist magnifies the most subtle of details at grand scale by strategically framing his subjects. Influenced by film noir, Ralaivao’s works absorb the viewer into a romanticized world of drama and suspense as if the viewer has arrived at a narrative in media res. “This precisely is the delight of Ralaivao’s painting,” writes Alfred Mac Adam for The Brooklyn Rail (@brooklynrail ). Alexis Ralaivao: Éloge de l’ombre (In Praise of Shadows) is on view at 509 West 27th Street through this Friday. Explore the exhibition today by following the link in our bio.
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vanessa german’s (@vanessalgerman ) work is currently on view in Between Distance and Desire: African Diasporic Perspectives at the Soloviev Foundation Gallery in New York through December 31, 2025. Curated by Tumelo Mosaka, this exhibition confronts the legacies of fetishism and ethnography, taking a speculative rather than historicist approach to the discourse of African art. Its artistic and curatorial interventions utilize modes of play and fantasy to offer alternative narratives about the past, present, and future of Black aesthetics. The Soloviev Foundation Gallery is viewable by appointment only. Follow the link in our bio to book a guided tour. _ Images: Installation views of Between Distance and Desire: African Diasporic Perspectives. Courtesy of the Soloviev Foundation.
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Museum & Offsite – Tina Barney: Family Ties in Spain Tina Barney’s acclaimed retrospective Family Ties opens tomorrow, July 18, at Kutxa Fundazioa Artegunea (@kutxafundazioa ) in San Sebastián, Spain, following its debut at the Jeu de Paume in Paris. Spanning over 40 years of the artist’s career, the exhibition marks Barney’s first European retrospective. “Two or sometimes three generations of the same family are carefully staged by Barney within these settings, which hint at continuity in the values and lifestyles of American and European society, but also the seeds of change,” —Mario Tavella, Financial Times (@financialtimes ) Start planning your visit today by heading to the link in our bio. _ Images: Artwork © Tina Barney; The Matador, 2003; Jill and Polly in the Bathroom, 1987; Self-Portrait in Red Raincoat, 1990.
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Congratulations to Nengi Omuku (@nengiomuku ) on her selection to the inaugural Artist Council at the Museum of West African Art (@mowaaofficial ) for her work with The Art of Healing, Africa (@taohafrica ). Omuku joins the council with artists Yinka Shonibare CBE RA, Michael Armitage, Victor Ehikhamenor, Dr. Odun Orimolade, Kaloki Nyamai, and Ibrahim Mahama. At the core of MOWAA’s vision is a commitment to inspiring the next generation of creatives, artists and cultural thought leaders in West Africa. The establishment of the Artist Council expands this mission beyond the museum’s walls, ensuring that the development and evolution of MOWAA’s flagship programming remains artist-led. Through critical dialogue that interrogates contemporary artistic and socio-political landscapes, Council members help shape a program rooted in collective visioning and artistic rigor. Learn more about Nengi Omuku and MOWAA’s Artist Council by following the link in our bio.
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Spend your summer exploring outdoor sculpture by Kasmin artists. Alma Allen on Park Avenue Between E 52nd & E 70th, New York On view through September 2025 @almaallen @fundforparkavenue @nycparks George Rickey Across Time The Hyde Collection, Glens Falls, NY On view through September 28, 2025 @georgerickeyfoundation @hydecollection
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Diana Al-Hadid’s recent interview with Elizabeth Buhe features on the cover of the July/August issue of the Brooklyn Rail (@brooklynrail ), on stands now. On the occasion of her ongoing survey exhibition, unbecoming, at the Eli and Edythe Broad Art Museum at Michigan State University, Al-Hadid joined Buhe on the New Social Environment earlier this spring. Their conversation, edited for print, touches on a range of topics, including the relationship of the body to architecture, what it means to be unbecoming, and why images of women in motion are so important to the artist. Diana Al-Hadid: unbecoming remains on view at the Eli and Edythe Broad Art Museum at Michigan State University through December 14. Follow the link in our bio to learn more. @dianaalhadid @msubroad
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