APRIL 17 / From the shores of Costa da Caparica to the heart of Cairo, TRONIC is touching down for the very first time. We’re bringing that raw, hybrid energy and the full spectrum of house music to the floor with MEGATRONIC, JESS, WILLY SOUL, and JITWAM.
No filters.no distractions. just pure connection.
SUPPORT ANNOUNCED!
The excellent @captnnn will be opening for@Jitwam at this Friday’s exclusive late night show at @wigwamdublin
11pm till laaaaaate. See ya there.
Ticketlink in bio
From jazz-funk and neo-soul house to African, Arabic, and electronic rhythms, two global voices converge on the island.
✨ Jitwam’s first-ever Sri Lanka tour
🌴 Megatronic’s second Tropical Wax Sri Lanka tour
Introducing our NYE Headliners ⭐️
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#nye #nyecelebration #tropicalwaxsrilanka #lunaterrace #srilanka #newyearseve #galle #closenberghotel #tourposter #tour #djtour
Can’t believe it’s been five years since Chalo came out.
A project that started quietly, without any grand plan, and ended up shifting the way I think about community, collaboration, and what’s possible when South Asian artists back each other. It was scrappy, fast, instinctive — we were raising money for communities in need, but we were also showing what could happen when our scenes, sounds, and stories sat side by side.
Bringing together 28 South Asian artists across the world for essentially a charity compilation in a matter of months during the height of a pandemic was no easy feat. Yet, we did it and raised thousands of pounds.
Looking back, Chalo was a hinge moment. It changed the direction of my work and set a lot in motion that I’m still building on now with @dialledin_ . It planted the first seed for everything that followed.
Forever shout out to @sarathykorwar and @ahadadreamx for telling me to email @jitwam — who brought in his team at The Jazz Diaries, including @manlikenigey and @amandaaahugnkiss . Shout out @asfandyark for bearing with us and also thank you forever to @sharmatinahi , whose work on Chalo shaped Dialled In’s visual identity for years after.
Five years on, I’m still grateful for every artist who said yes, and for everyone who listened.
