Ivan Max

👽If you do volumetric LED shows, this one’s for you.👽 Volumetric LED sometimes demands solutions that don’t exist yet. For Navruz 2026 in Tajikistan, we built them ourselves. We put together an end-to-end pipeline where any content — 2D video, 3D, generative — adapts to the physical structure of the volumetric screen directly in the patch. 3D-to-bitmap conversion, timecode sync for complex staged formats. ArtNet baking — 800 universes, stable 50 fps. We built a visualizer that honestly shows how content maps onto the pixel grid — designers see the real result before installation, no surprises on stage. Technical support ran all the way through: installation, testing, troubleshooting — until everything performed the way it was supposed to. 👽 If you work with volumetric LED we’d love to talk👽 Team: @stanislavzenkov — lead producer, technical director @chris.kkot — content producer, project manager, 3D & 2D artist @keeponthumpin — technical supervisor, generative artist @3dyurievich — on-set supervisor, 3D & 2D artist @ivanmax33 — 3D & 2D artist _____________________ Volumetric LED порой требует решений, которых еще не существует. Для Навруза 2026 в Таджикистане мы их создали сами. Мы собрали сквозной пайплайн, где любая графика (2D видео, 3D, генератив) адаптируется под физическую структуру волюметрического экрана прямо в патче. Конвертер 3D → bitmap, синхронизация с таймкодом для сложных постановочных форматов. Запекание в ArtNet — 800 юниверсов, стабильные 50 fps. Сделали визуализатор, который честно показывает, как контент ляжет на сетку экранов — дизайнер видит реальный результат до монтажа, без сюрпризов на сцене. Техническая поддержка ведется от начала до конца: монтаж, тестирование, отладка, пока все не заработает так, как должно. Есть проект на волюметрике — пишите! 👽

👽If you do volumetric LED shows, this one’s for you.👽 Volumetric LED sometimes demands solutions that don’t exist yet. For Navruz 2026 in Tajikistan, we built them ourselves. We put together an end-to-end pipeline where any content — 2D video, 3D, generative — adapts to the physical structure of the volumetric screen directly in the patch. 3D-to-bitmap conversion, timecode sync for complex staged formats. ArtNet baking — 800 universes, stable 50 fps. We built a visualizer that honestly shows how content maps onto the pixel grid — designers see the real result before installation, no surprises on stage. Technical support ran all the way through: installation, testing, troubleshooting — until everything performed the way it was supposed to. 👽 If you work with volumetric LED we’d love to talk👽 Team: @stanislavzenkov — lead producer, technical director @chris.kkot — content producer, project manager, 3D & 2D artist @keeponthumpin — technical supervisor, generative artist @3dyurievich — on-set supervisor, 3D & 2D artist @ivanmax33 — 3D & 2D artist _____________________ Volumetric LED порой требует решений, которых еще не существует. Для Навруза 2026 в Таджикистане мы их создали сами. Мы собрали сквозной пайплайн, где любая графика (2D видео, 3D, генератив) адаптируется под физическую структуру волюметрического экрана прямо в патче. Конвертер 3D → bitmap, синхронизация с таймкодом для сложных постановочных форматов. Запекание в ArtNet — 800 юниверсов, стабильные 50 fps. Сделали визуализатор, который честно показывает, как контент ляжет на сетку экранов — дизайнер видит реальный результат до монтажа, без сюрпризов на сцене. Техническая поддержка ведется от начала до конца: монтаж, тестирование, отладка, пока все не заработает так, как должно. Есть проект на волюметрике — пишите! 👽

does the landscape count as a co-author?

This project began with a simple desire to look more closely at the place where we live. At night, we travelled to different points across Cyprus and projected luminous images of flowers directly onto the landscape. That is how Cyprus Flora Series emerged, a series of short encounters with rare plants that exist only here. Tulipa cypria is a wild tulip species endemic to Cyprus. It grows mainly in the central and southern parts of the island, including valley systems such as Dhiarizos and surrounding inland slopes. The plant prefers open terrain and rocky or lightly cultivated ground. It flowers for a short period in spring, typically between March and April. The bloom is deep red with a dark central marking. Because of its limited distribution and habitat sensitivity, the species is protected under Cypriot environmental legislation. Its presence is strongly tied to local geography and seasonal cycles. Outside Cyprus, it does not occur in the wild. These photographs show two field locations: Dhiarizos Gorge and the area near Agios Amvrosios. Stone, silence, light, and a brief, mesmerizing moment of presence. More materials and other chapters of the series are available on the website.(in bio) #MediaArt #SiteSpecific #ContemporaryArt #CyprusArt #CyprusNature

Will you try to befriend this creature? . . #cyprus #projectionart #cyprusart #surreal #projection

and what kind of camping you prefer? 👀 . . #cyprus #visualart #camping #projectionart #naprikole

Night at White Rocks, Governor’s Beach, Limassol. We cast eyes onto the limestone, letting the surface answer with its own presence. The setup is based on quite humble household projector, and for the visuals we experimented with several neural tools, shaping the content with Krea.ai. A small dialogue with the landscape, a first glimpse of the sea spirits we’re working on. More to come — thanks for watching🧿 #cyprus #projection #projectionart #whiterocks #newmediaart

🧿 At the limestone curves near Limassol, we experimented with a thought — what if the landscape could acknowledge you. Early test, part of a project taking shape. Shot at White Rocks by Governor’s Beach. @cyprus

Всратые тесты мое любимое

Тарелочный беспредел! . . #frenchfood #bonappetit #croissantlover #cheeseheaven #foodieinfrance #brunchinparis #едавофранции #французскаякухня #круассаны #сырныйрай #фудпорно #парижназавтрак

Такой мини-корпоративчик был в прошлом ноябре 🦄

Незабываемое новогоднее безумие !