Ｉｂｉｙｅ- ᴘʀᴏᴊᴇᴄᴛꜱ

Thank you #JarehDas for featuring my work on @pinupmagazine 🙏🏾 We discussed working in Nigeria + Sierra Leone and materialising data and mapping public space🛰📲🔌 Check out the whole interview through my LinkTr.ee 📲

🌊✨ So excited to share 𝒍𝒂𝒚𝒕 𝒅𝒆 𝒌𝒂𝒎….my first institutional solo show at Bonington Gallery! @boningtongallery (SAT 17 JAN 2026 - SAT 07 MAR 2026)! This new body of film + textile work explores power ships off the West African coast, light, resilience, and care. Central to the show is 𝘎𝘓𝘖𝘞, a speculative film of a child’s tale made with point cloud reconstructions (Previewed in the stills) Alongside 𝘎𝘓𝘖𝘞 I will be showing kola nut–dyed textiles cut with light (laser-cuttings) weaving digital traces with ancestral care (Pelete-bite cutting thread technique) Huge thanks to Tom Godfrey for the trust, to FAUZIA for the beautiful 𝘎𝘓𝘖𝘞 soundtrack, and to Rhiarna + Duval for all their support with field research in Sierra Leone and Ghana 🇸🇱🇬🇭 @boningtongallery @fauzia.1 @rhiarnadhaliwal Watch the space…🫶🏽

Thank you @assembleofficial for including my work in the Architecture exhibition room at the @royalacademyarts Summer Show 2024 Africell Top-Up Kiosk 📲 3D printed model with plaster powder. 9.1 x 15 x 8.7 cm

new cuts into guinea brocade fabric

CRUSH FOLD DIP is a natural dye workshop I will be holding at @shai.space Together, we will explore dye processes using produce from local Peckham food stores, such as Kola Nut, Hibiscus, and onions, to create patterns and marks on cotton. All ages are welcome. When RSVPing, please specify the number of attendees and if any are under 12 years old. Details: - RSVP: Through QR Code or /forms/d/e/1FAIpQLSdNnie4WXknSUTqSD1PspRD4OaVSXsjsGW-MEDXYTpH7NkhDg/viewform - Donations: £5 donations for materials are welcomed https://paypal.me/ibiyecamp - Date: Saturday, May 9th - Time: 11:00 AM – 2:00 PM - Location: Shai Space, Studio 4, 7-17 Latona Rd, London, SE15 6RX - Contact: [email protected] Hope you can join us 🧅🌺🪡

‘A Rewrapping’ Commissioned by Bonington Gallery @boningtongallery at @ntucreated Nottingham School of Art & Design ‘A Rewrapping’ is a video installation that draws on a personal memory from a family funeral in Buguma in 2020. Using photogrammetry and an immersive 270-degree projection, I reconstruct a moment of discomfort and exposure. This artwork is inspired by Chinua Achebe’s The ‘Sacrificial Egg’, I reflect on tensions between tradition and modernity, intimacy and estrangement, reframing displacement as a site of negotiation within evolving spiritual, diasporic, and technological landscapes. Photos 1 & 3 by Jules Lister @juleslisterphotography

Video sketches and material test from my residency at @galerieatissdakar hosted by the wonderful Aïssa Dione and Jareh Das🙏🏽 During my time in Dakar I was inspired by the exchanging of hands, when weaving at Aïssa’s atelier. 🧵🪡This movement between two pairs of hands echoes the transfer of liquified gas by the ship-to-ship stationed in front of Gorée Island The process of cutting into fabric (pelete-bite) is an exercise of creating a new condition to fabric. This representation of the landscape that luminates the subjects with light and shadows. The layering of the fabric echoes the various stakeholders in the Dakar Power Infrastructure landscape Point-Cloud studies and observations of a modular floating LNG regasification terminal 🚢

Today is the closing of my first institutional solo show 𝘭𝘢𝘺𝘵 𝘥𝘦 𝘬𝘢𝘮 at @boningtongallery in Nottingham. Bonington Gallery’s Director Tom @tg_gal approached me for a studio visit after a talk at Nottingham called Identity Complex. As a new Mum my confidence in my practice was a little low as I was still navigating how to balance work and motherhood. After a very calm studio visit, Tom in fact invited me for solo show. I can’t express how much gratitude I have to him for having the confidence in me to put this body of work together. 🙏🏽His trust in me to be able to produce work, when I felt like I wasn’t quite in my flow, was the best gift I could ever have asked for. 𝘭𝘢𝘺𝘵 𝘥𝘦 𝘬𝘢𝘮 was developed around a subject that’s very close to my heart. The power situation and the phenomenon of the floating power-plants reflects a key moment in the West African ever changing landscape. It was crucial to document and to speak about the power situation at its current state. 𝘭𝘢𝘺𝘵 𝘥𝘦 𝘬𝘢𝘮 was only possible because of the invitation from Tom . And also the huge amount of support for my partner, family, friends and Bonington Gallery team. As it closes, I have so much gratitude for all the support! It’s been the most wonderful experience ✨ Extra Big Thank you to @fauzia.1 for the Score for GLOW, @rhiarnadhaliwal for support and assistants in the Ghana Field Research + Photogrammetry, @21horsetown for the beautiful publication, @gokcegunel for the insightful conversation & @sokaridouglascamp for the Narration of GLOW and bringing the work to life! 🫶🏽 🚢⚡️🔋💡 Picture 4, 5 by @juleslisterphotography

⏳ Last chance tomorrow to catch @ibiye_camp ‘layt de kam’, we are open 11-3pm⏳ 📷 @juleslisterphotography Image descriptions in alt text fields. #IbiyeCamp #LaytDeKam #BoningtonGallery

“Bonington Gallery again smashing it with showing how good an art school gallery can be. Stunning work by @ibiye_camp and curatorial framing with the scaffold pier and lighting, spot on” — Visitor feedback. Penultimate Saturday today and upcoming final week for @ibiye_camp ’s solo exhibition ‘layt de kam’, don’t miss this wonderful exhibition. 📷 @juleslisterphotography Image descriptions in alt text fields #IbiyeCamp #LaytDeKam #BoningtonGallery

Introducing 15 Questions with... our new series in which art writer Gary Grimes (@gary_is_hip ) picks the brains of artists, curators, and other creatives to understand what makes them tick through a series of quick-fire questions. Gary Grimes interviews Ibiye Camp @ibiye_camp a British Nigerian artist based in London. Her work explores technology, trade, and material within the African Diaspora, through architecture, film and textiles. Click the #linkinbio to read the full interview on gowithYamo.com! 🔗

In the details... Suspended throughout @ibiye_camp ’s solo exhibition ‘layt de kam’ are 15 textile works of varying sizes, the majority dyed using the Kola Nut and laser cut with ‘point cloud’ imagery captured by Ibiye in locations including Freetown, Sierra Leone. Suggestive of ‘lappa’s’ (a traditional method of carrying infants popular in West Africa) these works symbolise the entangled and complex relationships between ancestral knowledge, power, resistance, care and technology experienced in the locations and situations explored by Ibiye throughout the exhibition. Tile 11 shows an extract from the poem, read by @sokaridouglascamp which narrates Ibiye’s film GLOW, presented in the exhibition. 📷 @juleslisterphotography #IbiyeCamp #LaytDeKam #BoningtonGallery