HYPERBOWL STUDIO

@hyperbowl.studio

Power to the storyteller – Europe’s leading virtual production house.
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Weeks posts
Weeks of prep. Countless moving parts. Unexpectedly similar to working with rear projection. One of my favourite shoots in a long time for sure. This global TV campaign introduced me to virtual production on a big stage, and I loved every second of it. Big thanks to @thefcitd @bitteeinenfilm and the wizards at @hyperbowl.studio for making it all click. Before and after 👇 Can't wait to do it again. 🤞 ----- Directed by ✌🏻 Agency - @obscura.cool @phil.good.inc @hi.thisisdog @puksable @christian_gstoettner Production - @thefcitd EP - @phi.moo Head of Prod. - @jenn_iver Service Prod. - @bitteeinenfilm AD - @engelbart._ UPM - @oxmox.ox.mollox PA - @imnotmariax @lukass.mayer DOP - @georg.weiss 1. AC - @lukas.wesely 2.AC - @maecture Key Grip – @anderl1971 Grip Assistant – @mr_bumblebee_muc Gaffer – @hannesthegaffer @sparksfilmtechnik Electrician – Dominik Haberstock Electrician – Thorsten Baier Electrician – Matthias Allner Set Designer – @pan_patellis Construction Manager – Michael Fuchs Lead Carpenter – Mark Grimm Styling – @anna___jax MU&H – @ilaria.glum.makeup Location - @hyperbowl.studio Studio Manager – Cecil Rustemeyer VP Producer – @kuck.mal.da VP Engineer – @lauritzraisch , @johannes_u_wagner , Sören Schmid Edit - @philiphinteregger @__mattk__ Colorist - @franztaztic Photographer – @lindaschaefflerstudio Photographer Assistant – @ivanbandic Catering - @flash_cateringservice Casting - @agentur_isarperlen BTS – Konrad Fleckenstein
275 4
1 day ago
OBI - Fürs Machen gemacht (2026) It's always about the journey, and this one delivered. One call in January, a virtual production, and a team that made it all happen. Huge thanks to the agency and client for the trust. ----- Directed by ✌🏻 Agency - @obscura.cool @phil.good.inc @hi.thisisdog @puksable @christian_gstoettner Production - @thefcitd EP - @phi.moo Head of Prod. - @jenn_iver Service Prod. - @bitteeinenfilm AD - @engelbart._ UPM - @oxmox.ox.mollox PA - @imnotmariax @lukass.mayer DOP - @georg.weiss 1. AC - @lukas.wesely 2.AC - @maecture Key Grip – @anderl1971 Grip Assistant – @mr_bumblebee_muc Gaffer – @hannesthegaffer @sparksfilmtechnik Electrician – Dominik Haberstock Electrician – Thorsten Baier Electrician – Matthias Allner Set Designer – @pan_patellis Construction Manager – Michael Fuchs Lead Carpenter – Mark Grimm Styling – @anna___jax MU&H – @ilaria.glum.makeup Location - @hyperbowl.studio Studio Manager – Cecil Rustemeyer VP Producer – @kuck.mal.da VP Engineer – @lauritzraisch , @johannes_u_wagner , Sören Schmid Edit - @philiphinteregger @__mattk__ Colorist - @franztaztic Photographer – @lindaschaefflerstudio Photographer Assistant – @ivanbandic Catering - @flash_cateringservice Casting - @agentur_isarperlen BTS – Konrad Fleckenstein
186 14
3 days ago
Hollywood in Bavaria 🎥 LEFT SEAT 🛩️ Michelle Rodriguez & Richard Gere @bavariastudios service production by @bavariafiction “Left Seat” shows what’s possible when everything comes together: @augenscheinfilm as the driving force & producer @bavariastudios as studio home and technical partner @bavariafiction as service producer @dfactomotion for postproduction @hyperbowl.studio for virtual production at Geiselgasteig This is the blueprint: Bavaria & Augenschein as a strong partnership 🤝 @jonas_katzenstein @sascha_ommert @_maximilianleo International productions at Hollywood level — executed in Bavaria with our teams, infrastructure and expertise. Especially strong: the collaboration with the Bavaria Fiction team @astrid.holz #sebastianrybing #movanraalte Big thanks to all partners and to @fffbayern & DFFF for the support. Partners: @avantagepictures @mandalaypictures Distribution @plaionpictures World Sales @antonfilm.studios @wme Director: @thisisbenyounger Photo: Michael Hilscher, Jonas Katzenstein, Michelle Rodriguez, Richard Gere, Sascha Ommert © @luis_zeno_kuhn #BavariaStudios #bavariafiction #augenscheinfilmproduktion @mrodofficial @richardgere
384 9
24 days ago
Was passiert, wenn virtual Production auf modernste Echtzeit-Technologie trifft? 🔥 Mit den @nvidiageforcede RTX 50-Serie Grafikkarten erschafft das Team von @hyperbowl.studio eindrucksvolle, fotorealistische Welten – quasi über Nacht. Dank KI-Tools, wie KI-Denoising und NVIDIA DLSS können aufwendige Projekte in kürzerer Zeit visualisiert und sogar in Echtzeit angepasst werden. Dir fehlt noch die nötige Performance? Entdecke die MIFCOM Workstations mit GeForce RTX Grafikkarten für die maximale Leistung – jetzt über unseren Bio-Link entdecken! #mifcom #RTXOn #workstation #virtualproduction @gameswelt
105 2
3 months ago
206 6
6 months ago
**Virtual Production comes in many shapes and sizes! 🕋Indoors 🌳Outdoors ✅ Green screen 📺 LED volume 📟 Augmented reality (AR) 🔋Extended reality (XR) 📸 ICVFX (In-camera VFX) 🚘 Driving plates 🖥️ Projection 📍 Camera tracking 🤖Render engines 🎥Multicam 👯‍♂️MoCAP (Motion capture) 👁️ Previs (Pre-visualization) …. And the rest 🧠 Zeiss Cincraft Scenario marketing shoot @ the hyperbowl LED stage in Penzing, west of Munich - Germany @moderatorfred @hugocguerra @hugosdesk @mmdop @marius.justlook @biddi6 @_ana.m.marques Hyperbowl: @j_f_krueger @lauritzraisch @johannes_u_wagner Tobias Joeckle @zeisscinematography @zeisscameralenses @ncam_tech @unrealengine @vojecz @hyperbowl.studio @hugosdesk #production #cinematography #camera #cinema #zeiss #virtualproduction #dayinthelife #cincraft #vp #dop #dp #zeisscameralenses #unreal #unrealengine #nuke #composition #compositing #hyperbowl #led #ledvolume #mocap #motioncapture #augmented #virtual #reality #plates #drivingplates #volume #track #cameratracking
111 7
9 months ago
🎬 Willkommen in der Hyperbowl! Eine 270-Grad-LED-Wand, auf der man alles darstellen kann – von fremden Welten bis hin zu gigantischen Sets. Ich durfte hier mit Fuel New Media und Stereo Films ein paar richtig coole Spots umsetzen. In einem meiner nächsten Reels zeig ich euch, wie man das plant und worauf man bei solchen Produktionen achten muss. 👉 Bock auf mehr Einblicke in High-End-Werbefilmproduktionen? Dann folg mir! #andyheidenreich_werbefilm
299 18
9 months ago
Der OPUS KLASSIK 2025 in der Kategorie „Audiovisuelle Musikproduktion des Jahres“ geht an Alice Sara Ott für die Audiovisuelle Musikproduktion von John Field „Complete Nocturnes – ein Film von Andrew Staples. Herzlichen Glückwunsch! 🏆 (c) Hannes Caspar
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10 months ago
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11 months ago
Who needs to shoot here? 🎥🎬 Die Penzing Studios bieten nicht nur riesige Flächen, sondern echtes Filmfeeling, perfekt für Werbefilm, Imagevideo oder Fiction-Produktion mit großem Setup. @penzingstudios Und wenn du noch den perfekten Partner für den Dreh suchst: Here we are. Mehr Info auf unserer Website - Link in Bio ↗️
1,770 46
11 months ago
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11 months ago
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1 year ago