Hello again our little bacteria and antiviruses ๐ฆ ๐ฅน๐๐๐๐ฆ
We post our tour announcement for this May again because there is a bit correction <3
So again this time we are joined by @ameliestapf_drums and @malist.mini ๐ฅ
So excited and happy to be playing these amazing shows!
See you sooooon
14th May : Bayreuth @saalmitte
22th May : Dresden @boeseundgemein666
23th May : Heidelberg @maifeld_derby
24th May : Munich @theatronpfingstfestival
Many thanks to @4euro_ticket <3
Poster by @eemizi
Ladies and Gentlepeople! You have reached Kraut & Rรผben Week! Im Heckentheater gibt es dieses Jahr mehr Musik denn je: โจโจ@taxi.lotta โs Ulla Suspekt und LiรN verknรผpfen eine punkige Ironie und einen hoffnungsvollen Herzschmerz zu
einem wohlig vertrauten New Wave Soundtrack.
Das Indie-Duo @elfi.bande aus Berlin bewegen sich musikalisch irgendwo auf einer blรผhenden Wiese zwischen Dream-Pop, Indie-Rock und NNDW.
Und mit @horizontalergentransfer prรคsentieren wir eine Sensation: Sechs Kรผnstlerinnen mit Migrationshintergrund vereinen K-Punk, Spoken-Word-Performance und Art-Pop und schlagen mit pointierten Texten kulturelle Brรผcken. Oder, wie sie es selbst nennen: Empowerment Karaoke. ๐ค๐ผ๐ค๐ฟ ๐ค๐พ๐ค๐ป
14. Mai! Nรคchsten Donnerstag! Wilhelminenaue!
Das Heckentheater wird zur Festivalbรผhne! Mit eigener Bar, Eiswagen und vielen รberraschungen!
bรถse & gemein-Festival 2026 Programm
๐ Horizontaler Gentransfer
Ursprรผnglich als ambitioniertes Kunstprojekt an der Stuttgarter Kunstakademie gestartet, entwickelte sich Horizontaler Gentransfer schnell zu einer Sensation: Sechs Kรผnstlerinnen vereinen in ihren Songs K-Punk, Spoken-Word-Performance und Art-Pop und schlagen mit pointierten Texten kulturelle Brรผcken. Oder, wie sie es selbst nennen: Empowerment Karaoke. Ihre Songs handeln vom Koreanischsein in Stuttgart, von Rassismus, Butterbrezeln oder dem รถsterreichischen Schriftsteller Thomas Bernhard.
Nach dem Release ihres zweiten Albums โEverything PossiBBongโ beim Stuttgarter Label Treibender Teppich Records und darauffolgend ihrer allerersten Deutschland-Tour sind HGT 2026 in einer transformativen Phase. Neue Ideen, neue Songs und neue Konstellationen: Erstmalig auf dem bรถse&gemein-Festival.
๐ซ Ticketlink in Bio.
๐ฐ Bitte Likes, reposted und kommentiert diesen Beitrag fรผr (gegen) den Algo.
Gestaltung: @lauren.powers666
Horizontaler Gentransfer:
Originally launched as an ambitious art project at the Stuttgart Academy of Fine Arts, Horizontaler Gentransfer quickly became a sensation: In their songs, six female artists blend K-punk, spoken-word performance, and art-pop, building cultural bridges with their incisive lyrics. Or, as they call it themselves: Empowerment Karaoke. Their songs deal with being Korean in Stuttgart, racism, butter pretzels, or the Austrian writer Thomas Bernhard.
Following the release of their second album โEverything PossiBBongโ on the Stuttgart label Treibender Teppich Records and their very first Germany tour, HGT 2026 are in a transformative phase. New ideas, new songs, and new lineups: making their debut at the bรถse&gemein festival.
๐ซ Ticket link in bio.
๐ฐ Please like, repost, and comment on this post to (fight) the algorithm.
Design: @lauren.powers666
Der Film zur Performance ยปDie Liebe zu den sechs Orangenยซ von Horizontaler Gentransfer ๐งก๐๐๐๐๐๐ โ jetzt neu in der Sammlungsausstellung zu sehen ๐ฅ๐ถ
Das Punk-Band-Kollektiv Horizontaler Gentransfer โ bestehend aus Mizi Lee, Jerry Ahn, Seonha Park, Yun Park, Lilian Gonzalez und Hanseo Oh โ verbindet Musik, Bildende Kunst und Lyrik zu raumgreifenden Performances. Mit sozialkritischem Humor verarbeiten sie Themen wie Zugehรถrigkeit und Heimat. Die Performance entstand im Juni 2025 anlรคsslich der Verleihung des Hans-Molfenter-Preises der Landeshauptstadt Stuttgart im Kunstmuseum Stuttgart.
____
#HorizontalerGentransfer #Performance #Film #KunstmuseumStuttgart #Stuttgart #Sammlung #HansMolfenterPreis
Hey people we are now on our way to home sweet home Stuttgart! Es ist echt vorbei.
Wrapped up our first long tour last night at Fuchsbaufestival where we met our friends from @goldfische_taiyaki , @blechsonne and @sternengruppe <3 It felt great to celebrate the big finale among loved ones <3!
It's been a real adventure the last two weeks, big thank you to our booker @4euro_ticket for putting together such a great tour for us! Thanks to all our friends we met in every city along the way, to the venues and everyone who hosted us and fed us, to everyone who supported us and bought our merch, and of course a million thanks to our great drivers and babysitters Naomi @happy_mimii , Hannes @hannesdoppeldecker and Luca @_lucare_ , couldn't have made it without you!
We can't never forget this tour !
We had a blast ! Until next time !
Yours truly, HGT
๐๐ฅจ๐
#horizontalergentransfer #tour #friends
Thursday Sept 4th
Horizontaler Gentransfer
Doors 19:30, Show 20:30
VVK 12, AK 15
Tickets
/horizgen
After getting their kickstart as an ambitious art project at Stuttgartโs State Academy of Fine Arts, Horizontaler Gentransfer (HGT) quickly became a sensation: six female artists with a migrant background who combine germanPunk and K-Pop in their songs, building cultural bridges through their pointed lyrics: โEmpowerment Karaokeโ, as the group calls it. There are songs about being foreigners in the most bureaucratic city in Germany: Stuttgart. Songs with diverse subjects as racism, the Swabian staple butter pretzels โ are combining quotes from fine art or literature โ such as the Austrian writer Thomas Bernhard. In concerts they try to establish the whole package of Punk as a total artwork โ moderations, video animations, self made costumes: โThe aim of the HGT is to make people dizzy and nobody knows whatโs going on.
HGTโs upcoming second album, โEverything Possibbongโ, will be out on Treibender Teppich Records in 2025. This experiment merges BBong (Korean Schlager) with a whole host of other genres. The background of BBong is German, Spanish, and Korean. Due to colonial history, popular ditties from these countries have a comparable melodic structure and, hence, sound very similar. HGT follows the stories of the songs and explores the collective memory through music.
The roots of BBong lay in the colonial times, and were shaped by western influences, suchas the German composer Franz Eckert. Eckert introduced Japan and Korea to western melodies and instruments at the turn of the19th to the 20th century by establishing militaryorchestras in both countries. Among his most prominent compositions are the national anthem of Japan, โKimi Ga Yoโ, and the hymn of the Greater Korean Empire โDaehanjeguk Aegukgaโ. Both tunes integrate local folk songs and western music, establishing aesthetic strategies that later came to full fruition in the pop genre of BBong. โEverything Possibbongโ is inspired by this wild mish-mash of cultures, languages, folk and pop music.