Hammer

🌸 Membership card 2026 for @kunsthallesanktgallen Become a member of Kunst Halle Sankt Gallen and receive a membership card that grants free admission to Kunst Halle and 31 other contemporary art institutions across Switzerland, plus discounts on events and Kunst Halle publications. Fonts in use 💝 Manuzio @selinabernet 💝 Rapid @sourcetype 💝 Churchward Marianna

Poster for Sam Porritt’s solo exhibition “One Thing After Another (Drawings 2005–2025)”. Currently on view @kunsthallesanktgallen Printed by @lezardgraphique67 Exhibition views courtesy of Sam Porritt and Kunst Halle Sankt Gallen Photos: Kunst Halle Sankt Gallen, Valentina Ehnimb @valeshkaa , E. Sommer

Poster for Cemile Sahin’s solo show „BB – Born to Bloom“ at Kunst Halle Sankt Gallen. Only two days left to go check it out! @___cemilesahin___ @kunsthallesanktgallen @lezardgraphique67

This holiday season: DJ Assault as Santa Claus! Coming to a theater near you. #hdgdl

The Handwerk type specimen is now available! It not only explores the typeface’s formal qualities, but also traces the fractured history of Berthold Wolpe’s first type design—from early sketches and proofs produced within Rudolf Koch’s workshop collective in the early 1930s, to its abandonment during the Nazi era and a compromised revival in postwar Germany. Hidden for almost a century, the typeface finally returns in digital format, based on Wolpe’s original vision and reimagined for contemporary use. Designed by Rietlanden Women’s Office and printed by Drukkerij Raddraaier in Amsterdam, this 24-page publication accompanies the release of the Handwerk typeface, now available at Out of the Dark. Get your copy from @ideabooksnl for international orders, or @outofthedark.xyz if you’re in Switzerland. Rollo N°79 20.5 × 29 cm ISBN 978-3-906213-55-2 Edition of 800 copies ©2025 Editors: Hammer (David Schatz & Sereina Rothenberger), Philipp Herrmann Published by: Out of the Dark & Rollo Press Graphic Design: Rietlanden Women’s Office Printing: Drukkerij Raddraaier, Amsterdam Distribution: Idea Books, Amsterdam

After close to a hundred years in obscurity, we’re excited to release Handwerk—a fresh take on Berthold Wolpe’s first type design. Conceived as Wolpe Kursiv in 1932, its development was abruptly halted under the Nazi regime. As a Jewish designer, Wolpe faced persecution—his typeface renamed, delayed, altered and scattered across decades. Informed by later versions but above all carrying forward the expressive, mystical qualities of the original, Handwerk is a versatile font with extensive stylistic options—including blackletter capitals from Wolpe’s earliest drafts, available exclusively at Out of the Dark Typefaces. Many thanks to Paul Wolpe and the Wolpe Family Archive for their generosity and support! Designed by Hammer (David Schatz & Sereina Rothenberger) & Philipp Herrmann Design Assistance by Filip Despotović 7—Offenbacher Werkstatt (ca.1928), with Rudolf Koch, Berthold Wolpe and colleagues 10—From “Même le 110 volts peut tuer” (1973), Bernard Chadebec for INRS #outofthedarktypefaces #handwerktypeface

Poster for Aramis Navarro’s solo exhibition „algorithmic-mega-death-superspell-exe“. Currently on view at Kunst Halle Sankt Gallen. Printed by the one and only @lezardgraphique67 Exhibition views courtesy of @aramis.navarro and @kunsthallesanktgallen

🍒 Membership card 2025 for @kunsthallesanktgallen Become a member of Kunst Halle Sankt Gallen and receive a membership card that grants free admission to Kunst Halle and 31 other contemporary art institutions across Switzerland, plus discounts on events and Kunst Halle publications. Fonts in use: Cornbread @maxitype_com Rapid @sourcetype Churchward Marianna @myfonts

Il nuovo gusto di LAVINIA, mango e sesamo nero, ha il suo invito. Stampato ancora una volta da @archiviotipografico , è il risultato di un processo pensato per raccontare il gelato anche su carta. Uno spray grigio scuro, spruzzato a mano su fogli tenuti in verticale, disegna gocce irregolari che diventano semi di sesamo: ogni invito è unico. Il colore aranciato del mango, invece, è miscelato a mano, per restituire in stampa la stessa tonalità del gusto. La composizione è in carattere mobile Eurostile, nato a Torino, e la stampa avviene su macchina pianocilindrica tipografica Heidelberg OHZ.

Here. There. Everywhere. YESHE’s new single ༺ Sound Of Yonder ཐག་རིང་གི་འབོད་སྒྲ་ ༻ is out now on all platforms! The official music video is live @metal_magazine - link in bio! Interview by Bella Spratley @bellaspratley ༽༽༽༽༽༽༽༽༽༽༽༽༽༽༽How Far Will It Spread? ༽༽༽༽༽༽༽༽༽༽༽༽༽༽ Video Credits:  Executive production: YESHE, Tenor Sharloh @tenorsharlho Cinematographers: Tenzin Kalden @tenz_kalden , Tenzin Lekphel @exile_lens Concept & Editing: Rico Scagliola & Michael Meier @ricoandmichael Animation: Hammer @hammer__ Colorist: Lukas Schaller @lukasschaller.color Hair & Makeup: Tenzin Chuecky ​​@tenzinchokey_official Big thanks to the Kids of Dharamsala, Sonam Tseten @sonamyak  from Drung Films Collective @drungfilms Song Credits:  Executive Production: YESHE, Asma Maroof  @_asmara_ Produced by: Tobias Koch @tbiasmaria Written by: YESHE, Tobias Koch @tbiasmaria Lyrics by: YESHE, Ten Phun @ten.phun.7 Mixed by: Kiri Stensby @kiiiriii.s , Tobias Koch  @tbiasmaria Mastered by: Enyang Urbiks @enyang_ha

Continua la collaborazione tra @archiviotipografico e @lavinia__roma per l’inaugurazione del secondo gusto, Fragola e basilico, alla Loggia dei Vini a Villa Borghese. Archivio Tipografico si è occupato nuovamente di interpretare il gusto di gelato che dona l’identità visiva a questo secondo ciclo di interventi, raffigurandolo su carta tramite un inchiostro mescolato per l’occasione. La progettazione grafica di @hammer__ e @julia_born è stata ricreata con i caratteri di piombo originali della serie Eurostile, un carattere del 1962 prodotto dalle Fonderie Nebiolo di Torino adottato per l’identità coordinata dell’intero progetto. #archiviotipografico #laviniaroma #graphicdesign #printmaking #letterpress

Artwork for Yao Bobby & Simon Grab’s LP ‘WUM’ on Bristol’s LavaLava Records. ©2022 LV08 w/ @ds.syvod @giftedmold.archives @yaobobbysimongrab @simon__grab @yaobobby