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一件碎片， 一段城市記憶。
Fragments of objects, Fragments of memory.
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Repaired Remnants: The Collection
殘件修復圖鑑
Lavender Wong Solo Exhibition
黃學容個人作品展 ● 11–25 April 2026, Mon-Sun, 10:00–18:00 ● ● ● ● 26 April 2026, Sun, 10:00–16:30 ● ● ●
開幕 Opening ● ● ●12 April 2026, Sun, 16:30–18:00 ● ● ●
地點 Venue ● ● ●The Bridge+ Living Art Space ● ● ● ● G/F, 82–84 Apliu Street, Sham Shui Po ●
深水埗鴨寮街82-84號地下
● ● ● 免費入場 Free Admission ● ● ●
詳情及登記 Details&Registration: link in bio
_________________________________________________
展覽製作團隊 Exhibition Credits
藝術家 Artist |
黃學容 Lavender Wong @grass_vender
視覺設計 Visual Design |
李芷淇 Kiki Lee @kikilee_records_
數位典藏 Digital Archive |
何欣恩 Elly Ho @hyy_yy_
施灆 Major Sze @just_some_major_art
公眾連結 Public Engagement |
陳曉楹 Janet Chan @janetchanhy
社區夥伴 Community Partner |
The Bridge+ Living Art Space @the_bridge_plus
資助 Supported by:
香港藝術發展局 Hong Kong Arts Development Council
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香港藝術發展局支持藝術表達自由，本計劃內容並不反映本局意見。The Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the the Council.
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關於藝術家 | 黃學容 Lavender Wong
黃學容畢業於香港中文大學藝術系，現為昼夜一陶創辦人。她以泥土為主要創作媒介，關注物件如何承載人與人之間的關係與記憶。透過陶瓷的可塑性，她探索修復、重組與再生的可能，並思考物質如何成為記憶的載體。
關於工作室 | 昼夜一陶 Ware Home
昼夜一陶 Ware Home 成立於 2023 年。「Ware」既是陶瓷器物，也是「心之所在」。這是一個共享陶藝空間，也是一個容許試驗與失敗的地方。我們相信，每一件陶瓷，都是故事與情感的容器；每一次創作，都是對生活的回應。
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About the Artist | Lavender Wong
Lavender Wong graduated from the Department of Fine Arts at The Chinese University of Hong Kong and is the co-founder of Ware Home Ceramics Studio.
Working primarily with clay, her practice explores how objects hold relationships and memory. Through the tactile intimacy of ceramics, she investigates fragility, repair, and renewal—reflecting on how materials can become vessels of lived experience.
About the Studio | Ware Home Studio
Ware Home is a ceramics co-creation studio founded in 2023. The name “Ware” refers both to ceramic wares and to the idea of where the heart resides.
The studio functions as a shared space for making, experimentation, and learning. It welcomes exploration and even failure, recognising that every ceramic object can become a vessel for stories, emotions, and human connection.
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Repaired Remnants: The Collection
殘件修復圖鑑
Lavender Wong Solo Exhibition
黃學容個人作品展 ● 11–25 April 2026, Mon-Sun, 10:00–18:00 ● ● ● ● 26 April 2026, Sun, 10:00–16:30 ● ● ●
開幕 Opening ● ● ●12 April 2026, Sun, 16:30–18:00 ● ● ●
地點 Venue ● ● ●The Bridge+ Living Art Space ● ● ● ● G/F, 82–84 Apliu Street, Sham Shui Po ●
深水埗鴨寮街82-84號地下
● ● ● 免費入場 Free Admission ● ● ●
詳情及登記 Details&Registration: link in bio
_________________________________________________
資助 Supported by:
香港藝術發展局 Hong Kong Arts Development Council
香港藝術發展局支持藝術表達自由，本計劃內容並不反映本局意見。The Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the the Council.
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當小店消失，記憶，會留下嗎？
在香港，我們常說再見，
街角轉眼換了招牌。
但那些被遺下的物件——
磨損的椅面、破裂的藤器、退色的印刷鉛字……
仍在。
藝術家走訪結業小店，
以 3D 掃描保存生活痕跡，
以陶瓷修復缺失。
博物館用碎片拼回歷史;
〈殘件修復〉用陶瓷拼回社區。
在這座城市裡，
請記得，
我們曾這樣生活。
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關於計劃 |
殘件修復圖鑑 Repaired Remnants: The Collection
「殘件」指的是那些被使用、被磨損、被遺留下來的物件碎片。它們來自因翻新或搬遷而結業的小店，是日常生活留下的痕跡。計劃靈感來自考現學與文物修復方法，透過修復搬遷店舖遺留物件的缺失部分，重構社區的日常樣貌。
藝術家黃學容走訪多區結業小店，收集物件殘片與故事，並結合 3D 掃描與陶瓷修復技術，建立一個橫跨實體與數位空間的記憶檔案〈殘件修復圖鑑〉。作品關注保存生活的紋理，那些看似微小的物件，承載著社區的勞動、關係與時間。
在城市快速更替之中，展覽邀請觀者重新思考：我們如何記住曾經的生活方式。
_________________________________________________
Repaired Remnants: The Collection
殘件修復圖鑑
Lavender Wong Solo Exhibition
黃學容個人作品展 ● 11–25 April 2026, Mon-Sun, 10:00–18:00 ● ● ● ● 26 April 2026, Sun, 10:00–16:30 ● ● ●
開幕 Opening ● ● ●12 April 2026, Sun, 16:30–18:00 ● ● ●
地點 Venue ● ● ●The Bridge+ Living Art Space ● ● ● ● G/F, 82–84 Apliu Street, Sham Shui Po ●
深水埗鴨寮街82-84號地下
● ● ● 免費入場 Free Admission ● ● ●
詳情及登記 Details&Registration: link in bio
_________________________________________________
展覽製作團隊 Exhibition Credits
藝術家 Artist |
黃學容 Lavender Wong @grass_vender
視覺設計 Visual Design |
李芷淇 Kiki Lee @kikilee_records_
數位典藏 Digital Archive |
何欣恩 Elly Ho @hyy_yy_
施灆 Major Sze @just_some_major_art
公眾連結 Public Engagement |
陳曉楹 Janet Chan @janetchanhy
社區夥伴 Community Partner |
The Bridge+ Living Art Space @the_bridge_plus
資助 Supported by:
香港藝術發展局 Hong Kong Arts Development Council
_________________________________________________
香港藝術發展局支持藝術表達自由，本計劃內容並不反映本局意見。The Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the the Council.
展覽完結兩星期，回望製作過程。
在《殘件修復圖鑑》中，很多細節來自微小的觀察，如何用泥去接近不同物料的質感。木的磨蝕、塑膠的老化、紙的輕薄、藤的纖維、金屬的氧化——這些原本屬於不同物質的特性，被轉化為陶瓷的語言。
藤器的表面，以燒成的草木灰覆蓋，留下塵埃的痕跡；金屬以鐵氧化物處理，呈現接近金屬氧化的質感；紙質則透過混入纖維與薄製，保留其脆弱與輕盈。
每一件陶瓷殘片，都是對原物的一種觀察與重構。
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Two week after the exhibition, looking back at the making process.
In <Repaired Remnants: The Collection>, many details came from small observations—how clay can approximate different material qualities, and how a missing part can still feel connected to the original object.
The wear of wood, the aging of plastic, the lightness of paper, the fibres of rattan, the oxidation of metal—
these material characteristics are translated into the language of ceramics.
Rattan surfaces are recreated using plant ash, leaving a dust-like trace; metal is treated with iron oxide to evoke metal oxidation; paper is reinterpreted by mixing fibres into porcelain and forming it thinly.
Each ceramic fragment is an observation and reconstruction of the original object.
《殘件修復圖鑑：The Collection》同步於深水埗The Bridge+ 展出，展覽最後倒數5天！
《殘件修復圖鑑》是一個由零開始、歷時一年建立的數碼典藏系統。
它記錄的是來自結業店舖與城市變遷之中，被留下的物件。透過3D掃描與詳細記錄，每一件殘缺物件都被轉化為可被閱讀的檔案。
透過地圖與館藏兩種模式，觀眾可以從空間與物料出發，重新理解這些物件與它們所屬的時代。地圖標記了城市中已結業的店舖，觀眾可以從地圖進入，逐步放大，觀看同一地點所留下的多件物件；亦可以轉換至館藏模式，按地區或材質分類，理解不同物料所呈現的磨損與使用痕跡。
這是關於消失的記錄，也是一個持續擴展的系統。
歡迎進入圖鑑，或分享你所保存的物件。
Link in bio: /#/home
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Repaired Remnants: The Collection is a digital archive system built from scratch over the course of a year.
It documents objects left behind by closed shops and urban transformation. Through 3D scanning and detailed documentation, each fragment is transformed into a readable archive.
Through both Map and Collection modes, viewers can explore these objects from spatial and material perspectives, reinterpreting the era they belong to. The map marks closed shops across the city, allowing users to zoom in and discover multiple objects left at each location. Alternatively, the collection mode enables browsing by district or material, revealing patterns of wear and traces of use.
These absences have not disappeared, but are preserved in another form. This is a record of disappearance, and an evolving system.
You are invited to explore the archive, or share objects you have kept.
Link in bio: /#/home
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資助 Supported by:
香港藝術發展局 Hong Kong Arts Development Council
香港藝術發展局支持藝術表達自由，本計劃內容並不反映本局意見。The Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the the Council.
展覽開幕了！感謝每一位到場的觀眾，願意為這些結業店舖留下的物件駐足片刻，細看這些被遺下的痕跡。
特別鳴謝香港中文大學 文化及宗教研究系副教授 梁學彬博士，在過去一年擔任計劃指導，為《殘件修復圖鑑》線上數碼典藏系統提供了寶貴意見，讓這些小店記錄得以延續。
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The exhibition is now open. Thank you to everyone who visited and took a moment to pause for these objects left behind by closing shops, looking closely at the traces they carry.
Special thanks to Dr. LEUNG Hok Bun Isaac, Associate Professor in the Department of Cultural and Religious Studies at The Chinese University of Hong Kong, for serving as the project advisor over the past year and offering invaluable guidance for the digital archive system of <Repaired Remnants: The Collection>, allowing these stories of disappearing shops to continue being remembered.
展覽開幕了！感謝每一位走進空間的觀眾，願意停留，並細看這些被結業店舖留下的痕跡。
《殘件修復圖鑑：The Collection》正在展出，同時發佈數碼典藏系統，可進一步了解每一件物件的來源與故事。
錯過開幕的你，星期六日仍有藝術家導賞，歡迎預約參與。(link in bio)
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The exhibition is now open. Thank you to everyone who stepped into the space, stayed for a while, and spent time looking closely at the traces left behind by disappearing shops.
<Repaired Remnants: The Collection＞ is currently on view, alongside the launch of its digital archive system, where visitors can further explore the origins and stories behind each object.
If you missed the opening, artist-guided tours are still available every Saturday and Sunday. Reservations are welcome. (Link in bio)
_______________________________________________
Repaired Remnants: The Collection
殘件修復圖鑑
Lavender Wong Solo Exhibition
黃學容個人作品展 ● 11–25 April 2026, Mon-Sun, 10:00–18:00 ● ● ● ● 26 April 2026, Sun, 10:00–16:30 ● ● ●
地點 Venue ● ● ●The Bridge+ Living Art Space ● ● ● ● G/F, 82–84 Apliu Street, Sham Shui Po ●
深水埗鴨寮街82-84號地下
● ● ● 免費入場 Free Admission ● ● ●
詳情及登記 Details&Registration: link in bio
.
當一間店舖結束營業，
消失的，是否只是它的招牌？
在城市不斷翻新的縫隙之中，
仍有一些事物被留下，
磨損的木椅、破裂的藤器、退色的鉛字。
4月12日，開幕茶會，
一起看看這些慢慢被修復的故事，
期待見到你。
__________________________________
Repaired Remnants: The Collection
殘件修復圖鑑
Lavender Wong Solo Exhibition
黃學容個人作品展
藝術家走訪各區結業小店，
以 3D 掃描保存物件的形態，
以陶瓷修復缺失的部分。
在修補與缺口之間，
重構一種我們熟悉的、
關於日常的記憶。
__________________________________
● 11–25 April 2026, Mon-Sun, 10:00–18:00 ●
● ● ● 26 April 2026, Sun, 10:00–16:30 ● ● ●
開幕 Opening
● ● ●12 April 2026, Sun, 16:30–18:00 ● ● ●
地點 Venue
● ● ●The Bridge+ Living Art Space ● ● ●
● G/F, 82–84 Apliu Street, Sham Shui Po ●
深水埗鴨寮街82-84號地下
（深水埗站 A2 出口，步行約3分鐘）
● ● ● 免費入場 Free Admission ● ● ●
詳情及登記 Details&Registration: link in bio
__________________________________
資助 Supported by:
香港藝術發展局 Hong Kong Arts Development Council
香港藝術發展局支持藝術表達自由，本計劃內容並不反映本局意見。The Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the the Council.
.
每一件被修復的碎片，
都曾經被使用、被忽視、被遺下。
而在重新被觀看的瞬間，
它們再次成為敘事的起點。
展覽期間，藝術家將於現場駐留，
與觀者一同觀看、對話，
並以導賞的方式展開作品背後的時間與路徑。
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● ● ● 藝術家駐場 Artist Present ● ● ●
18–19, 25–26 April 2026
15:00–18:00
每日設有兩場導賞活動 15:30 & 16:30，每節導賞時間約為30分鐘。
Two guided tour sessions will be 15:30 & 16:30. Each session lasts approximately 30 minutes.
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歡迎預先登記
Register via QR code
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資助 Supported by:
香港藝術發展局 Hong Kong Arts Development Council
香港藝術發展局支持藝術表達自由，本計劃內容並不反映本局意見。The Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the the Council.
當小店消失，記憶，會留下嗎？
Repaired Remnants: The Collection 殘件修復圖鑑
● 11–26 April 2026, Mon-Sun, 10:00–18:00 ● ● ● ●The Bridge+ Living Art Space ● ● ●
● ● ● 免費入場 Free Admission ● ● ●
詳情及登記 Details&Registration: link in bio
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碎裂玻璃藥材樽
杏昌蔘茸藥行（1995-2025）
高240毫米，底徑125×125毫米
Broken Glass Herb Jar
Hang Cheong Ginseng Hong Company (1995-2025)
Height: 240 mm, Base: 125 × 125 mm
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杏昌蔘茸藥行（1995-2025）
杏昌蔘茸藥行曾經位於九龍城衙前塱道，是一間經營中藥材與中醫診療的小店。店主洪自重原籍福建南安，早年來港打工，在製衣廠工作多年。1990年代製衣業北移後，他接手朋友的藥材舖，重新踏上行醫之路。近知天命之年，他更考取香港中醫註冊資格，於2000年正式成為註冊中醫師。多年來，他在店內為街坊抓藥問診，只收藥費，不收診金。這間藥行見證了九龍城舊區與啟德機場年代的生活節奏。隨著城市重建計劃推進，店舖最終於2025年結業，留下街坊記憶中的一盞溫暖燈火。
Hang Cheong Ginseng Hong Company (1995-2025)
Hang Cheong Ginseng Hong Company was a neighbourhood herbal medicine store located on Nga Tsin Wai Road in Kowloon City. The owner, Hung Chi-chung, originally came from Nan’an in Fujian and worked in Hong Kong’s garment factories after arriving in the city. When the garment industry moved north in the 1990s, he took over a friend’s herbal shop and returned to his dream of practising medicine. Near the age of fifty, he successfully passed the Hong Kong Chinese medicine licensing examination and became a registered practitioner in 2000. For many years, he treated local residents in the shop, charging only for the medicine and never consultation fees. The shop witnessed the everyday life of old Kowloon City during the Kai Tak Airport era. It closed in 2025 as urban redevelopment reshaped the district.
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#香港好去處 #週末好去處 #社區藝術 #展覽 #展覽預告
當小店消失，記憶，會留下嗎？
Repaired Remnants: The Collection 殘件修復圖鑑
● 11–26 April 2026, Mon-Sun, 10:00–18:00 ● ● ● ●The Bridge+ Living Art Space ● ● ●
● ● ● 免費入場 Free Admission ● ● ●
詳情及登記 Details&Registration: link in bio
-
碎裂塑膠拉坯機盤
藝舍（2008-2025）
高126毫米，底徑470×470毫米
Vintage Suit Fabric Panel
Art Home Ceramics Studio (2008-2025)
Height: 126 mm, Base: 470 × 470 mm
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藝舍（2008-2025）
藝舍由陶藝家賴志剛於2008年創立，位於火炭工業區，是一個結合陶藝教學與創作的工作室。創辦人曾於海外學習陶瓷藝術，致力將多年研究的釉藥與技術傳授給學生。工作室佔地約五千平方呎，多年來培育了不少陶藝愛好者與創作者。隨著年紀漸長，賴老師選擇於退休之際結束藝舍的營運。這個曾被視為「第二個家」的陶藝空間，不僅承載教學與創作，也見證了香港民間陶藝社群的累積與成長。
Art Home Ceramics Studio (2008-2025)
Arthome Ceramic Studio was founded in 2008 by ceramic artist Lai Chi-kong in the industrial district of Fo Tan. The studio functioned as both a teaching space and a creative workshop, where the founder shared his extensive research on glazes and ceramic techniques developed through overseas study. Covering around 5,000 square feet, it nurtured many pottery enthusiasts and emerging artists over the years.
As he approached retirement, Mr. Lai chose to bring the studio’s operation to a close. For many students, Arthome had long served as a “second home,” holding both learning and making, and witnessing the growth of Hong Kong’s grassroots ceramic community.
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#香港好去處 #週末好去處 #社區藝術 #展覽 #展覽預告
