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@gloss

Fashion | Mode | Moda | Here for the swag bags 🛍️
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16 hours ago
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2 days ago
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3 days ago
Is fashion art, or is art fashion? 🤷🏽‍♂️ The debate has gone on for years, but we might be getting closer to an answer this May when the @metcostumeinstitute at the @metmuseum moves out of the basement and into one of the museum’s most prominent spaces, right by the Great Hall. For curator Andrew Bolton, the distinction hardly matters. Fashion, he argues, sits in a category of its own. It is worn, lived in, and shaped by real life in a way no other art form quite is. “Fashion is more art than art is,” according to Andy Warhol, and here are some slides which help support this argument… 1 & 2) Michaela Stark’s body-binding corsetry, here seen on model Jill Kortleve, find common ground on the exuberant colors, full figure, and winding snake in Niki de Saint-Phalle’s Nana and Serpent from 1992. Niki De Saint-Phalle © 2026 Niki Charitable Art Foundation/ARS, NY/ADAGP, Paris. 3 & 4) The contours of Angelina Kendall’s surging Duran Lantink dress find an echo in Jean Arp’s undulating Configuration in Serpentine Movements I (1950) (from the MET’s holdings). 5 & 6) Model Adut Akech Bior, pregnant with her second child, in Loewe, finds an echo in a gourd-shaped artefact - part of The Met’s collection of Japanese 19th-century Meiji period art. 7 & 8) Model Libby Taverner’s black wool-mohair Olivier Theyskens gown with its arterial network bleeds into a close-up of Chiharu Shiota’s 2024 work ‘In Circles’. Chiharu Shiota © 2026 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn. 9 & 10) A 2024 Saint Laurent by Anthony Vaccarello hosiery dress, worn by model Mona Tougaard, finds an echo in an ancient Egyptian relief from the collection of The Met, Dancers with Instruments (circa 1353–1336 BCE). 11 & 12) Designers Robert Wun Couture and Thom Browne Couture have styled models Yasmin Warsame and Betsy Gaghan in an echo to the 1746 work by French anatomist and artist Jacques Fabien Gautier Dagoty who painted a flayed female subject in Myologie Complette en Couleur et Grandeur Naturelle (Courtesy of Jacques Fabien Gautier Dagoty).
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1 month ago
Hot Chicken bags are a fashion item now? 😳🤷🏽‍♂️ With @grace.your.self
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1 month ago
Are these “luxury items” or are we just being trolled? 💍👜🤷🏽‍♂️
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2 months ago
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2 months ago
We get taken on a tour of @wackie.ju ’s S8S exhibition as part of @melbfashionfestival ’s independent program. Sound design @sweet__sesame Scent installation @jessewakenshawstudio Creative producer @josaiaqio
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2 months ago
Fashion is anything but boring when the students come out to play at @melbfashionfestival 😍 Which look did you like the best? 🤷🏽‍♂️🚿 Students: @c___caroline @zain.bleed @roseguiffre_ (winner of the National Graduate Showcase Award) @_leah_designs_ / @leah.wilkinson_ @val_barrrios @jessicamicheline_ @connor.lv.brown @r3m1xcollective / @bryanahdcosta @fantomecouture / @jdoesmua @peroxide________star @____ana.kim @baileyquan_ Styling: @mutabazi_k Hair: @lorealpro_education_aus Beauty: @lancomeofficial @larasrokowski Photography: @dazey.studio @dancastano Production @eventgallery
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2 months ago
For @maisonmargiela ’s SS26 runway collection last week, models walked with their mouths bound open in the shape of the house’s signature four-stitch mark. Ironically, those stitches were never meant to be a logo. When Margiela launched in 1988, each blank tag was fastened with four white threads, designed to be cut away… a quiet rebellion against branding that became one of fashion’s most enduring symbols of anti-fashion. What did you think of the show? 🤷🏽‍♂️
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7 months ago
Vera Wang didn’t start her empire in her 20s. At 40, she was rejected for her dream role at Vogue - and told she was too old to begin again. Instead of quitting, she designed her first wedding dress. Today? She’s worth $650M. 💎 Her story is a reminder to every artist and creative: rejection isn’t failure - it’s fuel. The path may twist, but creativity has no expiration date. 🤗
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8 months ago
Artist and designer @husseinchalayanofficial ’s Spring/Summer 2007 collection “One Hundred and Eleven” fused fashion with tech, featuring self-transforming dresses morphing through 100+ years of style - from Victorian to 1960s chic - powered by hidden motors. More than a spectacle, it explored identity, memory, and clothing as cultural commentary, marking a milestone in wearable tech. What do you think of this show today? 🤷🏽‍♂️
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9 months ago