Formafantasma

@formafantasma

A Design Studio based in Milan and Rotterdam. Here we collect everything that makes us happy
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Fantastic Man China - Design Issue In April, Milan gradually unfolds into Design Week, and a more fluid, open-ended energy begins to circulate through the city. Design is no longer confined to products—it moves closer to a way of engaging with reality itself, as the boundaries between art, commerce, and research continue to blur. Within this context, Formafantasma occupies a central position. Led by Andrea Trimarchi and Simone Farresin, the studio places research and practice side by side, turning design into a mode of inquiry. As co-curators of Prada Frames, they construct a platform for dialogue—one that unfolds around materials, production, and life itself. On the eve of this year’s forum, we met them at its venue, Santa Maria delle Grazie. @manfantasticcn @prada Executive Director: Guo Jiacheng @jiachengxx Visual Director: Jin Jing Editor: Zhang Xinxin @xxinxz Text: Hua Rui
Art Direction & Styling: Dou Qianlin Latrubesse @douxqianlin 
Photography: Markus Pritzi markuspritzi
Graphic Design: Jingda
2,321 32
27 days ago
Casa Manteco | Manteco, Prato, Italy | 2026 Casa Manteco is a series of new spaces located within the headquarters of Manteco, a leading Italian textile company based in Prato. The exhibition space and showroom were designed by Formafantasma. The intervention was conceived not simply as a company museum, but as a domestic environment in a cultural sense: a place of belonging, accumulation of knowledge, and everyday work. The project itself was a research process based on the company’s archives and the wider local context. It brings together data, documents, and different types of materials to reconstruct the company’s activities with precision. The aim was to make visible how materials, processes, and craftsmanship are related. Located in former raw material warehouses, the intervention preserved the existing industrial structure and works within it. The space was not neutralized; it continues to function as a place of storage and transformation, not of material but of heritage. A system of modular tables and storage elements organizes the exhibition. These are not only display cases, but working tools that allow consultation, comparison, and ongoing research. The structure is reversible and can change over time, following the evolution of the company and the continuous layering of experiences. The exhibition is organized as a set of interconnected themes rather than a linear sequence. It reflects the company as a system that links people, territory, production processes, and circular research. Here, sustainability is presented through concrete practices rather than as an abstract concept. The result is a clear and coherent exhibition path that shows how a local manufacturing tradition can develop over time while remaining grounded to its context. @manteco_official Curated by Formafantasma Exhibition by Formafantasma Formafantsma team: @lorenzocellini___ Video by @francesco.mancin @corradjno
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1 day ago
Salone Raritas | Salone del Mobile Milano Design Week, April 2026 For the 64th edition of Salone del Mobile, Formafantasma designed Salone Raritas: Curated Icons, Unique Objects, and Outsider Pieces, a new exhibition space dedicated to collectible design. The set design is conceived to bring clarity, cohesion, and a stronger sense of atmosphere to the fair experience. While trade fairs often prioritise individuality within neutral and impersonal environments, the intervention introduces a more curated and intimate setting through the calibrated use of colour, spatial arrangement, and lighting. Rather than relying on white exhibition structures, the project uses different hues of painted wood to give each booth a distinctive identity while maintaining an overall visual coherence across the space. The material palette, together with a custom lighting system and black ceiling, softens the industrial character typical of fair venues and creates a more focused and intimate environment for the exhibited works. From the outside, the space appears as a large architectural lantern: a porous structure that frames the exhibitors without overwhelming them, establishing a clear rhythm and recognisable spatial identity throughout the exhibition. Designed to evolve over future editions, the project is based on modular and reusable components, allowing the system to be continuously reconfigured and adapted over time. Thanks to @isaloniofficial Curated by @lisarosso Graphic design by @leftloft.design Formafantasma team: @gabriele_milanese Photos: 1,4,7,8,9,11, @gregorio.gonella 2,12 @saverio_lombardi_vallauri 3,5,6,10,13 Gabriele Milanese #SaloneRaritas #milandesignweek #formafantasma #salonedelmobile #milan
1,015 6
3 days ago
Salone Raritas | Salone del Mobile Milano Design Week, April 2026 For the 64th edition of Salone del Mobile, Formafantasma designed Salone Raritas: Curated Icons, Unique Objects, and Outsider Pieces, a new exhibition space dedicated to collectible design. The set design is conceived to bring clarity, cohesion, and a stronger sense of atmosphere to the fair experience. While trade fairs often prioritise individuality within neutral and impersonal environments, the intervention introduces a more curated and intimate setting through the calibrated use of colour, spatial arrangement, and lighting. Rather than relying on white exhibition structures, the project uses different hues of painted wood to give each booth a distinctive identity while maintaining an overall visual coherence across the space. The material palette, together with a custom lighting system and black ceiling, softens the industrial character typical of fair venues and creates a more focused and intimate environment for the exhibited works. From the outside, the space appears as a large architectural lantern: a porous structure that frames the exhibitors without overwhelming them, establishing a clear rhythm and recognisable spatial identity throughout the exhibition. Designed to evolve over future editions, the project is based on modular and reusable components, allowing the system to be continuously reconfigured and adapted over time. Thanks to @isaloniofficial Curated by @lisarosso Graphic design by @leftloft.design Formafantasma team: @gabriele_milanese Photos: 1,3,5,9 @gregorio.gonella 2,6 Alessandro Celli 4,8,11 @saverio_lombardi_vallauri 7,10,12 Gabriele Milanese #SaloneRaritas #milandesignweek #formafantasma #salonedelmobile #milan
2,102 9
5 days ago
Before & Beyond | Showroom B&B ITALIA Milano Design Week, April 2026 Before & Beyond is an exhibition curated by Gianluigi Ricuperati and designed by FormaFantasma for B&B Italia on the occasion of Salone del Mobile 2026, developed alongside a special issue of Nova Express magazine. The exhibition focuses on B&B Italia’s advertising campaigns over the years, created in collaboration with a wide range of creatives, and marks the launch of a new campaign by Carina Frey and Stefanie Barth (@carinafreystefaniebarth ), with photographs by Camille Vivier (@camille_vivier ). It presents a non-linear reading of this material, bringing together archival campaigns and recent work without following a fixed timeline. Campaigns such as Oliviero Toscani’s for Bellini’s Bambole and the latest project are treated as a deliberate and often disruptive tool, shaping the company’s identity over time. While centred on communication, the exhibition also traces key moments in the company’s history and the figures who have shaped its direction, from its origins between Cassina and Busnelli to its development across the following decades. These campaigns are positioned within a broader trajectory, pointing to a consistent aim: making durable, well-designed objects in collaboration with designers across generations. @bebitalia Curated by @gianluigi_ricuperati Formafantasma team: @lorenzocellini___ Graphic design: @novaexpress_mag @siliqoon Photos: @gianbellomo
632 4
8 days ago
B&B ITALIA | Salone del Mobile Milano Design Week, April 2026 At the Salone del Mobile, furniture is typically presented within staged interiors, small constructed scenes that suggest how pieces might be used. While this helps situate them, it often shifts attention toward styling, where the objects risk being absorbed into the setting. Formafantasma’s stand for B&B Italia takes a different approach. It is conceived as an architectural space rather than a sequence of interiors, removing decorative cues and narrative elements that would frame the pieces. The aim is to keep the focus on the works themselves, their form, materials, and internal logic, without mediation. The clarity of the layout and the use of materials suggest a domestic condition without reproducing it. Proportion, light, and colors define the environment: a coffered ceiling filters zenithal light, producing a soft, even illumination, while printed marble partitions organize the space, introducing rhythm without enclosing the space. Within this framework, the products are not embedded in a scene but presented as autonomous projects. The architecture acts as a quiet support, holding the space together while allowing each piece to be read on its own terms. Furniture by: Ronan Bouroullec, Richard Sapper, Michael Anastassiades, Luigi Caccia Dominioni, Jasper Morrison, Vincent van Duysen, Antonio Cittero, Haus Nuller. @bebitalia Formafantasma team: @francescolupia Photos: 1,2,4,5,6,8,9 Gianluca Bellomo 3,7 @gregorio.gonella
2,466 30
10 days ago
B&B ITALIA | Salone del Mobile Milano Design Week, April 2026 At the Salone del Mobile, furniture is typically presented within staged interiors, small constructed scenes that suggest how pieces might be used. While this helps situate them, it often shifts attention toward styling, where the objects risk being absorbed into the setting. Formafantasma’s stand for B&B Italia takes a different approach. It is conceived as an architectural space rather than a sequence of interiors, removing decorative cues and narrative elements that would frame the pieces. The aim is to keep the focus on the works themselves, their form, materials, and internal logic, without mediation. The clarity of the layout and the use of materials suggest a domestic condition without reproducing it. Proportion, light, and colors define the environment: a coffered ceiling filters zenithal light, producing a soft, even illumination, while printed marble partitions organize the space, introducing rhythm without enclosing the space. Within this framework, the products are not embedded in a scene but presented as autonomous projects. The architecture acts as a quiet support, holding the space together while allowing each piece to be read on its own terms. Furniture by: Ronan Bouroullec, Richard Sapper, Michael Anastassiades, Luigi Caccia Dominioni, Jasper Morrison, Vincent van Duysen, Antonio Cittero, Haus Nuller. @bebitalia Formafantasma team: @francescolupia Photos: 1,2,3,7,8,9,10,14,15 @gregorio.gonella 4,5,6,8,11,12,13 @gianbellomo
2,642 39
11 days ago
Prada Frames 2026: Reflections on image-making This year, Prada Frames partnered with Monocle Radio to produce three episodes of their podcast dedicated to the symposium. Listen to the third episode: “Prada Frames 2026: Reflections on image-making” via the link in bio. Photos from day three, April 21. Special thanks to our hosts Alice Rawsthorn @alice.rawsthorn and Natalia Grabowska @natnusheh . With contributions from Mark Leckey @mark.leckey , Ed Atkins @edatkinsdiet , Julian Rosefeldt @julianrosefeldt , Barbara Maria Stafford, Jonas Staal @jonas_staal , Alfredo Jaar @alfredojaarstudio . Music curation by @threesproductions Formafantasma team: @giulia_br @gregorio.gonella Musician: Andrea Vecchiato @avecchiatoooo Photos courtesy of Prada. @prada @formafantasma @ps.creativeagency @mbagency_ #PradaFrames #formafantasma #prada #fuorisalone2026 #imageculture
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14 days ago
Prada Frames 2026: Opening Night with Hania Rani and Precious Renee Tucker This year, Prada Frames partnered with Monocle Radio to produce three episodes of their podcast dedicated to the symposium. Listen to the second episode: “Prada Frames 2026: Opening Night with Hania Rani and Precious Renee Tucker” via the link in bio. Photos from day two, April 20. Special thanks to our hosts Alice Rawsthorn @alice.rawsthorn and Natalia Grabowska @natnusheh . With contributions from Deborah Willis @debwillisphoto , Gideon Mendel @gideonmendel , Hania Rani @haniarani , Joanna Piotrowska @janka_piotrowska , Anouchka Grose @anouchkagrose , Sharon Sliwinski @sharonsliwinski , Joanna Zylinska @joanna.zylinska , Wendy Hui Kyong Chun. Music curation by @threesproductions Musician: @elenacantarutti Formafantasma team: @giulia_br @gregorio.gonella Photos courtesy of Prada. @prada @formafantasma @ps.creativeagency @mbagency_ #PradaFrames #formafantasma #prada #fuorisalone2026 #imageculture
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15 days ago
Inside Prada Frames 2026: Formafantasma on the power of image-making This year, Prada Frames partnered with Monocle Radio to produce three episodes of their podcast dedicated to the symposium. Listen to the first episode: “Inside Prada Frames 2026: Formafantasma on the power of image-making” via the link in bio. Photos from day one, April 19 Special thanks to our hosts Alice Rawsthorn @alice.rawsthorn and Natalia Grabowska @natnusheh With contributions from Paola Antonelli @paolantonelli , Alvaro Barrington @alvarobarrington , Ila Bêka & Louise Lemoine @ilabeka @bekalemoine @irinabloom12 , Marine Brutti (La)Horde @la.horde , Barbara Casavecchia @barbara_casavecchia , Geert Lovink, Jussi Parikka, Hans Ulrich Obrist @hansulrichobrist , Akram Zaatari @akramzaatari Thanks to our guests for the special night session: performative contributions by Momtaza Mehri @momtazamehri and Kate Crawford @katecrawford , music performance by Hania Rani @haniarani and Precious Renee Tucker @preciousreneetucker . Music curation by @threesproductions Musician: @laura_masotto Formafantasma team: @giulia_br @gregorio.gonella Photos courtesy of Prada. @prada @formafantasma @ps.creativeagency @mbagency_ #PradaFrames #formafantasma #prada #fuorisalone2026
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17 days ago
Thank you so much Cultured Magazine for including us in this year CULT100 list. The CULT 100 honor the figures from the worlds of art, film, music, fashion, food, media, politics, and literature who are challenging and defining culture in 2026. Honorees include Ocean Vuong, Julianne Moore, Hans Zimmer, Hari Nef, Frida Escobedo, Hans Ulrich Obrist, Carey Mulligan, Marcello Hernandez, (La)Horde, Salman Rushdie, Eartheater, Miranda July, Lykke Li, Lena Dunham, and more. @cultured_mag #cult100 #culturedmagazine
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22 days ago
Prada Frames In Sight reaches its conclusion in Milan with the annual symposium curated by design and research studio Formafantasma. The final day focused on how images influence the self, the production of knowledge, and the ways the world is understood and imagined. Hosted within the complex of Santa Maria delle Grazie, day three featured Mark Leckey, Ed Atkins in conversation with Natalia Grabowska; Julian Rosefeldt and Barbara Maria Stafford; Jonas Staal and Alfredo Jaar; with all sessions contextualized by Alice Rawsthorn. Throughout the day, performative visits led by Natalia Grabowska, with a contribution by Alice Rawsthorn, featured Ed Atkins, Alfredo Jaar, Jonas Staal, Barbara Maria Stafford, and Mark Leckey in a series of readings, engaging participants with the setting and thematic framework of the symposium. Music curation by @threesproductions @prada @formafantasma @ps.creativeagency @mbagency_ #PradaFrames #formafantasma #prada #fuorisalone2026 #imageculture
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23 days ago