PROJECTION/SCREENING
— Carte blanche à Frédéric Moffet : Love Is a Stranger in an Open Car – Dérive érotique au sein de la collection / An erotic dérive through the collection
28.05 2026 — 19 h / 7 pm
Pour cette édition de dv_vd, Frédéric Moffet a carte blanche afin de concevoir un programme original dans le cadre de la série. Le commissaire y présente une sélection d’œuvres qui explore le désir, la mémoire, l’identité et les politiques de la représentation.
Le programme est disponible dans la bio.
📢 Les places sont limitées et l’entrée se fera selon l’ordre d’arrivée. Merci d’arriver quelques minutes à l’avance!
La série dv_vd est une initiative de Vidéographe et Dazibao.
❊
For this edition of dv_vd, carte blanche is offered to Frédéric Moffet to create an original program as part of the series. The curator presents a selection of works that explores desire, memory, identity, and the politics of representation.
The program is in the bio.
📢 Seats are limited and admission is on a first-come, first-served basis. Please arrive a few minutes early!
The dv_vd series is an initiative by Vidéographe and Dazibao.
.
.
.
🎞 : Chantal Partamian, آثار Traces (2023)
After an emotionally draining week in Montreal, my adorable boyfriend @jcfsierra sneaked into my apartment, clean the whole place, stock the fridge with home cook meals and left flowers. He took a bath too. I was so happily surprised. I just stood there in awe for an eternity. I am lucky.
Nelson and I are in Montreal to present The Job, our film about John Phillips’ career in the 1990s as a photographer for gay men magazines. The screening is part of the Documents: Queer Histories of Image+Nation Film Festival on Friday, November 28 at 19h at Cinéma Public (505 rue Jean-Talon E). I hope to see you in Montreal to celebrate the life of our dear friend John. @imagenationmtl
Montréal! Come celebrate the life of the legendary Madame Simone this Monday 19h at @phi.officiel part of @imagenationmtl
I will be showing a short documentary I made as a 20 year old undergraduate student @concordia_cinema in 1992!
Madame Simone was an icon of the Montreal nightlife. As an undergraduate student in the 90s, we made a short film together. Rest in peace Eugene
#madamesimone
If you missed last night’s event, you can still visit the work at the Faculty Sabbatical Exhibition until December 6! Artist and filmmaker Frédéric Moffet presented three new films alongside works by Jamie Ross, Zuqiang Peng, and Amina Ross. Titled after a Billie Holiday lyric, the program explores beauty, impermanence, desire, and loss. The event was followed by a conversation with John Neff. Presented in partnership with SAIC’s Conversations at the Edge series.
Faculty Sabbatical Triennial Exhibition
August 25–December 6
Street Level & Lower Level 2
SAIC Galleries is located at 33 E Washington St, Chicago, IL.
Open Monday through Saturday 11:00 a.m.–6:00 p.m.
SAIC Galleries will be closed November 24–29, for Thanksgiving break.
#FacultySabbatical #ChicagoArts #SAICShows
@fmoffe ’s THE JOB is an intimate portrait of photographer John Phillips, whose erotic archive reflects the world of 1990s gay male magazines amid the AIDS crisis and the rise of digital technologies.
See it Thursday, September 11 in Frédéric Moffet: You’re Too Lovely to Last
Tickets + info in bio
@saic_galleries@filmcenter@videodatabank@saic_fvnma
Chicago! On Thursday, September 11 at 6pm at the Gene Siskel Film Center (164 N State St.), I will have the pleasure of presenting three of my films, The Magic Hedge, Goddess of Speed and the Chicago premiere of The Job, at Conversations at the Edge. My films will be in dialogue with the films of three wonderful filmmakers: Jamie Ross (research for upcoming film La Jungle), Zuqiang Peng (Sight Leak) and Amina Ross (Man’s Country). Following the screening, there will be a conversation with John Neff, Jamie Ross and the audience.
It would be lovely to see you Thursday and to share this magical evening with you.
@saic_cate@saic_fvnma@ms.topia@pengzuqiang@aminaontheinternet@videodatabank@filmcenter@stevie_cisneros_hanley
P-REC 2025.2 🔥 “Fever Freaks” de @fmoffe 🔥 FILME CONFIRMADO
(EUA 2017)
Sinopse: Um detetive é contratado para achar a cópia original de um livro antigo perdido. O livro reconta a história de uma praga. Uma forma de radiação, desconhecida na até então, ativa um vírus. O vírus atinge as áreas sexuais e de medo do cérebro e do sistema nervoso; o medo é convertido em ondas sexuais que são reconvertidas em medo. Fever Freaks manipula e reedita planos individuais do filme de 1974 de Pier Paolo Pasolini, Arabian Nights, para ilustrar um trecho do livro de William S. Burroughs de 1981, Cities of the Red Night.
Classificação: 🔞
📆 Dia 05/09, na @casa.lontra , a partir das 18h.
💸 Ingresso na porta: R$15
🗺️ Rua Bispo Cardoso Ayres, Nº 72, Boa Vista - Recife
A Mostra P-Rec é uma realização da Cremoso Filmes, @7artedovale e @casa.lontra . Para a realização desse evento, a Casa Lontra conta com o apoio da Lei Paulo Gustavo, por meio da Secretaria de Cultura do Governo do Estado de Pernambuco e do Ministério da Cultura do Governo Federal.
Apoio: @provinhabp , @hardwerk_studio , @ediy.p_rn
& @pinklabeltv .
Wonderful surprise to discover that Juan A. Suarez discusses my video Jean Genet in Chicago in his new book Experimental Film and Queer Materiality. There is a whole chapter dedicated to amphetamine and another on glitter.
