Fernando do Campo

#Repost @gallerysallydancuthbert with @use.repost ・・・ ARTIST NEWS | Fernando do Campo We are delighted to announce that Saucé Llorón Eléctrico (Corkscrew Weeping Willow) with Companion, Mar del Plata by Fernando do Campo, 2023 has been acquired for the rotational art collection within the Australian Parliament House Art Collections.   The Australian Parliament House Art Collection comprises works of contemporary Australian art and craft that reflects aspects of Australian culture, character and identity. The Rotational Collection is on display in general circulation areas at Parliament House, in the parliamentarians’ suites, and public exhibitions in Canberra. - Fernando do Campo Saucé Llorón Eléctrico (Corkscrew Weeping Willow) with Companion, Mar del Plata, 2023 acrylic on canvas 153 x 122 cm For more information on Fernando do Campo and to enquire about available work, please contact [email protected] @ferdocampo @parliamenthousecanberra .  #painting #gallerysallydancuthbert

#Repost @araratgallerytama with @use.repost ・・・ FINAL WEEKS: Fernando do Campo | Siblings Continues to Sunday 22nd June 2025 Fernando do Campo is an artist and academic based in Brisbane and Sydney, where he is Senior Lecturer in Fine Art at UNSW Art & Design. His work explores animal and plant histories through anthropomorphism, speculative fiction, and storytelling, inviting human audiences to question their own species history. In 2025 Fernando will be presenting projects that question the formation of coloniality alongside house sparrows at Ararat Gallery TAMA, the Barnett Newman Foundation in New York, and BIENALSUR in Argentina, the 5th Biennale of Contemporary Art of the South. Ararat Gallery TAMA is free entry and open daily, 10am - 4pm. 📷 Fernando do Campo, ‘Escarapela Capricorniana (Jose Luis) ‘, acrylic on canvas, school uniforms and Surf Live Saving uniforms, lanyards, metal medals, thread, plywood, 2024 Courtesy of the artist and Gallery Sally Dan-Cuthbert, Sydney Photography: Shan Turner-Carroll @ferdocampo @gallerysallydancuthbert @unswartanddesign @araratruralcitycouncil #AraratGalleryTAMA #TextileArtMuseumAustralia #PGAVgalleries #AustralianPublicGalleries #regionalgalleries #regionalgalleriesvictoria #textileart #contemporarytextiles #contemporarytextileart #FernandodoCampo

The Renee & Chaim Gross Foundation, New York, is pleased to present ‘The Archive of We’ a performance lecture by Argentinian-Australian artist Fernando do Campo and the HSSH (House Sparrow Society for Humans). This project is developed in partnership with the Barnett Newman Foundation and the support of Creative Australia and the School of Art & Design, UNSW, Sydney. Limited tickets available, contact the Renee & Chaim Gross Foundation directly. @rcg_foundation @ferdocampo #barnettnewmanfoundation @gallerysallydancuthbert @creative.australia @unswartanddesign @unswada @unsw

Excited to be presenting a public lecture this Tuesday 28th April 6.30pm at the Centre for Brooklyn History @brooklynhistory @bklynlibrary The talk will focus on archival research pertinent to the first successful introduction of house sparrows into the Americas via Brooklyn in 1856-57 through a joint partnership by Brooklyn Institute for Arts & Sciences (now Brooklyn Museum) @brooklynmuseum and Green-Wood Cemetery @historicgreenwood . I will then focus on how I negotiate the critical narration of species histories through studio methodologies and recent exhibitions. The talk will wrap-up in conversation with artist and dear colleague Umber Majeed @u_mbr0 Everyone welcome! Please rsvp @brooklynhistory directly @creative.australia @gallerysallydancuthbert @unswartanddesign @unswada @parsonsschoolofdesign @parsonsfinearts

Excited to share recent research with the Brooklyn community and pick through artistic research <> archives with powerhouse sidekick Umber Majeed 🐦💕 All welcome! RSVP encouraged x #Repost @brooklynhistory with @use.repost ・・・ In the mid-nineteenth century, the house sparrow was intentionally introduced to cities across the colonial world. 🏙️ 🐦‍⬛ Today this small brown bird is often dismissed as a pest—but its history tells a much larger story about migration, empire, and the reshaping of urban environments Join Researcher Dr. Fernando do Campo as he traces the origins of Brooklyn’s sparrows alongside artist Umber Majeed 🪶 📆 Tuesday, April 28, 2026 🕙 6:30–8 PM 📍 Center for Brooklyn History Learn More 🔗 Link in Bio

The Renee & Chaim Gross Foundation, New York, is pleased to present ‘The Archive of We’ a performance lecture by Argentinian-Australian artist Fernando do Campo and the HSSH (House Sparrow Society for Humans). This project is developed in partnership with the Barnett Newman Foundation and the support of Creative Australia and the School of Art & Design, UNSW, Sydney. Limited tickets available, contact the Renee & Chaim Gross Foundation directly. @rcg_foundation @ferdocampo #barnettnewmanfoundation @gallerysallydancuthbert @creative.australia @unswartanddesign @unswada @unsw

Gorriones y Eucaliptos Rosados (mar)(Pink Sparrows and Eucalypts (sea)) is still showing at Museo MAR (Museo de Arte Contemporáneo de Buenos Aires) as part of BIENALSUR 2025, the 5th Biennale of International Art of the Global South, Argentina. This project is a continuation of my ongoing research into the introduction of sparrows into the Americas and Australia in the nineteenth century, and more broadly, how thinking critically with/through/as introduced species reveals counter-anthropocentric and decolonial possibilities for historical storytelling. This work focuses on the mutual introduction of sparrows and eucalyptus into Latin America via Buenos Aires, its relationship to constructing notions of 'terra nullius' present in both Argentina and Australia, and the literary memory of both countries in relation this construct. The work also negotiates my own south<>south relationship in the world, as an Argentinean-Australian negotiating these histories simultaneously. The work spaned the entire entrance hall and mezannine of Museo MAR, 80-metres in length and 15-metres in height, and was the first time I presented work in Latin America, coincidentally and magically in the city where I grew up. The project could not have happened without the support of family @georgemercedesdocampo @vinodan87 And studio assistance from @bree_dimattina @susanr_art @roughpoppy @unregistered_master_builder Thankyou to the vision of curator and now dear friend Clarisa Appendino @clarisaappendino artistic director Diana Wechsler @wechslerd and support from @marmuseo @bienalsurarte @unswartanddesign @unswada and @creative.australia @gallerysallydancuthbert . Photography courtesy @horaciovolpato Gracias a todxs. My heart is still full from this project 💜

Gorriones y Eucaliptos Rosados (mar)(Pink Sparrows and Eucalypts (sea)) is still showing at Museo MAR (Museo de Arte Contemporáneo de Buenos Aires) as part of BIENALSUR 2025, the 5th Biennale of International Art of the Global South, Argentina. This project is a continuation of my ongoing research into the introduction of sparrows into the Americas and Australia in the nineteenth century, and more broadly, how thinking critically with/through/as introduced species reveals counter-anthropocentric and decolonial possibilities for historical storytelling. This work focuses on the mutual introduction of sparrows and eucalyptus into Latin America via Buenos Aires, its relationship to constructing notions of 'terra nullius' present in both Argentina and Australia, and the literary memory of both countries in relation this construct. The work also negotiates my own south<>south relationship in the world, as an Argentinean-Australian negotiating these histories simultaneously. The work spaned the entire entrance hall and mezannine of Museo MAR, 80-metres in length and 15-metres in height, and was the first time I presented work in Latin America, coincidentally and magically in the city where I grew up. The project could not have happened without the support of family @georgemercedesdocampo @vinodan87 And studio assistance from @bree_dimattina @susanr_art @roughpoppy @unregistered_master_builder Thankyou to the vision of curator and now dear friend Clarisa Appendino @clarisaappendino artistic director Diana Wechsler @wechslerd and support from @marmuseo @bienalsurarte @unswartanddesign @unswada and @creative.australia @gallerysallydancuthbert . Photography courtesy @horaciovolpato Gracias a todxs. My heart is still full from this project 💜

Gorriones y Eucaliptos Rosados (mar)(Pink Sparrows and Eucalypts (sea)) is still showing at Museo MAR (Museo de Arte Contemporáneo de Buenos Aires) as part of BIENALSUR 2025, the 5th Biennale of International Art of the Global South, Argentina. This project is a continuation of my ongoing research into the introduction of sparrows into the Americas and Australia in the nineteenth century, and more broadly, how thinking critically with/through/as introduced species reveals counter-anthropocentric and decolonial possibilities for historical storytelling. This work focuses on the mutual introduction of sparrows and eucalyptus into Latin America via Buenos Aires, its relationship to constructing notions of 'terra nullius' present in both Argentina and Australia, and the literary memory of both countries in relation this construct. The work also negotiates my own south<>south relationship in the world, as an Argentinean-Australian negotiating these histories simultaneously. The work spaned the entire entrance hall and mezannine of Museo MAR, 80-metres in length and 15-metres in height, and was the first time I presented work in Latin America, coincidentally and magically in the city where I grew up. The project could not have happened without the support of family @georgemercedesdocampo @vinodan87 And studio assistance from @bree_dimattina @susanr_art @roughpoppy @unregistered_master_builder Thankyou to the vision of curator and now dear friend Clarisa Appendino @clarisaappendino artistic director Diana Wechsler @wechslerd and support from @marmuseo @bienalsurarte @unswartanddesign @unswada and @creative.australia @gallerysallydancuthbert . Photography courtesy @horaciovolpato Gracias a todxs. My heart is still full from this project 💜

Belated holiday post / Kyoto daydreaming 💜 @vinodan87 xx

Belated Post / Tokyo Holiday Daydreaming with @vinodan87 💜 1-4 #hotandrainytokyoinautumn 5-6 #shimbuyacrossing 7 #tokyoimperialpalace 8-10 @momat_museum 11 #sensoji 12 #traintokyoto 13 #drawingclub #jinbocho 14 @chrisunkim @moriartmuseum

#Repost @gallerysallydancuthbert with @use.repost ・・・ ON NOW IN THE GALLERY | OFFSITE / ONSITE | Artist Spotlight – Fernando do Campo   Offsite/Onsite is group exhibition presenting work by artists currently exhibiting in public galleries, museums and Biennales around the world.  Follow the link in bio to explore the catalogue or contact [email protected] - Gallery hours:  Tuesday - Saturday: 10 am - 5 pm  Or by appointment  - @ferdocampo @herveybayregionalgallery @bienalsurarte