🎨 Fardosa Hussein es una artista visual multidisciplinar somalí que vive entre Kenia y Somalia.
En su trabajo examina cómo las historias se transmiten de generación en generación a través del gesto, el ritual y la vida cotidiana.
🌍 La artista ve este proyecto como una base para un trabajo colaborativo más amplio dentro de la comunidad creativa somalí y de África Oriental, incluyendo talleres, proyecciones y conversaciones para poner en el centro las narrativas diaspóricas y la memoria intergeneracional.
🧭 Esta publicación forma parte de 𝐒𝐔𝐑, el espacio de @vistprojects que conecta narrativas situadas del Sur Global.
🌍Fardosa Hussein es Fellow de @newfcommunity
🔎 Conoce más de este trabajo en @fardee_dee
(EN)
🎨 Fardosa Hussein is a Somali multidisciplinary visual artist living between Kenya and Somalia. In her work, she examines how histories are passed down from generation to generation through gesture, ritual, and everyday life.
🌍 The artist sees this project as a foundation for broader collaborative work within the Somali and East African creative community, including workshops, screenings, and conversations that center diasporic narratives and intergenerational memory.
🧭 This post is part of 𝐒𝐔𝐑, a space by @vistprojects that connects situated narratives from the Global South.
🌍Fardosa Hussein is a @newfcommunity Fellow.
🔎 See more about this work at @fardee_dee
Faces of 13AM | @fardee_dee 🇸🇴
A visual artist and photojournalist documenting the lives of Somali women through intimate, candid storytelling, capturing strength, resilience and the reality of everyday life.
Part of Project 195, a global creative movement set to become the first to unite artists from every country on Earth.
#13AM #Project195 #Art #Creative #Inspiration #Community
These streets in an old neighborhood in Kismayo echo the quiet language of Lamu Island in Kenya; arched windows, weathered coral walls, and heavy wooden doors painted in fading blues. Though separated by borders, both towns carry the imprint of the Swahili Coast, where traders, sailors, and settlers moved with the monsoon winds, leaving behind more than goods.
These buildings are not just structures; they are records of movement; of Arab, Persian, and African influences blending into a shared coastal identity. In their textures and tones, you can see how history refuses to stay contained, instead drifting freely across shores, shaping places that, even in different countries, still speak the same architectural language. #somalia #kismayo #history #people #places
Life doesn’t end as a short story. It continues as memories passed on to the next generation.
From my series: Roots and Routes
•
•
#conservation #somalia #roots #routes #doubleexposures
