Farrah Carbonell, The Sublime Gaze, a part of the Bodyscapes group exhibition
“I create visual works that explore states of becoming, where image and sensation blur. Whether through figures, landscapes, or abstraction, I build compositions that hover between visibility and disappearance. Working primarily with digital media, I’m interested in atmosphere, opacity, and how visual tension can construct spaces where meaning is felt more than fixed.“
Farrah Carbonell
@far.rah is a New York-based artist whose practice centres on digitally constructed imagery shaped by motion, light, and atmosphere. Spanning portraiture, landscape, and abstraction, her compositions are united by a quiet intensity that lingers between clarity and disappearance.
In The Sublime Gaze, the body becomes a quiet terrain of sensation, resistance, and revelation. Each portrait unfolds gradually, as an act of becoming, a suspended intimacy, a soft rupture in the cycle of spectacle—where the body is not reduced, but revered; not narrated, but felt. The digital here does not disembody; it extends, becoming a vessel for presence as atmosphere. These images hold space for the unseen, the unresolved, the trembling stillness of simply being.
To witness these figures is to encounter a mirror that does not reflect, but quietly reveals.