EpiType

💫 Started a new typeface: EPI Trebin Available on https://epitype.xyz/

𝔽𝕠𝕟𝕥𝕤 𝕚𝕟 𝕌𝕤𝕖 #StatikTypeface used by @wiebk.what on a poster for the lecture series “Feeds & Flows: Interdisciplinary perspectives on ephemeral image cultures” locates feeds in the history of transitory image (screen) media and everyday media practices at @bauhaus_uni Weimar. Photos by @mattia_friso97

Proofing #StatikTypeface with expert guidance from @trifonandreev

#StatikTypeface New Release (V230921) out now: https://epitype.xyz/typefaces/statik This is the first time I've worked on non-Latin scripts: Cyrillic and Bulgarian Cyrillic. I'm hardly familiar with these scripts, so I assume there's still room for improvement and I appreciate any advice. Here are some sources I worked with to get an idea of how to draw Cyrillic: • /de/a/font/content/cyrillic-script-variations-and-the-importance-of-localisation • /blog/rounded-bulgarian-cyrillic-narrative-and-comparison/ • /what-shall-be-done-for-bulgarian-cyrillic-loclbgr/ • Vekshyna, Yana. "Cyrillize It!" Niggli.

𝔽𝕠𝕟𝕥𝕤 𝕚𝕟 𝕌𝕤𝕖 #MerkurTypeface for Samt Magazine (@samt_magazin ). "Samt" is a student magazine that was launched at HAW Hamburg in 2019. It presents final and semester projects from the Design Department's courses of study and provides insights into working processes, theoretical debates, and design positions. In addition, former students will speak about possible careers and fields of work in the design sector. Projects from the fields of communication design, illustration, fashion design, costume design and textile design at HAW Hamburg will be made accessible to a wider public: Interested parties outside the university are to be reached and informed, within the university the magazine is to stimulate exchange and cooperation in the field of design. The project was led and founded by three communication design students (Alexandra Vögtle @alexvoegtle , Julika Hother @tschulzy and Katharine Watzlawick @katharinepauli ) and supported by three other students from other design departments. More fonts used: Brutal Alpha, Lucas Kramer (@1ucaskramer )

💫 The open source sans-serif variable font Gyre Heros Variable is a fork of TeX Gyre Heros, an open source Helvetica replacement by GUST foundry. The font combines the static styles of the original to create a variable font that incorporates a weight, width, and slant axis. An early version is now released on: /jensschnitzler/Gyre-Heros-Variable

Specimen booklet for Rena Grotesk with letterpress cover by Silva Baum @silva__baum #RenaGroteskTypeface #colours #type #typedesign #letterpress

𝔽𝕠𝕟𝕥𝕤 𝕚𝕟 𝕌𝕤𝕖 #MerkurTypeface for Le Livre d’Esther, a book designed by Hanna Schiesser (@hanna_schiesser ). Le Livre d’Esther (“The Book of Esther”) was illustrated by Maeva Rubli (@maeva.rubli ) and published in French and Judaeo-Spanish by Lior éditions, Paris. This version of the Book of Esther, the meguilah salmantina, was written by a new Christian in the city of Salamanca in the mid-15th century. It faithfully reproduces the Ladino narrative read by Sephardic Jews in the Middle Ages during the carnival festival of Purim. Its highly poetic style, still largely accessible to Spanish speakers, is the result of a meeting of ancient Castilian and biblical Hebrew. French translation by Julia Chardavoine and illustrations by Maeva Rubli. Notes and afterword by Professor Carlos Sainz de la Maza. The two language versions are available separately, as Le Livre d’Esther and El Libro de Esther, and also as a boxed set with both, titled La meguilah de Salamanque. The design by Hanna Schiesser combines Merkur and Gräbenbach by Wolfgang Schwärzler (@wolfgang_schwaerzler ) | Camelot Typefaces (@camelot_type ). #lioreditions

#BachTypeface

Fonts In Use #StatikTypeface ⬤ This poster series was created for a series of events at the Hamburg University of Fine Arts. The series comprised a total of five event dates, to which guest speakers were invited. The design of the posters refers to the invited person and their practice. They were produced using various printing techniques in the workshops of the HFBK Hamburg. The Statik font, developed for this occasion, is used on the posters in a variety of different width, condensed to expanded. In addition, an accompanying website, which can be accessed at digitale-grafik.com/invites/ was designed and developed. As a little perk the “The Rodina” poster features a large rotated blackletter “R”. Design by @jnsshnzzl

#MotifTypeface

#RenaGroteskTypeface by @silva__baum in use for the book »notamuse – A New Perspective on Women Graphic Designer in Europe«, published by @niggli_verlag , created by @notamuse.de . notamuse is a project investigating the visibility of women graphic designers by @lea_siev , @silva__baum and @slowbackwards . Photography by Kristin Kerscher @kristinkerscher