Eloïse King

@elloweezee

Followers
5,889
Following
3,593
Account Insight
Score
32.5%
Index
Health Rate
%
Users Ratio
2:1
Weeks posts
EXCLUSIVE TRAILER- THE SHADOW SCHOLARS @variety 💥 Eloise King’s “The Shadow Scholars,” which will receive its North American premiere Friday 6th June at the Tribeca Festival in the Spotlight strand. The film is a co-production between Steve McQueen’s Lammas Park and White Teeth Films, and is executive produced by the U.K.’s Film4, Dogwoof and the BFI Doc Society. ‘The Shadow Scholars’ follows Patricia Kingori - Oxford University’s youngest woman and Black professor in its 925-year history - as she investigates the hidden, global, multi-billion-dollar “fake essay” industry. Her exploration leads to the young “shadow scholars” of Kenya: an estimated 40,000 highly educated, underemployed Kenyans who make ends meet by writing academic papers for students around the world. As demand rises, so do the tensions from impending crackdowns in the U.K. and Australia to the growing threat of A.I. Prompting Kingori to ask: if the world’s elite can pay for degrees they haven’t earned, while educated Kenyans are unable to find work outside this shadow industry, what is the true value of education? #shadowscholars #theshadowscholarsfilm #shadowscholarship #academicintegrity #academicwriters #academia  #contractcheating #cheatingstudents #fakeessay #academicwriting #academicwriter  #cheating #essaymills #education #kenyanwriters
0 47
11 months ago
We are thrilled The Shadow Scholars has been longlisted for the 2026 EE @bafta Film Awards in the Outstanding Debut by a British Writer, Director, or Producer category.✨✨ It’s an honour to receive this recognition from the voters & jury. Congratulations & Good luck to the whole team and all the other long-listed films. ✨✨✨
0 17
3 months ago
Bringing THE SHADOW SCHOLARS back to the Continent at @joburg_film_festival means more than words contain. We were nominated for ‘Best Documentary’ alongside visionary filmmakers: Raoul Peck’s ‘Ernest Cole: Lost and Found’, @vusiafrica ‘Happy Sindane’ (a must see) and Rehad Desai’s ‘Capturing Water’ and we received a Special Jury Mention (!!!) I’m overwhelmed with gratitude, for all the moments people and perseverance represented through the work… For the writers without whom there would be no film, for trusting even when faced with the very real risks. Thank you to producers Anna Smith Tenser Bona Orakwue Tabs Breese, our production teams crews, academics and funders who believed in and backed mine and Prof. Patricia Kingori’s research n’ vision and the journey. It’s been transformative to comprehend the subject is so much bigger than any one person (me, us, them) - the film is a vessel evidencing how intertwined our lives and intersecting experiences of education are. If knowledge is power - we ask - for who and to what ends? Collaborating with the writers was a collective act of service; to do justice to the African writer’s brilliance, to observe and confront the Global majority’s complex relationship to education. In service to those of us who owe Education so much to whom Education owes so much more. Connecting those of us who experience educational institutions as both both the key to enter and the barriers keeping us out. Any recognition for the film is recognition of Kenyan writers from which we hope new opportunities can exist. Deep Thanks for the thoughtful consideration of the jury @victor_okhai @yolanda_ncokotwana @muneera_sallies @sthakgoroge @shawforlife @melski_parry who recommended our film be seen around the world: in communities and in institutions Special thank you: Tim Mangwedi @TarynJoffe Jack Chiang, Nhlanhla Ndaba Mbali fostering a space nurturing African storytelling, innovation and industry growth 🚀♥️ 🇿🇦 @multichoice_group @sabcsales @netflixsa #JFF2025 #TheGoldenThread #JoburgFilmFestival2025
0 70
1 year ago
Our incredible directors helming the 5x5 pieces. 🌿💚 . Daniel Rands Shalini Adnani Grace Duggan Eloise King Sasha Milavic Davies George Belfield With only one three hour rehearsal these talented directors create and hone the magic that you will see tomorrow night! We couldn’t be more excited ✨ 5x5 May 15 th. 6pm . The Conduit. See you there 💫 . Bios: Daniel Rands — London-based writer/director (NFTS grad) whose award-winning shorts have screened internationally; most recently directed A Knock at the Door for Vertigo Films x Channel 5’s revival of Play for Today. Shalini Adnani — Chilean-born, Indian-origin writer/director based in London; her short White Ant premiered at Sundance and was acquired by Canal+, and her Film4/BFI-funded debut feature Our Share of Sand is in post-production. Named Screen International Star of Tomorrow 2025. Grace Duggan is a theatre director from East London with credits across the Almeida, Royal Court, and Young Vic. She is currently Associate Director on Inter Alia at the National Theatre, and previously served as Resident Assistant Director at the Donmar Warehouse.​​​​​​​​​​​​​​​​ Eloïse King — Queer, London-born interdisciplinary filmmaker of Caribbean heritage and former Global Executive Producer at VICE & i-D; her debut feature documentary The Shadow Scholars (exec produced by Steve McQueen, Film4, BFI) premiered at BFI LFF 2024 and was BAFTA Film 2026 Outstanding Debut longlisted. 📸 Derrick T. Kakembo Sasha Milavic Davies — Director, dramaturg, and movement director; Senior Dramaturg at the National Theatre, co-founder of The Yard Theatre, and Artistic Associate at Complicite, with credits spanning the NT, Donmar, Almeida, Globe, and Royal Danish Opera.​​​​​​​​​​​​​​​​ George Belfield is a London-based director and screenwriter whose work includes Smothered for Sky and series across Netflix, Paramount+, and NBC Universal. He also directed Elisabeth Moss in the acclaimed Max Richter short film On the Nature of Daylight.​​​​​​​​​​​​​​​​
0 26
2 days ago
Body and Soul: A show in two halves by two choreographers, Crystal Pite and Kameron N. Saunders performed by the English National Ballet stirs on the essence of the human condition. How do we interpret the world around us? How do we respond and react, in our bodies and in our minds? The first half entirely in French opens with two people moving to a disembodied instructional voice. Meditations on conflict were evoked in mesmerising duets that fanned out to powerful group movement. Mimicking the pulsating swell symptomatic of tide - to people-waves crashing in perfect synchronicity on a sensible shoreline. As the dancers bodies waxxed or waned, rhythmically-hypnotic-sonics: words repeated, loops and echoes - breaking and making form. Saunders, second half opened with a single dancer in white, made-large in impressive geometry of stark white light against a black surround. Variations on reform, sexuality, censorship, global genocides being planted through spoken word, bodies and emphasised by striking minimalist and set design, without ever explicitly being named. Instead, inviting us to invoke the battle to access the authentic self - then to consider the judgements society projects on us, the decisions we make, and their impact on us and those around us. Thanks to @zai_swanzy @blackthings_blackfriends for collaborating with @englishnationalballet to bring 100 Global Majority audience members to the performance through accessible ticket pricing.
0 7
1 month ago
Glesca, pure gallus 🏴󠁧󠁢󠁳󠁣󠁴󠁿🤲🏾
0 37
2 months ago
TAKING A BREAK 🧊- EMAIL, TEXT OR CALL & VISIT ME 🤲🏾🫀
0 10
2 months ago
D I A S P O R A H U E S ☀️💛🎺🥭☄️🌋🍊🧡🔥💥🌺💗🫁🧠🫀🍉🌹💋♥️
0 31
2 months ago
154 Art Fair x The Diaspora Salon , Marrakech 1. ‘Statues Also Breathe’ Prune Nourry and the Department of Fine and Applied Arts at Obafemi-Awolowo University in Ile-Ife, Nigeria, MACAAL 2. Reina and I, ‘Statues Also Breathe’, 📷 @vgracelily MACAAL 3. ‘Statues Also Breathe’ video and signage Featuring 108 life-sized terracotta heads representing the schoolgirls kidnapped in Chibok, Nigeria, in 2014, MACAAL 4. Keesha, Vanessa, Natasha and I outside, MACAAL 5. Light and cactus through window, Marrakech 6. View from the Roof @ Riad Zaman, Bab Ayoun, Marrakech (host 🦋Jude Chehab not pictured ) 7. Self portrait on my balcony Jnane Tamsna, Disapora Salon 2026, Marrakech 8. Palm tree shadows, Jnane Tamsna 9. My favourite Breakfast Jnane Tamsna, 10. Brazilian performance as part of “DIÁSPORA DO TAMBOR” (Diaspora of the Drum), Montresso Foundation 11. ‘What if Icarus no longer fell…’ Dr FAHAMU Pecou, Montresso Foundation 12. Woman in water, DIÁSPORA DO TAMBOR, Montresso Foundation 13. Alexis Peskine, Montresso Foundation 14. Light on my wall and green Ethiopian jelly shoes, Jnane Tamsna 15. Light /shadow, Jnane Tamsna 16. My copy of ‘The Sum of Us’ Heather McGhee 🧡gifted & signed by Author, The diaspora Salon 17 Women on Petrol Cans, , MAACAL 18. Adoulaye Konaté (Mali), MAACAL 19. Pyramid, The Diaspora Salon 20. ~~water~~
0 6
2 months ago
“If we do not seek to fix what has been broken, then what?” I am still processing our ‘living laboratory’, an architectural imaginarium intentionally woven by Meryanne Loum-Martin and curated by Mame-Fatou Niang, Claude Grunitzky. In Marrakech, @jnaneTamsna , the @theDiasporaSalon … snapped, crackled and p(r)opped) with the energy of authors, designers, artists, thought and sports leaders - together from across the African diaspora. In a continuums built on overlapping histories of flattened narratives; “extracted , or automated” the Diaspora Salon by communal command “reaffirmed the power of authorship — of our stories, our images, our ideas, and our futures.” (in the words of our curators) Under clear skies were Calls-to-Prayer-hailed-happenings, dappled light on vanilla-musk soil at the crossroads of Africa, the Arab world, and the global diaspora. A call to slow down, to come together to refuse that which was refused to us, claim that which is already ours. Space coloured with diasporic hues, blues, time cast in kaleidoscopic paths of tender tensions. New intimacies. A cipher for Black Fugitivity, a "way outa no way,". Co- creation is love in motion heard and seen? Sharing The Shadow Scholars — on stage for a Cinema of Reparations. We, Us lit by the galaxy embodying what it is to - “profoundly resist erasure, oblivion”, in what Alice Diop calls “this mad belief in the political importance of making people visible, making them appear.” Our longing found belonging. How do we articulate the spiritual? How do we feel into ties broken, forming or unspoken? Maybe, as Moten and Harney suggest: “It ends with love, exchange, fellowship. It ends as it begins, in motion, in between various modes of being and belonging, and on the way to new economies of giving, taking, being with and for…” In gratitude, deep deep gratitude and love 🫶🏾🫶🏾🫶🏾
0 73
3 months ago
So, delighted to share The Shadow Scholars won the Main - Junior Jury Award! 🏆🎓✨ at 12th Budapest International Documentary Festival!! As the film continues to travel, it’s especially meaningful to see younger audiences connecting deeply with our writers rich and complex lives (and longer films) - we’re very grateful! It’s a potent reminder to have faith in the youth capacity to seek and build the humane future of knowledge 🙌🏾 We're thankful to the Junior Jury, Ágens Sós, and the entire BIDF team for this honor and platform. 🫶🏾 @bidf_official
0 9
3 months ago
Woah. I can’t lie… @shadowscholarsfilm being longlisted for the 2026 @bafta Film Award for Outstanding Debut by a British Writer, Director or Producer is a BIG (but nice) surprise! The longlist lineup is insane - I rate all the films and filmmakers so much, and so I’ll do my mini speech quickly now… I’m so grateful the writers, Patricia and our team - EVERYONE who backed us! This recognition illuminates our proudly Black, female and African diaspora, working class talent - alongside our peers and their incredible work. Writing, directing and producing is 🤯 the stuff of delusions, discipline n’ faith. As the Jamaican proverb goes: “If yuh wah good, yuh nose haffi run”. Between the ethical n legal complexity, pandemic, three continents. Not to mention digitally rebuilding all of the writers faces to protect them - and just the structural and creative madness that is making an independent film let’s just say, mi nose yuh run 🤧🥹 This week we learned a highly influential Chinese content creator “Mediastorm影视飓风” recently published a video on the ghostwriting industry that draws heavily on the narrative, research focus, and key insights of our documentary - using AI to replicate the look and style - yet offered no credit to our film at all. It’s got millions of views across various platforms. It’s beating our C4 YouTube views so support the original. Watch ours! Love, respect and resilience in this world that makes absolutely no sense 🙏🏾 🤎
0 164
4 months ago