MOTHER MARY
A24 FILM
Somewhere between a stadium show and a film set, Mother Mary’s show came to life. I led lighting design & programming on the concert sequence at the heart of David Lowery’s new A24 feature — a pop-show conceived for camera, featuring five original songs written by Jack Antonoff, FKA twigs and Charli xcx.
2–3 weeks of design, a week of pre-programming in a design suite in Germany, one tech day and six shoot days on the floor. A 20x10m LED wall that splits through the middle, automated platforms, and scenic pieces moving in and out of shot — every cue serving the song, the choreography and the camera at the same time.
The rig:
178 × @germanlightproducts X4 Bar 20
41 × GLP X4 Bar 10
47 × @ayrtondigital Huracán Profile S
27 × @robe_uk Esprite
14 × @chauvet_pro Color Strike M
12 × @electronictheatrecontrols S4 LED S2 Studio HD
12 × @arri Skypanel S60-C
3 × Robe Forte FS
1 × @litegear Auroris X
~100m RGBW Flex
Programmed on @grandmalighting MA3 Full
Designed on @vectorworks & @depence_official@mothermarymovie
[PRINCIPAL CAST: @AnneHathaway MichaelaCoel]
[ORIGINAL MUSIC: @jackantonoff@fkatwigs@charli_xcx ]
[DIRECTOR: David Lowery ]
[DOP: @the_rinayang ]
[PRODUCTION DESIGNER: @fran_mottola ]
[ART DIRECTOR: @stefan_tribe ]
[CREATIVE DIRECTION: @visual_noise_creative ]
[CREATIVE PRODUCERS: @trevor_burk@kongdesigner ]
[CHOREOGRAPHER: @danivitale ]
[LIGHTING DESIGN: @pttrn.design ]
[LIGHTING DESIGNER & PROGRAMMER: @elliottlc ]
[SCREEN DESIGN: @lukehallsstudio ]
[SCREEN PRODUCERS: @charlihdavis@actuallymarktodd ]
[STUDIO: @a24 ]
[LX, VIDEO & AUDIO: @audiorentclair ]
MOTHER MARY
A24 FILM
Somewhere between a stadium show and a film set, Mother Mary’s show came to life. I led lighting design & programming on the concert sequence at the heart of David Lowery’s new A24 feature — a pop-show conceived for camera, featuring five original songs written by Jack Antonoff, FKA twigs and Charli xcx.
2–3 weeks of design, a week of pre-programming in a design suite in Germany, one tech day and six shoot days on the floor. A 20x10m LED wall that splits through the middle, automated platforms, and scenic pieces moving in and out of shot — every cue serving the song, the choreography and the camera at the same time.
The rig:
178 × @germanlightproducts X4 Bar 20
41 × GLP X4 Bar 10
47 × @ayrtondigital Huracán Profile S
27 × @robe_uk Esprite
14 × @chauvet_pro Color Strike M
12 × @electronictheatrecontrols S4 LED S2 Studio HD
12 × @arri Skypanel S60-C
3 × Robe Forte FS
1 × @litegear Auroris X
~100m RGBW Flex
Programmed on @grandmalighting
Designed on @vectorworks & @depence_official@mothermarymovie
[PRINCIPAL CAST: @AnneHathaway MichaelaCoel]
[ORIGINAL MUSIC: @jackantonoff@fkatwigs@charli_xcx ]
[DIRECTOR: David Lowery ]
[DOP: @the_rinayang ]
[PRODUCTION DESIGNER: @fran_mottola ]
[ART DIRECTOR: @stefan_tribe ]
[CREATIVE DIRECTION: @visual_noise_creative ]
[CREATIVE PRODUCERS: @trevor_burk@kongdesigner ]
[CHOREOGRAPHER: @danivitale ]
[LIGHTING DESIGN: @pttrn.design ]
[LIGHTING DESIGNER & PROGRAMMER: @elliottlc ]
[SCREEN DESIGN: @lukehallsstudio ]
[SCREEN PRODUCERS: @charlihdavis@actullymarktodd ]
[STUDIO: @a24 ]
[LX, VIDEO & AUDIO: @audiorentclair ]
MOTHER MARY
A24 FILM
Somewhere between a stadium show and a film set, Mother Mary’s show came to life. I led lighting design & programming on the concert sequence at the heart of David Lowery’s new A24 feature — a pop-show conceived for camera, featuring five original songs written by Jack Antonoff, FKA twigs and Charli xcx.
2–3 weeks of design, a week of pre-programming in a design suite in Germany, one tech day and six shoot days on the floor. A 20x10m LED wall that splits through the middle, automated platforms, and scenic pieces moving in and out of shot — every cue serving the song, the choreography and the camera at the same time.
The rig:
178 × @germanlightproducts #X4 Bar 20
41 × GLP X4 Bar 10
47 × @ayrtondigital Huracán Profile S
27 × @robe_uk Esprite
14 × @chauvet_pro Color Strike M
12 × @electronictheatrecontrols S4 LED S2 Studio HD
12 × @arri Skypanel S60-C
3 × Robe Forte FS
1 × @litegear Auroris X
~100m RGBW Flex
Programmed on @grandmalighting
Designed on @vectorworks & @depence_official@mothermarymovie
[PRINCIPAL CAST: @AnneHathaway MichaelaCoel]
[ORIGINAL MUSIC: @jackantonoff@fkatwigs@charli_xcx ]
[DIRECTOR: David Lowery ]
[DOP: @the_rinayang ]
[PRODUCTION DESIGNER: @fran_mottola ]
[ART DIRECTOR: @stefan_tribe ]
[CREATIVE DIRECTION: @visual_noise_creative ]
[CREATIVE PRODUCERS: @trevor_burk@kongdesigner ]
[CHOREOGRAPHER: @danivitale ]
[LIGHTING DESIGN: @pttrn.design ]
[LIGHTING DESIGNER & PROGRAMMER: @elliottlc ]
[SCREEN DESIGN: @Lukehallsstudio ]
[SCREEN PRODUCERS: @charlihdavis@actullymarktodd ]
[STUDIO: @A24 ]
[LX, VIDEO & AUDIO: @audiorentclair ]
SOPHIE ELLIS-BEXTOR
NZ & AUS 2026
We started the year in the southern hemisphere on a small New Zealand & Australia headline tour with Sophie. Taking out our lighting & video design we put together last year to bring some disco and pop glory to Christchurch, Hamilton, Melbourne, Sydney, Tasmania, Brisbane & Perth.
[ARTIST: @sophieellisbextor ]
[MD/BASS: @richardjonesface ]
[G’TAR: @ptato ]
[DRUMMS: @jacksonel ]
[KEYS: @cairandjeremiah ]
KEYS/STRINGS/PERC: @tnakeys ]
[MANAGMENT: Wallace Productions ]
[TM: @stwhatouring x @jonluton ]
[SHOW DESIGN: @pttrn.design ]
[LD & VIDEO: @elliottlc ]
[FOH: @rhysaru ]
[MONS: @duncanwild ]
[BACKLINE: @joshbeanz ]
SOPHIE ELLIS-BEXTOR
NZ & AUS 2026
We started the year in the southern hemisphere on a small New Zealand & Australia headline tour with Sophie. Taking out our lighting & video design we put together last year to bring some disco and pop glory to Christchurch, Hamilton, Melbourne, Sydney, Tasmania, Brisbane & Perth.
[ARTIST: @sophieellisbextor ]
[MD/BASS: @richardjonesface ]
[G’TAR: @ptato ]
[DRUMMS: @jacksonel ]
[KEYS: @cairandjeremiah ]
KEYS/STRINGS/PERC: @tnakeys ]
[MANAGMENT: Wallace Productions ]
[TM: @stwhatouring x @jonluton ]
[SHOW DESIGN: @pttrn.design ]
[LD & VIDEO: @elliottlc ]
[FOH: @rhysaru ]
[MONS: @duncanwild ]
[BACKLINE: @joshbeanz ]
SOPHIE ELLIS-BEXTOR
NZ & AUS 2026
We started the year in the southern hemisphere on a small New Zealand & Australia headline tour with Sophie. Taking out our lighting & video design we put together last year to bring some disco and pop glory to Christchurch, Hamilton, Melbourne, Sydney, Tasmania, Brisbane & Perth.
[ARTIST: @sophieellisbextor ]
[MD/BASS: @richardjonesface ]
[G’TAR: @ptato ]
[DRUMMS: @jacksonel ]
[KEYS: @cairandjeremiah ]
KEYS/STRINGS/PERC: @tnakeys ]
[MANAGMENT: Wallace Productions ]
[TM: @stwhatouring x @jonluton ]
[SHOW DESIGN: @pttrn.design ]
[LD & VIDEO: @elliottlc ]
[FOH: @rhysaru ]
[MONS: @duncanwild ]
[BACKLINE: @joshbeanz ]
FRANC MOODY
BRIXTON ACADEMY
Collaborating with Franc Moody at Brixton Academy was a dream project. We designed an immersive show that captured their infectious funk-disco energy while creating intimate moments through atmospheric lighting zones and shadow play.
Working alongside Deadbeat Films, we crafted a visual narrative that complemented their new 'Chewing The Fat' album aesthetic, using a minimal colour palette to let the music shine while creating those unforgettable live moments.
[ARTIST: @francmoody ]
[SHOW DESIGN & DIRECTION: @elliottlc x @deadbeatboris ( @pttrn.design x @deadbeatfilms ) ]
[LIGHTING DESIGN: @elliottlc ]
[ART DIRECTION: @laulit ]
[FOH : @guy__speakman ]
[PHOTOS: @capturedbycorinne ]
[LX VENDOR: @tsl_lighting ]
FRANC MOODY
BRIXTON ACADEMY
Collaborating with Franc Moody at Brixton Academy was a dream project. We designed an immersive show that captured their infectious funk-disco energy while creating intimate moments through atmospheric lighting zones and shadow play.
Working alongside Deadbeat Films, we crafted a visual narrative that complemented their new 'Chewing The Fat' album aesthetic, using a minimal colour palette to let the music shine while creating those unforgettable live moments.
[ARTIST: @francmoody ]
[SHOW DESIGN & DIRECTION: @elliottlc x @deadbeatboris ( @pttrn.design x @deadbeatfilms ) ]
[LIGHTING DESIGN: @elliottlc ]
[ART DIRECTION: @laulit ]
[FOH : @guy__speakman ]
[PHOTOS: @capturedbycorinne ]
[LX VENDOR: @tsl_lighting ]
FRANC MOODY
BRIXTON ACADEMY
Collaborating with Franc Moody at Brixton Academy was a dream project. We designed an immersive show that captured their infectious funk-disco energy while creating intimate moments through atmospheric lighting zones and shadow play.
Working alongside Deadbeat Films, we crafted a visual narrative that complemented their new 'Chewing The Fat' album aesthetic, using a minimal colour palette to let the music shine while creating those unforgettable live moments.
[ARTIST: @francmoody ]
[SHOW DESIGN & DIRECTION: @elliottlc x @deadbeatboris ( @pttrn.design x @deadbeatfilms ) ]
[LIGHTING DESIGN: @elliottlc ]
[ART DIRECTION: @laulit ]
[FOH : @guy__speakman ]
[PHOTOS: @capturedbycorinne ]
[LX VENDOR: @tsl_lighting ]
ESTRID
SUMMER SOLSTICE ACTIVATION
A brand activation event for Estrid. The night that never ends, creating an immersive experience, extending the long summer sunset and warm evening. This was a great project to design for, allowing us to play into the warmth and hazy late evenings and to play with rich colours.
[CLIENT: @estrid ]
[CREATIVE AGENCY: @culture.defined ]
[PRODUCTION COMPANY: @salstudios ]
[PRODUCTION DESIGN: @ylanlucas ]
[LIGHTING DESIGN: @elliottlc@pttrn.design ]
[LIGHTING DIRECTOR: @jonesy_ld ]
[LIGHTING SUPPLY: @tsl_lighting ]
[PHOTOS: @genevievelutkin ]
ESTRID
SUMMER SOLSTICE ACTIVATION
A brand activation event for Estrid. The night that never ends, creating an immersive experience, extending the long summer sunset and warm evening. This was a great project to design for, allowing us to play into the warmth and hazy late evenings and to play with rich colours.
[CLIENT: @estrid ]
[CREATIVE AGENCY: @culture.defined ]
[PRODUCTION COMPANY: @salstudios ]
[PRODUCTION DESIGN: @ylanlucas ]
[LIGHTING DESIGN: @elliottlc@pttrn.design ]
[LIGHTING DIRECTOR: @jonesy_ld ]
[LIGHTING SUPPLY: @tsl_lighting ]
[PHOTOS: @genevievelutkin ]
ESTRID
SUMMER SOLSTICE ACTIVATION
A brand activation event for Estrid. The night that never ends, creating an immersive experience, extending the long summer sunset and warm evening. This was a great project to design for, allowing us to play into the warmth and hazy late evenings and to play with rich colours.
[CLIENT: @estrid ]
[CREATIVE AGENCY: @culture.defined ]
[PRODUCTION COMPANY: @salstudios ]
[PRODUCTION DESIGN: @ylanlucas ]
[LIGHTING DESIGN: @elliottlc@pttrn.design ]
[LIGHTING DIRECTOR: @jonesy_ld ]
[LIGHTING SUPPLY: @tsl_lighting ]
[PHOTOS: @genevievelutkin ]