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Aaron A Duffy

@dufslam

creative problem maker
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Weeks posts
2,360 61
3 years ago
Commissioned by Apple. Continuing the Illusionists series featuring Aaron Duffy. 
 “Illusions are like these little sugar rushes for our brain, like a puzzle that our brains have to figure out. So you can actually use illusions to make something unexpected and fun. They tell us something about the way our brain works.” #Illusions #ShotoniPhone by @dufslam Music: “Groovy Flute” by Manu Dibango
62.8k 251
3 years ago
Manresa is wild. Thanks for having me @manresa_wilds
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5 days ago
Happy 75th birthday Gammy Nancy! We love you! 💛
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2 months ago
Slam! 2025 was wild. Couldn’t quite fit everything in 60 seconds. We did a lot and leaned a lot. We got to work with so many amazing folks and can’t wait to do more with you in 2026. Lots of love from the SG team 💛 @specialguestx @1stavemachine @1stave.design
81 12
4 months ago
I stumbled into our work in Union Square while rushing to the studio. Probably looked like an idiot posing for a selfie with an ad. I just like this line, “Look Forward”. It was developed during our strat phase and stuck around for the long haul. But actually it’s an idea that we developed about 2 years ago for Ray Ban Meta and it didn’t quite work at the time. Then when we started trying it for Meta Ray Ban Display it worked right away. Good reminder that there is no wasted work, especially with evolving technology.
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4 months ago
“Look Forward” is a fun campaign idea because it literally describes what this product allows you to do at the same time that it is about the future. These glasses are an actual window into the post phone era. Super fun to work on. We wanted to make things as crystal clear and inspiring as possible with a visual that could make viewers feel like they are putting on the glasses, truly looking forward. To make it happen we parallel pathed two ways to make it. One completely in AI, the other completely in camera. The AI version took a lot of fiddling around but eventually got a solid version. Despite that we went with the in camera path this was good proof of concept the shot is possible. Regardless of AI or production processes we are always imagining innovative ways to communicate. It’s pretty amazing that even a verrrrrrry specific camera move can eventually be generated (with a lot of help of course, it would be very hard to straight promote this). But I could see dozens of these little camera move stories being told like this now that we have figured out how to do it. Do you parallel pathed alt methods like this?
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5 months ago
Honored to be A Grammy Nominee for best Music Video! “Love” by @okgo 📸 @jrdnstn Special shoutout to our amazing partners:
@raybanmeta @pmi_org @universalrobots — thank you for helping bring this vision to life. Creative Agency: @specialguestagram 
Produced by: @1stavemachine 
Technology Integration: @specialguestx Directed by:
 @dufslam@miguelvespada@damiankulash Production:
 EP: @andrwgllr 
 Producer: @gibsonishopesolo 
 Production Designer: @willfield_design 
 DP: @buckjordan 
 Wardrobe Stylist: @spaceyspacey 
 Choreography: @trdev @teamrecycled 
 Robot Animation: @lanczos Art Directors: @pimmnapat @jrdnstn Robot Programming:
 Francesca Palau @francesca_pdm 
 Nestor Rubio Garcia @kimaticastudio 
 Lucas Ortiz Estefanell @lucas.ortiz.estefanell 
 Alvaro Domingo Gordo Ruiz @creativeengineer.jpg 
 Daniel Romero Pérez @danielrome.p Love Cubed (Hungary):
 Producer: Vándad Kashefi
 1st AD: Peter Goretic
 PM: Bori Svarvas
 Construction Manager: Radoslav Pavlansky @rpavlansky 
 Art Director: Csenge Jóvári
 KUKA Robotics Supervisor: György Szelják @iobuilder 
 Technicians: Kristóf Nagy @nkristof , Máté Tibai, Dániel Farkas
 Stabileye: Peter Whitcombe
 Gaffer: Gábor Bánrévi “Bosco”
 Key Grip: Kristóf Novák Post Production: Studio PPS @cgnashhh John Loghlin @christos_mountzouris Special Thanks: @shachartg to whom this would not have been possible. And KUKA Robotics Hungary KFT, @iobuilder and
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6 months ago
OK GO - “LOVE” (2025) @okgo Media Type: Music Video Dir: Aaron Duffy  @dufslam , Damian Kulash  @damiankulash , Miguel Espada @miguelvespada DP: Jordan Buck @buckjordan Production Designer: Will Field @willfield_design   Stylist: Stacey Berman Prod. Co: 1st Ave Machine @1stavemachine , Hero Squared Credits via Jordan Buck’s instagram: Production:
 EP: @andrwgllr  
 Producer: @gibsonishopesolo  
 Wardrobe Stylist: @spaceyspacey  
 Choreography: @trdev  @teamrecycled  
 Robot Animation: @lanczos Robot Programming:
 Francesca Palau @francesca_pdm  
 Nestor Rubio Garcia @kimaticastudio  
 Lucas Ortiz Estefanell @lucas.ortiz.estefanell  
 Alvaro Domingo Gordo Ruiz @creativeengineer.jpg 
 Daniel Romero Pérez @danielrome.p Love Cubed (Hungary):
 Producer: Vándad Kashefi
 1st AD: Peter Goretic
 PM: Bori Svarvas
 Construction Manager: Radoslav Pavlansky @rpavlansky  
 Art Director: Csenge Jóvári
 KUKA Robotics Supervisor: György Szelják @iobuilder  
 Technicians: Kristóf Nagy @nkristof  , Máté Tibai, Dániel Farkas
 Stabileye: Peter Whitcombe
 Gaffer: Gábor Bánrévi “Bosco”
 Key Grip: Kristóf Novák Grade : @mikeypackage Color producer : @alexandra_lubrano Special Thanks: @stabileyeuk  @tomahawk_tech_uk_ltd @specialguestagram #moviestill #cinematographylife #cameralens #filmstill #productiondesign #colorpalette #Cinebible #filmlover #filmcrew #filmmakinglife #filmmakerslife #directorofphotography #dop #filmmakers #filmmaking #filmcommunity #cinematographer #costumedesign #shotdeck #okgo
4,782 55
9 months ago