DIVISI62

‘Arteria’ album sampler video out now on youtube. Tracks include: Gym, Alfa, PS5, Unswollow, and Total Assy. Link in bio. Self directed, self animated, self produced. Mixed & mastered by HW @travellinglifedrama at @studio.oposisi ‘Arteria’ is my 3rd album released on @divisi62 . Have a listen.

'Arteria' - a new album by @aryoadhianto out now on Bandcamp. The title ‘Arteria’ borrows from biology, vessels of transportation in between the heart and body. As bodies and entities that have to withstand digital abuse and emotional profiling, the balance of input and output signals are crucial in managing the feedback loop. Creative impulse, here, moves in a similar direction, carrying continuity with an indefinite outcome across networks. Using humor and satire in treating ready-made samples and presets, 'Arteria' suggests a non-linear inspection of the past and apprehension of the future by stepping back from traditional binary definitions of progress versus decline, and instead by moving in and out of circulatory systems, treating memory not as read-only but read-and-write.

Prep work for 'The Phantom Combatants' - upcoming work by @krazykosmickid .

‘Macho Mystic Meltdown Chapter 2: Monster; She Wrote’ On view at (@mocataipei ) until 19/04/2026 and ‘To Ebb is to Flow’, on 27 February at (@vamuseum ) South Kensington. The sound design in this work is constructed from the debris of stock sound libraries, sampled and resampled, processed with lower slew rates and coated with grainy, home duplicated cassette resolution. Jolts of musical elements are sprinkled here and there for sitcom-like accentuation, often with comical sensibilities and deliberate mishaps. The Macho Mystic Meltdown series will further involve processed electric guitar, peculiar modulations and other ‘oscillators running wild’ techniques that echoes the wobbliness of the Space Age era electronic/psychedelia/exotica genres injected with ‘rejected laboratory dump’ aesthetics. __________________________________________________ ‘Monster; She Wrote’ is the recipient of the Han Nefkens Foundation – Loop Barcelona Video Art Production Grant 2024, in collaboration with Art Hub Copenhagen; ILHAM Gallery, Kuala Lumpur; Inside-Out Art Museum, Beijing; MAXXI; MoCA, Taipei; MOT, Tokyo; and Museu Picasso Barcelona

New work by @srihanuraga - "Provincializing Bebop" out now. During the last period of his life, the late, great Indonesian jazz pianist and composer Riza Arshad expanded his musical palette by dabbling with the spectra of various gongs from the Nusantara region. Alas, he passed away before he could record the resulting eleven pieces from his latest sonic excursion. This unfortunate event led to Sri Hanuraga inheriting the piano chair at Arshad’s supergroup, SimakDialog, and ultimately to his recording and release of Arshad’s selected new works. Inspired by this auditory odyssey, Hanuraga now embarks upon his own. “Provincializing Bebop” is an attempt by Indonesian pianist and composer Sri Hanuraga to propagate Arshad’s musical heritage by dismantling and reimagining jazz standards with spectral and electronic music techniques to create something both expansive and inevitable. At its core, the work is built upon a harmonic framework constructed from the partial interpolation of Charlie Parker’s saxophone sound and the resonant tones of the Javanese gender, transmuting bebop’s sonic identity. Artwork: "Melihat Bayangan" - Goenawan Mohamad, Studio Devfto (2023) Piano, electronics, programming - Sri Hanuraga Additional production, sound design, reinterpretation of "Narsisus" and "After Countdown" - Wahono Piano recording - Kevin Leonardo Mixed and mastered at Studio Oposisi - Jakarta, Indonesia

This year marks the 9th anniversary of the passing of the late great jazz pianist and composer, Riza Arshad. During the last period of his life, Riza expanded his musical palette by dabbling with the spectra of various gongs from Nusantara region. Alas, he passed away before he could record the resulting eleven pieces from his latest sonic excursion. This unfortunate event led to me inheriting the piano chair at Riza’s supergroup, SimakDialog, and ultimately to record and release Riza’s selected new works, “Gong.” Inspired by this auditory odyssey, I now embark upon my own. “Provincializing Bebop” is my tribute to Riza and attempt to propagate his musical heritage by dismantling and reimagining jazz standards with spectral and electronic music techniques to create something both expansive and inevitable. At its core, the work is built upon a harmonic framework constructed from the partial interpolation of Charlie Parker’s saxophone sound and the resonant tones of the Javanese gender, transmuting bebop’s sonic identity. Beyond harmonic hybridization, the music introduces machine-like utterances by deconstructing chosen seminal jazz recordings through granular synthesis and allowing algorithmic processes to navigate shifts in rhythm and form. This interplay of spontaneity and digital intervention composes a mycelial network where the spores of tradition and futurism fruit into an emergent intelligence. The result is a jazz idiom untethered from its historical constraints—elastic, fractured, and ghostly, yet still pulsing with the restless energy of its origins. The album is out exclusively on Bandcamp: /album/provincializing-bebop Big thanks to Goenawan Mohamad for the amazing artwork, I’m very much honored. Artwork: “Melihat Bayangan” - Goenawan Mohamad, Studio Devfto (2023) Piano, electronics, programming - Sri Hanuraga Additional production, sound design, reinterpretation of “Narsisus” and “After Countdown” - Wahono Piano recording - Kevin Leonardo Mixed and mastered at Studio Oposisi - Jakarta, Indonesia

ᘻᗩᑢᕼᓍ ᘻᖻSᖶᓰᑢ ᘻᘿᒪᖶᕲᓍᘺᘉ Chapter 2: Monster; She Wrote (2026) Written and directed by Natasha Tontey Opening today at @MoCaTaipei Monster; She Wrote is the recipient of the Han Nefkens Foundation—Loop Barcelona Video Art Production Grant 2024, in collaboration with Art Hub Copenhagen; ILHAM Gallery (Kuala Lumpur); Inside-Out Art Museum (Beijing); MAXXI (Rome); MoCA (Taipei); MOT (Tokyo); and Museu Picasso Barcelona. CREDITS Cast — Asmara Abigail Studio Natasha Tontey Project Manager — Theodora Agni Exhibition Manager — Stephanus Ari Laksono Executive Producer — Natasha Tontey Production Producer — Rizky Firliansyah Agusta AD — Zidan Evalo Situmorang Line Producer — Vibinur Wulandari Art Production Designer — Awigarda Grandisya Art Director — Wildan Putra Pratama MUA — Juraiz Taftazani Wardrobe — Magnis P. Excela, Evi Bahira Camera/Lighting DoP — Ogie Aprilian Satie AC — Endri Fajar | Clapper — Bintang Erlin | VA — Gianina Trixie Lapian Gaffer — Bakti Taufikkurahman | Best Boy — M. Ridwan “Umet” Adzani Lighting — Yoga Prasetyo, Muhammad Fadhilah Umar Grip — Arfendo Windi Saputro Guards — Angga Zazel, Abdul Fatah Sound (On Location) Mixer — L. H. Aim Adinegara | Boom — Tara Sayman | Utilities — Yesyta Mayzahra Locations LM — Muhammad Fachruriza (w/ team) Talent — Dita Clarisa Craft — Sarko Bagus, David Awaludin (+ Galih Pongkring) Props/Set Prop Master — Hanif Insan Fauzi Standby Art — Muhammad Syafwan, Ardian Wahyu Ramadhan Set Dressers — Andhika Krismananda, Refi Tri Harliansyah Graphic — Banyu Eka Suryana Legawa Mock-up — Reza Ali Post Production Edit & DIT — Bagas Wahyu Pratama | Online — Tegar Dyon Colour — Ibnu Zariri | VFX — Sayful Bahri Sound Design & Music — Harsya Wahono | Asst — M. Ziyan Agrily Docs Stills — Yudha Kusuma Putera BTS Video and Film Editor — Adythia Utama Budiman Logistics
Production Driver — Lukman
Lighting Driver — Nasihan
Genset Operator — Iyan Supyan
Catering — Wijaya Boga With care and compassion, I Yayat U Santi 🖤🦾

✶ MAJLIS — Strange Weather ✶ we're back......a series of live works and gatherings unfolding across January 2026 ⟡⟡⟡ 18 JAN 2026 | Various Timings TUNE YOUR DRUMS by Syafiq Halid 📍 *SCAPE Ground Theatre, L2 · COMMA TUNE YOUR DRUMS is a live interpretation of @syafiqhalid debut album SWD 004 electronic soundscapes × malay percussion × movement heavy synths polyrhythms field recordings traditional drums 🪘 rebana · kompang · hadrah · jidur reimagining nusantara fantasies and contemporary malay music 🕔 Showtimes 5:00PM – 6:00PM 8:00PM – 9:00PM Strange Weather collaborates on set design and production support alongside Syafiq Halid’s original artistic direction for COMMA Performers Nazri Johar · Khairi Kep · Nasrul Haq · Ridzman Salleh · Fadhli Ramlee · Syafiq Halid Movement by Norhaizad Adam · Syarifuddin Sahari ⟡⟡⟡ 24 JAN — MAJLIS at SAW 📍 FLOCK at Kampong Java 52–56 Kampong Java Road, Singapore 228859 🕕 6PM – 10PM 🆓 Free entry ✶ invited by 19sixtyfive for Singapore Art Week MAJLIS at SAW unfolds as a continuous movement regional club culture experimental electronics sound as archive the night opens with Akhirat Strange Weather’s sound system slow pressure · rhythm · atmosphere Wahono ( @divisi62 ) follows focused solo set archival sound · cinematic electronics Y-DRA ( @yesnowavemusic , @raja_kirik ) koplo · dangdut · javanese trance east java sound system energy celebration ↔ rupture ↔ physical release the night closes as it began with Akhirat special B2B by RTJ @sideo & A’alely @aalelyzahid founding crew in convergence this is also 🜁 Strange Weather’s comeback party held in full Strange Weather fashion ⟡⟡⟡ 25 JAN — COLLECTION BOOTH 📍 Labour Block @labour_block collection of SWD 003 — bani haykal cassettes for all orders via DM / PM 🔗 registration + more info via link in bio ✶ artwork by @weims.world track by Wahono - SWD 001 - Perbatasan Tanah from Album 'Hawa Hina Dina'

Studi Pola - 25.08.2025 ampas di sela-sela.

Opening Assembly @space_available_jakarta Wahono (Divisi62) A live performance exploring rhythm, texture, and emotion through sound. Wahono brings his distinctive sonic world - blending ambient tones, percussive layers, and experimental energy into a deeply immersive experience. 7:00–8:00 PM — Live Performance 25.10.25 📍 Self Care Community Centre (SCCC), Jakarta Free entry - RSVP via the link above 👆 (Limited capacity, arrive early to secure your spot) #Wahono #Divisi62 #SpaceAvailable

Following its solo exhibition at Museum MACAN last year, Primate Visions: Macaque Macabre (2024) will receive its World Premiere at the 36th edition of FIDMarseille, screening in competition as part of the FLASH Short Film Competition. @fidmarseille Known for its deep engagement with avant-garde cinema, formal experimentation, and critical discourse, FIDMarseille offers a meaningful new setting for the film’s ongoing journey. This project has been made possible thanks to the generous support of Audemars Piguet Contemporary @audemarspiguet , whose commitment to forward-thinking artistic practices has been essential throughout its development. I’m deeply grateful to Denis Pernet @alphaharpomarx , In-House Curator at Audemars Piguet Contemporary, and to all my collaborators—especially those from the indigenous communities of Minahasa, as well as friends and colleagues in both Yogyakarta and Jakarta—whose trust, knowledge, and creativity have shaped this work in profound ways. The film moves fluidly between gallery and cinema—free to shift shape, respond to its surroundings, and meet different kinds of audiences. I hope this transition opens up new conversations about how moving images carry memory, ritual, and resistance across formats, times, and geographies. I’m also pleased to share that the film will include French subtitles for its screening in Marseille, offering wider access and resonance for audiences there. I Yayat U Santi—with care and compassion.

Uwalmassa steps in for chapter three of The Chronicle, following their new release ‘EP3’ on our sublabel @sundialrecs . An hour of percussive density and echoes of gamelan traditions now available via the link in bio. 📸 Edward S.S. (1) & @gresanuu (2)