slinking into Tom Woodās small, densely layered āden of antiquityā,
@ashburtonrealantiques gives the sense of being somewhere sacred. An arrangement so overwhelmingly rich and magical, I wasnāt just looking at āthingsā but suddenly inside a vortex of meaning, encountering thousands of human feelings and experiences distilled into form.
Itās a two person situation, one in one out, plus Tom in amongst it all, orchestrating items into groupings. āTaxonomyās an artā he proposed as I stood gawping at his astonishing curation.
Whateverās going on in there feels far more mystical and artful than the definition of taxonomy I looked up later (a scientific process of naming, of controlling and categorising into order and hierarchy). Rather, a deeply intuitive practice: a gentle kind of magic grounded in observation, imbued with the care and attention it takes to notice what belongs with what, and why. How ordinary becomes quietly sacred. How objects that might otherwise feel discarded or disconnected are transformed when placed into subtle constellations, echoing each other in texture, age, pattern, material, memory, or something less tangible, some other story brought onto this plane.
The last place I felt this kind of atmosphere was
@pittriversmuseum , where, unlike most museums, objects arenāt grouped by geography or time, but by type and function: all masks together, all tools together, all amulets together. Classification recast as ritual; objects, memory, and human meaning gather into something larger than themselves: Jung might say, archetypes made visible.
In the same way, many objects
@ashburtonrealantiques seem to embody universal themes: birth and death, sustenance, celebration, ritual, protection and fear, transformation, spirit and the unseen.
I loved meeting Tom, a magical artistic person, with a huge heart and brain like a planet. Fair to say I was bewitched.