DIMIN

DIMIN is happy to be returning to NADA New York with work by Matt Phillips, Sarah Anderson, and Stephen Thorpe⁠ ⁠ Booth: B21⁠ ⁠ NADA New York⁠ May 13–17, 2026⁠ ⁠ The Starrett-Lehigh Building⁠ 601 W 26th Street, 3rd Floor⁠ New York, NY 10001⁠ @newartdealers ⁠ ⁠⁠ ___⁠ Matt Phillips, TBD, 2026. Pigment, silica on canvas. 30 x 24 in (76.2 x 61 cm) @themattphillips ⁠ ⁠ Sarah Anderson, Cage Isn’t, 2025. Watercolor, gesso, and marble dust on linen; plywood, walnut. 24 x 30 x 3 in (61 x 76.2 x 7.6 cm) @sarah__e__anderson ⁠ ⁠ Stephen Thorpe, Ancient Landscape, 2026. Oil on denim. 36 x 30 in (91.4 x 76.2 cm) @sthorpestudio

"Half in Love with Oblivion", an exhibition of new paintings by British-born, California-based artist Stephen Thorpe opens May 8th.⁠ ⁠ "Those who travel to mountain tops are half in love with themselves, and half in love with oblivion" ⁠ — Robert Macfarlane, Mountains of the Mind: A History of a Fascination⁠ ⁠ Marking a significant development in the artist’s practice following his relocation to the Mojave Desert, this body of work expands upon the psychological concerns of his earlier interiors, opening them outward into vast, symbolic landscapes that are at once external and deeply interior. "Half in Love with Oblivio"n reflects on a fundamental human impulse—the simultaneous attraction to and fear of dissolution. The title, drawn from Macfarlane’s meditation on the magnetic pull of mountains, speaks to this paradox: the desire to lose oneself in something vast and unknowable, even as one remains tethered to the self. Thorpe’s paintings inhabit this threshold, offering spaces in which viewers might confront the limits of perception, identity, and understanding.⁠ ⁠ Stephen Thorpe⁠ Half in Love with Oblivion⁠ May 8 – June 13, 2026⁠ Opening reception: Friday, May 8th, 6-8pm⁠ ⁠ @sthorpestudio ⁠

DIMIN and Brigitte Mulholland are thrilled to collaborate on Emily Orta’s first solo exhibition in New York, "Whims of Panspermia" opening Friday, May 15th, 6-8 pm at DIMIN, New York.⁠ ⁠ The show explores the dissolution of boundaries. Through the medium of clay, Emily Orta investigates the moment where form ceases to be an object and becomes a presence. The work follows the slow transformation inherent to the material: from a cold, wet, and mineral state—not unlike the moist fungal networks described by Merlin Sheldrake—to a gradual drying and hardening. Panspermia is conceived here as a cosmic deposit, while the Whim represents the unpredictable "drift" of the clay as it settles, repeats, and varies.⁠ ⁠ Emily Orta⁠ Whims of Panspermia⁠ May 15 - June 13, 2026⁠ Opening reception: Friday, May 15th, 6-8pm⁠ DIMIN, 406 Broadway, Fl. 2, New York, NY*⁠ ⁠ Presented by DIMIN and Brigitte Mulholland⁠ ⁠ @emlyorta @dimin.nyc @brigittemulhollandparis ⁠ ⁠ *Emily Orta: Whims of Panspermia will take place in DIMIN's Living Room alongside Stephen Thorpe: Half in Love with Oblivion in the main gallery⁠ ⁠ #ceramicart #contemporaryceramics #emilyorta #brigittemulholland #DIMIN⁠

Visit us at NADA at booth B21⁠!⁠ ⁠ NADA New York⁠ May 13–17, 2026⁠ ⁠ The Starrett-Lehigh Building⁠ 601 W 26th Street, 3rd Floor⁠ New York, NY 10001⁠ @newartdealers ⁠ ⁠ Hours:⁠ Thursday, May 14, 11am–7pm⁠ Friday, May 15, 11am–7pm⁠ Saturday, May 16, 11am–7pm⁠ Sunday, May 17, 11am–5pm⁠ ⁠ 1. Matt Phillips, Balsam (II), 2026. Pigment, silica on canvas. 30 x 24 in (76.2 x 61 cm) @themattphillips ⁠ 2. Sphinx In Pink, 2026. Watercolor, gesso, and marble dust on linen; wood frame, plexiglass, and aquaresin. 21 x 21 ½ x 2 in (53.3 x 54.6 x 5.1 cm) @sarah__e__anderson ⁠ ⁠ 3. Stephen Thorpe, Ancient Landscape, 2026. Oil on denim. 36 x 30 in (91.4 x 76.2 cm) @sthorpestudio ⁠ 4. Justine Hill, Bend 18, 2026. Acrylic and canvas. 28 x 25 in (71.1 x 63.5 cm) @jteenhill ⁠ ⁠ 5. Brennen Steines, Central Dissolve, 2026. Oil, copper, limestone, polymer, and emulsion on canvas with steel frame. 27 x 32 in (68.6 x 81.3 cm) @brennensteines ⁠

NADA is now open! Visit us at Booth: B21⁠.⁠ ⁠ NADA New York⁠ May 13–17, 2026⁠ ⁠ The Starrett-Lehigh Building⁠ 601 W 26th Street, 3rd Floor⁠ New York, NY 10001⁠ @newartdealers ⁠ ⁠⁠ Artists: @themattphillips @sarah__e__anderson ⁠ @sthorpestudio @jteenhill ⁠ ⁠ Hours:⁠ Thursday, May 14, 11am–7pm⁠ Friday, May 15, 11am–7pm⁠ Saturday, May 16, 11am–7pm⁠ Sunday, May 17, 11am–5pm⁠

Thank you to everyone who came out for the opening of Stephen Thorpe: Half in Love with Oblivion⁠! 🌄⁠ ⁠ DIMIN will be open late (until 8pm) this Friday, May 15th for Tribeca's gallery stroll.⁠ ⁠ Stephen Thorpe⁠ Half in Love with Oblivion⁠ May 8 – June 13, 2026⁠ DIMIN, New York⁠ ⁠ @sthorpestudio ⁠

Stephen Thorpe's second solo with the gallery opens today, May 8th, 6-8pm!⁠ ⁠ Mountains, long present in Thorpe’s paintings as secondary or framed elements, now assume a central and archetypal role. Emerging through apertures, thresholds, and cavernous openings, they function as symbols of transcendence, endurance, and transformation. Across cultures and histories, mountains have been revered as sites of spiritual ascent and revelation—from sacred cosmologies to the solitary quests of mystics and pilgrims. In Thorpe’s work, they operate as archetypes: primordial images that structure human experience and recur across time and place. These landscapes are not naturalistic depictions, but what might be described as psychological landscapes—spaces shaped as much by memory, myth, and internal states as by observation. ⁠ ⁠ Stephen Thorpe⁠ Half in Love with Oblivion⁠ May 8 – June 13, 2026⁠ Opening reception: Friday, May 8th, 6-8pm⁠ DIMIN, New York⁠ ⁠ @sthorpestudio ⁠ ⁠ ___⁠ Stephen Thorpe⁠ Journey Toward Oblivion, 2026⁠ Oil on fine linen⁠ 48 x 36 in (121.9 x 91.4 cm)⁠

📣 SAVE THE DATE: Join us Friday, May 15, 6–8 PM, for Tribeca Gallery Night! Over 80 galleries across Tribeca will stay open late for an evening of gallery hopping during New York’s art fair week.⁠ ⁠ DIMIN is excited to be opening a show in collaboration with @brigittemulhollandparis by Emily Orta in the Living Room with Stephen Thorpe in the main gallery.⁠ ⁠ Emily Orta: Whims of Panspermia⁠ May 15 – June 13, 2026⁠ Opening reception: Friday, May 15th, 6-8pm⁠ Presented by DIMIN and Brigitte Mulholland⁠ @emlyorta @brigittemulhollandparis ⁠ ⁠ Stephen Thorpe⁠: Half in Love with Oblivion⁠ May 8 – June 13, 2026⁠ Opening reception: Friday, May 8th, 6-8pm⁠ @sthorpestudio ⁠ ⁠ For the full list of participants, visit tribecagallerynight.org⁠ ⁠ #TribecaGalleryNight #ArtWeekNYC ⁠

DIMIN and Brigitte Mulholland are thrilled to collaborate on Emily Orta’s first solo exhibition in New York, "Whims of Panspermia" opening Friday, May 15th, 6-8 pm at DIMIN, New York.⁠ ⁠ The show explores the dissolution of boundaries. Through the medium of clay, Emily Orta investigates the moment where form ceases to be an object and becomes a presence. The work follows the slow transformation inherent to the material: from a cold, wet, and mineral state—not unlike the moist fungal networks described by Merlin Sheldrake—to a gradual drying and hardening. Panspermia is conceived here as a cosmic deposit, while the Whim represents the unpredictable "drift" of the clay as it settles, repeats, and varies.⁠ ⁠ Emily Orta⁠ Whims of Panspermia⁠ May 15 - June 13, 2026⁠ Opening reception: Friday, May 15th, 6-8pm⁠ Presented by DIMIN and Brigitte Mulholland⁠ DIMIN, 406 Broadway, Fl. 2, New York, NY*⁠ ⁠ @emlyorta @dimin.nyc @brigittemulhollandparis ⁠ ⁠ *Emily Orta: Whims of Panspermia will take place in DIMIN's Living Room alongside Stephen Thorpe: Half in Love with Oblivion in the main gallery⁠ ⁠ #ceramicart #contemporaryceramics #emilyorta #brigittemulholland #DIMIN⁠ ⁠ ___⁠ Emily Orta⁠ Nilo, 2026⁠ Glazed stoneware⁠ 14 ½ x 13 x 13 ¾ in⁠ 36.8 x 33 x 34.9 cm⁠

DIMIN is happy to be returning to NADA New York with work by Matt Phillips, Sarah Anderson, and Stephen Thorpe⁠ ⁠ Booth: B21⁠ ⁠ NADA New York⁠ May 13–17, 2026⁠ ⁠ The Starrett-Lehigh Building⁠ 601 W 26th Street, 3rd Floor⁠ New York, NY 10001⁠ @newartdealers ⁠ ⁠⁠ ___⁠ Sarah Anderson, Sphinx In Pink, 2026⁠ Watercolor, gesso, and marble dust on linen, wood frame, plexiglass, and aquaresin⁠ 21 x 21 ½ x 2 in (53.3 x 54.6 x 5.1 cm)⁠ @sarah__e__anderson ⁠

DIMIN is proud to announce the acquisition of Justine Hill's "Bend 19" (2026) by the Pérez Art Museum Miami (PAMM) 🌟⁠ ⁠ @jteenhill @pamm ⁠ ⁠ "As a 21st-century institution, we believe that museums, alongside places of worship, libraries, schools, concert halls, and stadiums, are town halls for the people. These are places that offer opportunities for the healthy exchange of ideas paramount to citizens, promoting inclusivity across our communities, backgrounds, and experiences. "⁠ — PAMM⁠ The gallery is extremely grateful to @jennifer__inacio and the rest of the curatorial team and the board of #PAMM for helping usher this work into the collection! ⁠ "Bend 19" (2026) was on view in Justine Hill: Everywhen at DIMIN, February 13—March 21, 2026.⁠ ⁠ ___⁠ Justine Hill⁠ Bend 19, 2026⁠ Acrylic and canvas⁠ 78 x 68 in (198.1 x 172.7 cm)⁠ ⁠ #museum #museumacquisition #justinehill #pamm

Join us in celebrating Taj Poscé's participation in "Fade" at the Studio Museum 💥⁠ ⁠ This exhibition marks Poscé's debut institutional presentation in New York.⁠ ⁠ Working amid a turbulent era in US history shaped by widespread social and political change, the seventeen artists in Fade embrace spirituality, surrealism, and nonlinear conceptions of time to locate spaces of possibility.⁠ ⁠ "Fade" marks the sixth installment of the renowned “F” show series. The previous shows, “Freestyle” (2001), “Frequency” (2005–06), “Flow” (2008), Fore (2012–13), and “Fictions” (2017–18), have come to be known as landmark exhibitions in the recent history of contemporary art.⁠ ⁠ "Fade"⁠ May 1 - September 6, 2026⁠ Studio Museum in Harlem⁠, New York, NY⁠ ⁠ @tajposce ⁠ @studiomuseum ⁠ ⁠ ___⁠ Taj Poscé⁠ at the Studio Museum⁠ ⁠ Taj Poscé⁠, Cosmic Shift, 2026⁠ Acrylic, concrete, diamond dust, fibered aluminum on burned tar paper, burned industrial plastic, burned papers, archival text and images on constructed wood panels⁠ 72 ½ x 93 in (184.2 x 236.2 cm)⁠