delf

@delphi.brt

@dd3lf I like computers and paper Master Student in Digital Experience Design @ecal_ch Bachelor’s in Graphic Design @ecal_ch Alumni @edhea_ch
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Weeks posts
How can the digital help people? – Bare with me Debugging memories with code: “What Remains to Be Stitched” begins with my mother’s words: the only inheritance I have from her past in Brazil. No photos, no objects. Just fragile fragments of stories, slowly fading. Memories tied to cultural roots I never knew, to a place I’ve never lived, and a past I feel disconnected from. And yet, it is through her that I long to understand what memory truly means. That’s why I decided to create a memory palace. Her memory palace. In the city she now calls home. To anchor those memories. So I became a digital translator. The stitching begins with her words, and continues by asking her to draw those memories as simple icons the brain can easily translate. These drawings do not replace her memories, but they evoke them. They connect them, point by point. They stitch. I used the scientific concept of the memory palace, a technique known to support memory and even help prevent Alzheimer’s. By using LiDAR to scan the city she now calls home, I anchored her memories in a familiar space and turned it into a narrative map where her stories can be remembered. My code doesn’t recreate what was lost, but builds an architecture around these essential fragments, allowing absence to take shape. Supervised by Nicole Uldry and @jonathanhares assisted by @cachin.morgane @ecal_ch / @ecal_graphic_design Special thanks to @martialgrin and @designingwriting #ecal #creativecoding #threejs #javascripts #vscode #memorypalace #lidar #mediadesign #science #interactiondesign #swissdesign #jungegrafik #newmediaartists #scienceandtechnology LiDAR data retrieved from Swisstopo, the official Swiss Federal Office of Topography. @vscode_social @designeverywhere_ @creativecodeart @new_media_art @ouchhh @delphi.brt @xuxoe @yana_valenca
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9 months ago
haut plus intensité ici rends plus?… #livecoding #newmedia #creativecoding #generativedesign
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6 months ago
Sounds of Things – Let’s translate sounds into graphics: The act of translating sound into image is particularly resonant in the digital space, where the sound of a thing becomes data, and data becomes a graphic form, shifting across formats in real time. Taking the form of an abecedary, an alphabet-based sequence in which each letter becomes the starting point for an audiovisual graphic, this visual identity becomes a translator between sight and earring. For every letter, I selected an idea that relates directly to the letter itself (A = Arbre(=Tree)). This led to a visual that is reactive to sound and grounds the work in both linguistic meaning and visual association. From there, sound and image come together in short videos, forming the first layer of translation. The audio from each composition is then used to generate a visual infographic, a reactive form that reflects the structure, rhythm, and texture of the sound itself. Beyond its technical structure, the project invites a more poetic reading of how sound is made visible. Just as in nature, where sound takes shape in the flutter of a bird, this work attempts to echo that phenomenon in a digital infographic environment. It asks: How technology might interpret sound with a sensitivity different from ours, allowing it to be seen and read. Presented through two posters, a teaser video, and live demonstrations, the project stands at the intersection of graphic design and interactive design, where the alphabet becomes a space for layered interpretation and sensorial translation. The result is not just a set of 26 pieces, but a system that explores the transformation of language into sound, image, and responsive form. Supervised by @adelinemollard @ecal_ch Assisted by @cachin.morgane #touchdesigner #swissposter #interactivedesign @ecal_graphic_design #graphicdesign #adobe #mediadesign @designeverywhere_ #designeverywhere #poster #visualidentity #visualcommunication @swissgraphic #swissdesign
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8 months ago
How to represent the distorsion of time in design ? During this workshop, we were asked to create an Obi Strip, a printed paper band designed to wrap around a vinyl cover. The process involved screen printing with two layers: one in visible ink and another in UV-reactive ink, which I had the chance to experiment with for the first time (thanks to @retinaa.ch and @sylvaincrocitorti ). My concept is based on liminal space, those undefined transitional places where time feels distorted or suspended. I wanted to reflect the sensation of being caught in a moment that stretches endlessly, outside of any clear timeline. On the visible layer, I worked with stretched typography to express the idea of dysmorphic time. The elongated letterforms visually suggest slow motion, disorientation, and the strange elasticity of moments that seem to last forever. At the center, a clock acts as a static point, with arrows extending outward from it across the strip. These arrows suggest time radiating infinitely in all directions, reinforcing the feeling of being suspended in a moment with no clear beginning or end. The UV layer was inspired by seven-segment display digits, like those found on old calculator screens. I repeated these vertical bar-like forms continuously across the strip. Under UV light, they reveal a hidden system that loops endlessly. This repetition was essential to conveying the idea of infinite time that is always present, but almost imperceptible. By combining both layers, I aimed to explore the tension between what is seen and what is hidden, what feels real and what is only sensed. This project helped me translate abstract ideas of liminality and suspended time into a physical, printed form. Supervised by @retinaa.ch during a workshop @ecal_ch Assisted by @cachin.morgane @ ECAL Credits to: @marvmerkel for the first picture, @sylvaincrocitorti for the screen printing. #papersarchive @papersarchive #graphicdesign
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9 months ago
How can 3D motion design represent the repetition of humanity’s destruction? – Bare with me Inspired by @maimaimaikr « Nostalgia » song, this project explores the haunting question: “How many times must a melody be repeated before it becomes a curse?” كم من المرّات على اللّحن أن يُعاد قبل أن يُصبح لعنةً This haunting question, repeated throughout Mai Mai Mai’s song Nostalgia, became the guiding thread of our project. It explores the idea of repetition not only in music but also in memory, emotion, and human history. We chose to interpret this through a visual metaphor: the repetition of human error, particularly in the context of war and conflict. Using rough 3D scans of buildings, we built a narrative of destruction and then fragmentation that are dislocated 3D scans drifting and colliding like the remnants of collective trauma. As the piece evolves, these fragments begin to reassemble slowly and imperfectly. This fragile reconstruction suggests both resilience and the precarious nature of healing. It raises a question: can we truly learn from the past, or are we destined to repeat it under a different melody? Nostalgia is a visual meditation on beauty, memory, violence, and the fine line between remembrance and repetition. Donate if you can : https://action.amnesty.ch/fr/urgence-gaza-israel/?gad_source=1&gad_campaignid=22633117823&gclid=CjwKCAjwqKzEBhANEiwAeQaPVfvxXswmJSLVpwJhDFxaIdRRjPtBjYQ9dLV4W_NQGy7F0pOUlMyhChoCW70QAvD_BwE Thanks to Mai Mai Mai for his music. Made with my classmate @co.nnexion Supervised by @samibenhadjdjilali @ ECAL #3d #motiondesign #motiondesign #motiongraphics #animation #digitalart #3dmotiongraphics #mograph #mograph #WarAndPeace #freepalestine #3dmotion
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9 months ago
How can we translate sounds into visuals ? “Sounds of Things” is a visual identity that translates sound into imagery. It takes the form of an infographic alphabet, where each object’s sound generates a unique graphic shape. This creates a visual lexicon that bridges one sense (hearing) with another (sight). Supervised by @adelinemollard at @ecal_ch #touchdesigner #mediadesign #visualidentitydesign #interactivedesign #interactiveart #interactiveinstallation #animation #audiovisual #graphic #generative #generativeart #artwork #noiseart #randomart #glitchartistscollective #abstractart #multimedia #generativedesign #genartclub #experimentalart #digitalart #videoart #computerart #new_media_art #visualresearch #motiongraphics #techart #ecal #computergraphics #aftereffect @touchdesigner @xuxoe @designeverywhere_ @creativecodeart
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9 months ago
2022, GRAB THE CHAT Grab the Chat is an interactive project involving three phones, where a single sentence is passed from one device to the next. Each time the sentence is received, it is slightly altered before being sent again mimicking the classic «telephone game.» The result is a gradual transformation of the original message, exploring how meaning can shift through repetition and reinterpretation in digital communication. Supervised by @yehwan.yen.song @ecal_ch Collaboration with @elinacrespi_ @n_ki.design Thanks to @ac.hille for the footage #aftereffects #creativecoding #interactiveart #installationart #generativeart #codeart #typedesign #experimentaltypography #motiondesign #newmediaart #realtimegraphics #mediaart #interactivedesign #newmedia #interactivemedia
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9 months ago