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@dd3lf

@delphi.brt I like computers and pic dumps ecal dxd execal dg exedhea
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How can the digital help people? – Bare with me Debugging memories with code: “What Remains to Be Stitched” begins with my mother’s words: the only inheritance I have from her past in Brazil. No photos, no objects. Just fragile fragments of stories, slowly fading. Memories tied to cultural roots I never knew, to a place I’ve never lived, and a past I feel disconnected from. And yet, it is through her that I long to understand what memory truly means. That’s why I decided to create a memory palace. Her memory palace. In the city she now calls home. To anchor those memories. So I became a digital translator. The stitching begins with her words, and continues by asking her to draw those memories as simple icons the brain can easily translate. These drawings do not replace her memories, but they evoke them. They connect them, point by point. They stitch. I used the scientific concept of the memory palace, a technique known to support memory and even help prevent Alzheimer’s. By using LiDAR to scan the city she now calls home, I anchored her memories in a familiar space and turned it into a narrative map where her stories can be remembered. My code doesn’t recreate what was lost, but builds an architecture around these essential fragments, allowing absence to take shape. Supervised by Nicole Uldry and @jonathanhares assisted by @cachin.morgane @ecal_ch / @ecal_graphic_design Special thanks to @martialgrin and @designingwriting #ecal #creativecoding #threejs #javascripts #vscode #memorypalace #lidar #mediadesign #science #interactiondesign #swissdesign #jungegrafik #newmediaartists #scienceandtechnology LiDAR data retrieved from Swisstopo, the official Swiss Federal Office of Topography. @vscode_social @designeverywhere_ @creativecodeart @new_media_art @ouchhh @delphi.brt @xuxoe @yana_valenca
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9 months ago
It takes two to unforted.fest. In December, we hosted a weekend of talks and performances bringing together artists, coders, and musicians to explore the intersections of live coding, generative art, and experimental sound. On Saturday we hosted performances by: @audiodope @luajungck and @dd3lf @liquidtransmitter @ralt144mi 
📸 Photos by Anastasiia Tokareva @tasya.tokareva #livecoding #algorave #creativecoding #generativeart #audiovisual computermusic experimentalsound digitalart zurichculture liveelectronics artandcode mediaart
98 2
4 months ago
haut plus intensité ici rends plus?… #livecoding #newmedia #creativecoding #generativedesign
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6 months ago
Sounds of Things – Let’s translate sounds into graphics: The act of translating sound into image is particularly resonant in the digital space, where the sound of a thing becomes data, and data becomes a graphic form, shifting across formats in real time. Taking the form of an abecedary, an alphabet-based sequence in which each letter becomes the starting point for an audiovisual graphic, this visual identity becomes a translator between sight and earring. For every letter, I selected an idea that relates directly to the letter itself (A = Arbre(=Tree)). This led to a visual that is reactive to sound and grounds the work in both linguistic meaning and visual association. From there, sound and image come together in short videos, forming the first layer of translation. The audio from each composition is then used to generate a visual infographic, a reactive form that reflects the structure, rhythm, and texture of the sound itself. Beyond its technical structure, the project invites a more poetic reading of how sound is made visible. Just as in nature, where sound takes shape in the flutter of a bird, this work attempts to echo that phenomenon in a digital infographic environment. It asks: How technology might interpret sound with a sensitivity different from ours, allowing it to be seen and read. Presented through two posters, a teaser video, and live demonstrations, the project stands at the intersection of graphic design and interactive design, where the alphabet becomes a space for layered interpretation and sensorial translation. The result is not just a set of 26 pieces, but a system that explores the transformation of language into sound, image, and responsive form. Supervised by @adelinemollard @ecal_ch Assisted by @cachin.morgane #touchdesigner #swissposter #interactivedesign @ecal_graphic_design #graphicdesign #adobe #mediadesign @designeverywhere_ #designeverywhere #poster #visualidentity #visualcommunication @swissgraphic #swissdesign
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8 months ago
New digital liner #newmediaartist #newmedia #touchdesigner #interactiveart #makeuphack
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8 months ago
@samiatheband how long. Experimenting with Hydra thanks to @o_jack #samiapool #samiatheband #hydra #livemusic #interactiveart #javascripts #livecoding #generativeart #creativecoding #hydraojack #design #graphicdesign
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9 months ago
The code says I’m very sad #creativecoding #facecard #emo #scan #facescan #emotions
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9 months ago
How can 3D motion design represent the repetition of humanity’s destruction? – Bare with me Inspired by @maimaimaikr « Nostalgia » song, this project explores the haunting question: “How many times must a melody be repeated before it becomes a curse?” كم من المرّات على اللّحن أن يُعاد قبل أن يُصبح لعنةً This haunting question, repeated throughout Mai Mai Mai’s song Nostalgia, became the guiding thread of our project. It explores the idea of repetition not only in music but also in memory, emotion, and human history. We chose to interpret this through a visual metaphor: the repetition of human error, particularly in the context of war and conflict. Using rough 3D scans of buildings, we built a narrative of destruction and then fragmentation that are dislocated 3D scans drifting and colliding like the remnants of collective trauma. As the piece evolves, these fragments begin to reassemble slowly and imperfectly. This fragile reconstruction suggests both resilience and the precarious nature of healing. It raises a question: can we truly learn from the past, or are we destined to repeat it under a different melody? Nostalgia is a visual meditation on beauty, memory, violence, and the fine line between remembrance and repetition. Donate if you can : https://action.amnesty.ch/fr/urgence-gaza-israel/?gad_source=1&gad_campaignid=22633117823&gclid=CjwKCAjwqKzEBhANEiwAeQaPVfvxXswmJSLVpwJhDFxaIdRRjPtBjYQ9dLV4W_NQGy7F0pOUlMyhChoCW70QAvD_BwE Thanks to Mai Mai Mai for his music. Made with my classmate @co.nnexion Supervised by @samibenhadjdjilali @ ECAL #3d #motiondesign #motiondesign #motiongraphics #animation #digitalart #3dmotiongraphics #mograph #mograph #WarAndPeace #freepalestine #3dmotion
0 0
9 months ago
Flattering #facescan #3d #brainrot #agony and #despair #mediadesign #interactivedesign
0 0
9 months ago
How can the digital help people? – Bare with me Debugging memories with code: “What Remains to Be Stitched” begins with my mother’s words: the only inheritance I have from her past in Brazil. No photos, no objects. Just fragile fragments of stories, slowly fading. Memories tied to cultural roots I never knew, to a place I’ve never lived, and a past I feel disconnected from. And yet, it is through her that I long to understand what memory truly means. That’s why I decided to create a memory palace. Her memory palace. In the city she now calls home. To anchor those memories. So I became a digital translator. The stitching begins with her words, and continues by asking her to draw those memories as simple icons the brain can easily translate. These drawings do not replace her memories, but they evoke them. They connect them, point by point. They stitch. I used the scientific concept of the memory palace, a technique known to support memory and even help prevent Alzheimer’s. By using LiDAR to scan the city she now calls home, I anchored her memories in a familiar space and turned it into a narrative map where her stories can be remembered. My code doesn’t recreate what was lost, but builds an architecture around these essential fragments, allowing absence to take shape. Supervised by Nicole Uldry and @jonathanhares assisted by @cachin.morgane @ecal_ch / @ecal_graphic_design Special thanks to @martialgrin and @designingwriting #ecal #creativecoding #threejs #javascripts #vscode #memorypalace #lidar #mediadesign #science #interactiondesign #swissdesign #jungegrafik #newmediaartists #scienceandtechnology LiDAR data retrieved from Swisstopo, the official Swiss Federal Office of Topography. @vscode_social @designeverywhere_ @creativecodeart @new_media_art @ouchhh @delphi.brt @xuxoe
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9 months ago
How can we translate sounds into visuals ? “Sounds of Things” is a visual identity that translates sound into imagery. It takes the form of an infographic alphabet, where each object’s sound generates a unique graphic shape. This creates a visual lexicon that bridges one sense (hearing) with another (sight). Supervised by @adelinemollard at @ecal_ch #touchdesigner #mediadesign #visualidentitydesign #interactivedesign #interactiveart #interactiveinstallation #animation #audiovisual #graphic #generative #generativeart #artwork #noiseart #randomart #glitchartistscollective #abstractart #multimedia #generativedesign #genartclub #experimentalart #digitalart #videoart #computerart #new_media_art #visualresearch #motiongraphics #techart #ecal #computergraphics #aftereffect @touchdesigner @xuxoe @designeverywhere_ @creativecodeart
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9 months ago