Sun Park

꧁✮..🌳 Collective Divination and Filmmaking Workshop 🎥 ..✮꧂ Date: Saturday 16 May, 2026 Time: 2:30 - 5:30 pm (3 hours) Location: ICA Booking: Link in bio. A hands-on workshop led by Sun Park and Chiemi Shimada, combining oracle card reading with Super 8 filmmaking. We will read cards together and grow a map for an improvised collective filmmaking. Cameras and film stock provided. This workshop is for anyone interested in card reading as a tool for unlocking intuition, and in learning to film on Super 8 cameras. This workshop takes place at the ICA as part of DAYTRIP, a special takeover featuring an all-day programme of film, performance, and practice-based workshops, culminating in a club night. More info on @queereast website or link in bio! Many thanks to @antibart & @on8mil 🎞️ Image credit: Stills from unborn super 8 films by Chiemi Shimada, graphics by Sun Park

We are running a collective divination and filmmaking workshop at @queereast and we’d love you to join us 📹🌻🌳 Collective Divination and Filmmaking Workshop Date: Saturday 16 May 2026 Time: 2:30-5:30 pm (3 hours) Location: ICA How to join: Link in bio to sign up This hands-on workshop explores cosmotechnical storytelling through collective tarot reading and intuitive filmmaking and is led by Sun Park and Chiemi Shimada. Cosmotechnics is philosopher Yuk Hui’s idea that every culture develops its own technologies through its unique relationship to cosmos and ways of knowing. We will use tarot and oracle cards to engage with deep intuition and the alchemical processes by which individual creativities become a forest of their own. We will listen and read together to create our own cosmology, then re-read images, assign them new meanings, and grow a visual language for a film made on Super 8 cameras. The film that emerges will be authored by all of us and owned by none of us. @queereast @antibart @smdcem @coco____

𓇽discord study𓇽 𝐓𝐡𝐞 𝐌𝐮𝐫𝐦𝐮𝐫𝐢𝐧𝐠: in the key of Cha The Murmuring is returning for its second iteration!  How do we listen to the murmuring? What murmurs do we miss or what murmurs we hear but don’t have language to describe? We became friends through our connection and love for Cha whose work orientated us to our relationship with homeland and mother tongue in the Korean peninsula. Cha’s work was two-folds in that it transformed us and equally confused us. Our conversations traced her work, leading us to go beyond the text and into the murmuring—in which last session, we heard these utterances in the documentary “The Murmuring,” directed Byun Young Joo that told the stories of Comfort Women, who were exploited and martyred by Japanese imperialism and till this day are still fighting for reparations. Cha’s work has so much power to connect the struggles of women who faced colonial and state violence through portraits that are so personal and political and has created waves of intergenerational and transhistorical community. We want to invite you to join us in creating a Cha’s memory community. We hope that we can collectively read her work, along with other writers and artists who are in conversation with hers. ★𝐟𝐨𝐫𝐦𝐚𝐭: - Monthly / 2h per session - 7 sessions - During this study, we will ask participants to host a session if they would like! Each session we will read, watch or listen together followed by a writing, drawing or creative exercises. ★how to join: Express your interest in “The Murmuring” channel on Discord (Discord link in bio) ★𝐰𝐡𝐞𝐫𝐞 𝐭𝐨 𝐦𝐞𝐞𝐭: AFSAR discord “The Murmuring“ voice channel (link in bio) ★𝐜𝐥𝐮𝐛 𝐨𝐩𝐞𝐫𝐚𝐭𝐨𝐫: Sun Park works with moving image and language. Her process involves improvisation and unending conversations. Currently, she is interested in gossip, friendship and risk. @coco____ j. eunsun is an educator and poet. she integrates mediums of text, paper, and still/moving image. her work listens towards memory keeping and familial histories. @username_none_tryagainlater Image 1-2: Collage works by j. Eunsun

What do you want to leave behind at the end of the world? “𝓓𝓸𝓸𝓶𝓼𝓭𝓪𝔂: 𝓐 𝓣𝓲𝓶𝓮 𝓒𝓪𝓹𝓼𝓾𝓵𝓮 𝓯𝓻𝓸𝓶 𝓢𝓽𝓻𝓪𝓷𝓭𝓮𝓭 𝓣𝓲𝓶𝓮 𝓣𝓻𝓪𝓿𝓮𝓵𝓮𝓻𝓼 (종말의 날:낙오된시간 여행자들의 타임캡슐)” co-written by Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park is a reflection on the possibilities of death in reincarnation, in time returning written for future AFSAR members. This essay considers the delay inherent to collectivity and what is generated when the boundary of “I” no longer applies to time. Imagining making a science-fiction film together, we discuss the figures of the sick, ghosts, and crone who reflect our future selves and past lives as our main protagonists. We leave this time capsule for all those living in delayed time, who have always known that the end has already been here. Link to the English version of the text in bio! Thank you to Sooyoung Leam & Tiffany Yeon Chae and the team at MMCA and Stedelijk Museum Amsterdam for making this possible. Commissioned for MMCA STUDIES×Stedelijk Studies: Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia, joint publication with Stedelijk Museum Amsterdam

𓇽event𓇽 On 16th August, Sun Park, Christina Yuna Ko, and Mooni Perry from AFSAR led the workshop “Fumbling the Whispers” at @asiaartarchive , as part of the exhibition In Our Own Backyard. We were finally able to gather physical submissions on site—full of tenderness, small wonders, and beautiful notes. Warm thanks to those who sent submissions for Fumbling the Whispers: Jin, To Doan, Emily Cheung, and Jade Hui. We read your texts and poems during the session. And heartfelt thanks to everyone who reached out via email, IG and WhatsApp as well. We received everything with care, and we’ll be sharing the collected songs, texts, and fragments in the coming weeks. The next episode of Moving Hums will be coming out soon, too. Deep gratitude to Asia Art Archive for hosting us so warmly ✨

Christina Yuna Ko, Eugene Hannah Park, Mooni Perry, and Sun Park co-wrote a text for this special issue. 스테르담 스테델릭미술관과의 공동출판 특별호 『국립현대미술관 연구×스테델릭미술관 연구: 생산성 생성하기』는 아시아의 산업생산 근대화의 역사, 생성형 AI의 기술적 쟁점 및 기술과 예술의 결합, 예술가들의 대안적 실천을 다룹니다. 국립현대미술관 미술책방 및 미술가게, 주요 온라인 서점에서 만나볼 수 있습니다. ■ 편집의 글 임수영·채연, 생산성 생성하기 ■ 생산성 생성하기: 아시아의 생산성 정치와 기술 구조 호루이안, 네트워크 국가, 국가적 네트워크 그리고 재현의 정치적 질서 이문석, ’한 지역’에서 ‘그 지역’으로 가기 위한 관광 가이드 나가타 코스케, 한번 꺾인 것들의 접목: <물 속의 불> 제작노트 언메이크랩, 기계의 우화들 고아침·천현득, 대담: AI 윤리를 둘러싼 쟁점들─행위성, 투명성, 실천성 전유진, 잃어가는 것들 캐슬린 딧지그·라이언 호, 아만다 헹의 <더 대화합시다>와 <은퇴한 싱걸>: 현대미술관의 AI 예술 커미션 박소현, ’미래’는 어떻게 기획·기각되었는가: 엑스포 ’67과 엑스포 ’70 사이 이수연, 인간스러운 작동 방식에 관하여 신진영·임수영, 대담: 만드는 삶 아프사, 종말의 날: 낙오된 시간 여행자들의 타임캡슐 미유, 대련 샤를 란드브뢰흐트, 『국립현대미술관 연구×스테델릭미술관 연구』 워킹그룹, 라운드테이블: 스테델릭미술관의 정치적·주체적 지식 생산 MMCA STUDIES×Stedelijk Studies: Generating Production, the special issue of joint publication with Stedelijk Museum Amsterdam, covers the modernization of industrial production in Asia; technological issues of generative AI; the convergence of technology and art; and alternative artistic practices. ■ Editorial Note Sooyoung Leam·Tiffany Yeon Chae, Generating Production ■ Generating Production: Infrastructures of Technology and the Politics of Productivity in Asia Ho Rui An, Networked States, Stately Networks, and Reproduction’s Political Orders Yi Moon-seok, A Travel Guide: From “One Region” to “That Region” Nagata Kosuke, Grafting onto What Was Once Broken: Production Notes on Fire in Water Unmake Lab, Machine Fables Koh Achim·Cheon Hyundeuk, A Dialogue on AI Ethics: Agency, Transparency, and Practicality Jeon Youjin, What We Are Losing Kathleen Ditzig·Ryan Ho, Amanda Heng’s Let’s Chat Further and Retired Singirl: A Modern Art Museum Commissions AI Art Park Sohyun, How Was the “Future” Planned and Rejected?: Between Expo ’67 and Expo ’70 Lee Sooyon, On the Human Mode of Operation Shin Jinyoung·Sooyoung Leam, A Dialogue on a Life in the Making AFSAR, A Time Capsule from Stranded Time Travelers Mi You, A Couplet Charl Landvreugd·Working group for MMCA Studies×Stedelijk Studies, Roundtable: Subjective Knowledge Production and Its Politics at the Stedelijk Museum Amsterdam

join me & @alikati for a tarot & transformation workshop 🦋 I’m genuinely excited to gather around everything I love for a couple of hours - tarot, stars & elements, spirits, fire & ash 🎐 Date: Saturday 27 September, 2:30pm Location: @metrolandcultures Social Space Tickets: link in bio About the event Fire is an ancient teacher. It warms the hearth, feeds the body, and lights the path forward. It is the ember that sustains, the beacon that shines the way, the blaze that transforms, and the wild force that both destroys and clears space for what is yet to come. This gathering responds to the FIRE Ritual of Brent Biennial 2025 by calling on participants who feel the fires within and around us. We hold a space where you are invited to enter into conversation with the archetypes of flame—rage and grief, renewal and creation—and allow them to move through our bodies, our stories, and our collective imagination. We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing. This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead. Materials to bring: - Tarot cards (if you have a deck, please bring them) - An object you use for spiritual or creative associations

🔥 Day 2 of FIRE Ritual – the third edition of Brent Biennial 2025 – continues Saturday 27 September at Metroland Cultures and across Kilburn. The day begins with a fiery, diasporic procession through the streets, led by Growler - the alter-ego of artist Dee Mulrooney. Later, we move inward, gathering for an intimate tarot workshop at Metroland Cultures, guided by Annie Jael Kwan and Sun Park. 🗓️ Saturday 27 September 📍 Metroland Studios + Kilburn streets 🔝 Free tickets + details via link in bio 🧨 27 SEPT PROGRAMME 🧨 🔥 1:00–2:00pm | Growler’s Kilburn Stroll – Dee Mulrooney Growler is Dee Mulrooney’s alter-ego and performance piece. She is an 85-year-old drum-banging shamanic vulva living in exile. Through storytelling, song, spoken word and comedy Growler takes audiences on a ritualistic, theatrical journey through grief, loss, exile and displacement. Growler will be coming to Kilburn to connect with the Holywell and remember the thousands of Irish ancestors who settled in the area. Beneath the concrete and cement the memory is held. 🔥 2:30–5:00pm | Tarot & Transformation – Annie Jael Kwan & Sun Park This gathering calls on participants who feel the fires within and around us. We will approach tarot as a spiritual technology and storytelling to spark new associations and collective insights. Working with archetypes from the major arcana, we will light up connections to ancestors and deities, and scribe new visions with free/collective writing. This is a circle for those who feel the rising heat—within the body, within the world—and long to transmute it. We gather not to extinguish the fire, but to learn how to tend it, honor it, and let it illuminate the path ahead. 🔥 Yarli Allison’s installation ‘In Petri Dishes We Sing’ is on view at Metroland Cultures from 26 Sept – 12 Oct, 11:00am - 6.00pm daily 🔥 Alfredo Jaar’s project ‘I Can’t Go On. I’ll Go On’ is on display from 22 Sept – 5 Oct on billboards at Kensal Green Station + Kilburn High Road. 🔝 Booking & info at link in bio! #acesupported #brentbiennial 📸 1 Growler (photo: Kyle Ferguson) 2 Tarot deck by Jia Sung (photo: Sun Park) 3 Still from Yarli Allison, In Petri Dishes We Sing, 2025

𓇽moving hums𓇽 💜The third episode of Moving Hums <Staying horizontal (edited by lowbatterymode)> edited by Sun Park is out! You can listen it from AFSAR spotify channel: /episode/6lCtehn51jTr7vN4pjDS8G?si=W7StSCWoRkSbftPlQUcbjw(link in bio) 💜About AFSAR Radio Moving Hums: Resonating with Sheba Chhachhi and Lala Rukh whose creative expressions were shaped by their political engagement and grassroots activism, AFSAR Radio or Moving Hums presents a series of audio episodes and on site performances. This project will bring together a playlist of protest songs, voice memos, field recordings, interviews, and readings of stories/letters/poetry. 💜About the exhibition: Asia Art Archive’s exhibition, In Our Own Backyard, explores the creative impulses and forms of gathering within the women’s movements in South Asia from the 1980s onward. Engaging with the personal archives of artists Sheba Chhachhi and Lala Rukh—who played vital roles as organisers and documenters—the exhibition showcases their archival materials and artworks alongside contributions from a diverse community of feminist practitioners and organisations in the region. @asiaartarchive @asiaartarchiveinindia 💜Sun Park writes, makes art, and works as a cultural worker in London. She moves between moving images and language, thinking out loud through improvisation and open-ended conversations. She is currently interested in gossip, friendship, and risk while researching topics like Cosmotechnics, Asian Futurism, and feminist remembering of war, with positive obsession. @coco____ 💜Graphic by @christina_yuna_ko @tsjeejong 💜Sound mixed by @coco____

A brief summary of sep-oct-nov-dec-jan-feb-mar-apr before it’s too late 🐡

𓇽discord study𓇽 𝐦𝐚𝐜𝐡𝐢𝐧𝐞 𝐚𝐧𝐝 𝐬𝐨𝐯𝐞𝐫𝐞𝐢𝐠𝐧𝐭𝐲 𝐟𝐨𝐫 𝐚 𝐩𝐥𝐚𝐧𝐞𝐭𝐚𝐫𝐲 𝐭𝐡𝐢𝐧𝐤𝐢𝐧𝐠 (book description) What is “planetary thinking” today? Arguing that a new approach is urgently needed, Yuk Hui develops a future-oriented mode of political thought that encompasses the unprecedented global challenges we are confronting: the rise of artificial intelligence, the ecological crisis, and intensifying geopolitical conflicts. Machine and Sovereignty starts with three premises. The first affirms the necessity of developing a new language of coexistence that surpasses the limits of nation-states and their variations; the second recognizes that political forms, including the polis, empire, and the state, are technological phenomena, which Lewis Mumford terms “megamachines.” The third suggests that a particular political form is legitimated and rationalized by a corresponding political epistemology. The planetary thinking that this book sketches departs from the opposition between mechanism and organism, which characterized modern thought, to understand the epistemological foundations of Hegel’s political state and Schmitt’s Großraum and their particular ways of conceiving the question of sovereignty. Through this reconstruction, Hui exposes the limits of the state and reflects on a new theoretical matrix based on the interrelated concepts of biodiversity, noodiversity, and technodiversity. Arguing that we are facing the limit of modernity, of the eschatological view of history, of globalization, and of the human, Hui conceives necessary new epistemological and technological frameworks for understanding and rising to the crises of our present and our future. 📚𝐌𝐚𝐢𝐧 𝐒𝐭𝐮𝐝𝐲 𝐌𝐚𝐭𝐞𝐫𝐢𝐚𝐥: machine and sovereignty for a planetary thinking, Yuk Hui ★𝐖𝐡𝐞𝐫𝐞 𝐭𝐨 𝐌𝐞𝐞𝐭: AFSAR discord “machine and sovereignty“ voice channel (AFSAR discord link in bio) ★𝐇𝐨𝐰 𝐨𝐟𝐭𝐞𝐧, 𝐖𝐡𝐞𝐧: Once every week, Start from 16th April, 10am CET/ 9am London/ 4pm Taipei ★𝐂𝐥𝐮𝐛 𝐎𝐩𝐞𝐫𝐚𝐭𝐨𝐫: Musquiqui Chihying, Jooyoung Hwang, Yen Yi Lee, Sun Park, Mooni Perry 🧚𝐏𝐨𝐬𝐭𝐞𝐫 𝐝𝐞𝐬𝐢𝐠𝐧𝐞𝐝 𝐛𝐲 𝐉𝐮𝐧𝐡𝐲𝐞𝐨𝐤 𝐒𝐡𝐢𝐧 @gongchoon

𓇽event𓇽 It was an intensive two days of gathering, exchange, and thought-provoking discussions. Mina Ha, Chaeyoung Kim, Christina Yuna Ko, Yen Yi Lee, Eugene Hannah Park, Sun Park, and Mooni Perry joined as working group members. Sun Park and Eugene Hannah Park participated in a Roundtable 2 ‘Feminist Archive and Transmission’ at @palaisdetokyo . Eugene Hannah Park co-moderated Roundtable 2, ‘Feminist Archive and Transmission,’ and also gave an introduction to Trinh T. Minh-ha’s keynote talk at @palaisdetokyo Repost from @awarewomenart ・・・ [EVENT] Recap of the NEST gathering and A Story Named Joy On November 6 and 7, 2024, the 20 independent feminist organizations that make up NEST: Network for Empowerment, Solidarity, and Transregionality gathered in Paris. This meeting marked the culmination of a year of discussions, bringing together transnational structures to address pressing issues such as sustainability, resistance in hostile contexts, and the role of archives and collective research conducted outside institutional frameworks. On November 7, at Palais de Tokyo, NEST members engaged in a public dialogue on collective work as a feminist strategy, their archival practices, and initiatives aimed at rethinking art through a feminist lens. The event’s title paid homage to feminist filmmaker and writer Trinh T. Minh-ha, who was the evening’s keynote speaker. The gathering concluded with a performance by Myriam Mihindou, recipient of the 2022 AWARE Prize, in dialogue with her solo exhibition, Praesentia. This network and event are made possible through support from the Terra Foundation for American Art (@terraamericanart ) _ 📷 © Luciano Ortiz et Lorena Almario Rojas, AWARE Archives of Women Artists Research and Exhibitions @contemporaines @centre2beauvoir @womeninphoto @mujeresenlasartesvisuales @katarzynakozyrafoundation @mesto.zensk @afsar_asianfeministstudio @wophafoundation @sights_of_resistance @AsiaArtArchive @womenesartregister @davracollective @la.lleca.colectivaa @havenforartists @airgallery @feministcenterforcreativework @thefeministinstitute @zafp_org @radicalcare.initiative @palaisdetokyo