Caroline Dionne

@captain_c

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Over the years, the layers of landfill at Freshkills reached an imposing altitude of 225 feet, drastically reshaping the landscape of a 2200-acre wide portion of Staten Island. Capped and rewilded, the four artificial mounds meet at the confluence of a network of waterways. During the landfill operation, the composition of household trash evolved. Mainly composed of rusted metal and leather mixed with paper and glass in the 1950s, it became filled with plastic and small appliances in the 1970s and 1980s, or with electronic components, non-recyclable packaging, plastic bags, and other non-compostable good in the late 1990s. This piece, “Study for a Landfill” by John Roach (one of In Plain View’s curators) is meant to evoke the magnitude of Fresh Kills landfill operation, this installation speaks to the man-made qualities of the park, celebrating the rewilding of a landscape that hides—in plain view—over half a century of New York’s trash. Design and Fabrication: John Roach and Mitch Kelly, with contributions by Caroline Dionne, Isabelle Groenewegen, Juliai Naser, and Andrew Shea. TONIGHT: Join the In Plain View’s closing event, featuring Freshkills Park: Field R/D artists and curators, including @Dylan__Gauthier__ @stoishere and @jenliu3 , in conversation with NYC-based curator and Parsons faculty @kariconte . #JohnRoach #MitchKelly #JuliaiNaser #IsabelleGroenewegen #CarolineDionne #AndrewShea #FreshkilllsPark #Sanitation #InPlainView #ParsonsSchoolOfDesign #ArtExhibition #UrbanChange #NYCEvents #ArtExhibition #UrbanEcology #water
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1 year ago
2006. New Ideas: A Future for Fresh Kills At 2,200 acres, nearly three times the size of Central Park, Freshkills Park is one of New York City’s most ambitious public works projects. This section of the timeline illustrates the proposed vision for transforming the landfill into a park, a process that began with the 2001 Freshkills International Design Competition, won by urban design firm Field Operations. Construction started in 2008, with a master plan integrating the four landfilled mounds into a rewilding process scheduled for completion by 2036. Only 45% of the site was used for waste, with the rest consisting of wetlands and waterways. The park’s design balances ecological restoration with engineered systems, including gas collection for Con Edison and conduits to prevent water contamination. Image Sources (visit exhibition to see all images in the timeline and full captions): Slide 2–3: © Field Operations Slide 4: Freshkills Park Alliance Slide 5–8: © Field Operations The timeline was organized with students from Curating Design at the Intersection of Art, Ecology, and Technology, a course taught by co-curator Caroline Dionne @captain_c ), including: Vardan Babayan, Lauren Brown, Veronica Chen @vnronica , Jac Clayton @jacclaytonn , Lara Damabi, Bingxue (Yoyo) Dong, Kerry Fusco, Jeniffer Isakbaev @jenisak14 , Xin (Daisy) Li @xxaijjcc , Emeline Louis @louiline , Dina Pritmani @bands4dina , Catalina Vizcarrondo, El Weinstein, Chengyue (Sia) Zhao @sia_zhao , Danqi (Nini) Zhao #freshkilllspark #InPlainView #timeline #parsonsschoolofdesign #ArtExhibition #UrbanEcology #sanitation #trash #landfilll
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2001. The next section of the timeline is dedicated to when Fresh Kills landfill closed on March 22, 2001, but briefly reopened after 9/11 to receive 1.6 million tons of rubble from Ground Zero. Michael Falco’s photographs document its role in processing the wreckage, where workers and forensic specialists searched tirelessly for remains and personal belongings. Once a massive dumping ground, Fresh Kills became a solemn memorial, holding traces of lives lost in the attacks. As anthropologist Robin Nagle suggests, landfills reflect society’s history and identity. Now capped as Freshkills Park, it remains a repository of New York’s past, symbolizing both waste and remembrance. In Plain View is open every day 12–6 PM. Visit the Aronson Gallery, at Parsons School of Design (66 5th Ave, NYC) Image Sources (visit exhibition for captions) Slide 2–4: Photo Michael Falco The timeline was organized with students from Curating Design at the Intersection of Art, Ecology, and Technology, a course taught by co-curator Caroline Dionne @captain_c ), including: Vardan Babayan, Lauren Brown, Veronica Chen @vnronica , Jac Clayton @jacclaytonn , Lara Damabi, Bingxue (Yoyo) Dong, Kerry Fusco, Jeniffer Isakbaev @jenisak14 , Xin (Daisy) Li @xxaijjcc , Emeline Louis @louiline , Dina Pritmani @bands4dina , Catalina Vizcarrondo, El Weinstein, Chengyue (Sia) Zhao @sia_zhao , Danqi (Nini) Zhao #freshkilllspark #InPlainView #timeline #9/11 #parsonsschoolofdesign #artexhibition #urbanecology #sanitation #trash #landfill
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1952–1996. After focusing on Robert Moses’ plan for the landfill, the timeline focuses on its growth from the 1950s until its closure in 2002. The landfill expanded daily, overwhelming Staten Island residents with its stench, dust, and pollution. Deodorants failed to mask the odor, and towering trash mounds altered the landscape as gulls filled the air with noise. Beyond environmental damage, nearby residents and workers faced higher rates of asthma and cancer. Opposition grew alongside the landfill, peaking in 1996 when the city council proposed its closure by 2002. Staten Island officials, led by Borough President Guy V. Molinari, pressured city and state leaders, successfully securing a law to end Fresh Kills’ 50-year operation. Image Sources (visit exhibition for captions) Slide 2–3: Photo Michael Falco Slide 3: ZUMA Press, Inc./Alamy Stock Photo Slide 3-6: Photo Michael Falco Slide 6-8: Arclight/Alamy Stock Photo The timeline was organized with students from Curating Design at the Intersection of Art, Ecology, and Technology, a course taught by co-curator Caroline Dionne @captain_c ), including: Vardan Babayan, Lauren Brown, Veronica Chen @vnronica , Jac Clayton @jacclaytonn , Lara Damabi, Bingxue (Yoyo) Dong, Kerry Fusco, Jeniffer Isakbaev @jenisak14 , Xin (Daisy) Li, Emeline Louis @louiline , Dina Pritmani @bands4dina , Catalina Vizcarrondo, El Weinstein, Chengyue (Sia) Zhao @sia_zhao , Danqi (Nini) Zhao #freshkilllspark #InPlainView #timeline #parsonsschoolofdesign #ArtExhibition #UrbanEcology #sanitation #trash #landfill
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1948–1951 “Robert Moses’s Plan for Fresh Kills” is the focus of the next section of the timeline. In 1948, New York City began using Fresh Kills as a temporary landfill to prepare the site for development. Parks Commissioner Robert Moses envisioned a mixed-use neighborhood with parks, public works, and private developments, including a large industrial zone. His plan, published in 1951, emphasized automobile transportation, with the West Shore Expressway running through the site. The landfill operation, initially intended to last only a few years, transformed Fresh Kills from pastures and waterways into a massive dumping ground. By 1955, it had become the world’s largest landfill, shaping Staten Island’s identity. Environmentalist Howard H. Cleaves documented this transformation, capturing images of the wetlands’ decline. His photograph of a young African American woman fishing highlights the last years of reliance on the area’s waters before industrialization erased its original purpose. Image Sources (visit exhibition for captions) Slide 2–3: Staten Island Historical Society Slide 4–5: The New York Historical Society Slide 6: Staten Island Museum Slide 7–8: ERSI/USGS Historical Topo Map Collection Slide 9: Staten Island Historical Society The timeline was organized with students from Curating Design at the Intersection of Art, Ecology, and Technology, a course taught by co-curator Caroline Dionne @captain_c ), including Vardan Babayan, Lauren Brown, Veronica Chen, Jac Clayton @jacclaytonn , Lara Damabi, Bingxue (Yoyo) Dong, Kerry Fusco, Jeniffer Isakbaev @jenisak14 , Xin (Daisy) Li, Emeline Louis @louiline , Dina Pritmani @bands4dina , Catalina Vizcarrondo, El Weinstein, Chengyue (Sia) Zhao @sia_zhao , Danqi (Nini) Zhao #freshkilllspark #InPlainView #timeline #parsonsschoolofdesign #ArtExhibition #UrbanEcology
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1890s–1920s The next section of “Freshkills Park In Plain View” timeline focuses on early environmental advocacy through art. Until the late 1880s, New York City dumped most of its waste into the Atlantic Ocean. In 1895, Commissioner George E. Waring Jr. introduced a waste management plan that ended ocean dumping and mandated recycling. Household waste was sorted into food scraps, rubbish, and ash—food waste was processed into grease and fertilizer, reusable materials were salvaged, and ash was landfilled. Fresh Kills, once a meadow and estuary, had already suffered pollution, and by 1916, the city had turned it into a waste dumping site. Public protests briefly shut it down in 1918, but city planners reopened it in the late 1940s due to its impermeable soil. Artists like William Allaire Shortt and Isaac Almstaedt depicted Fresh Kills’ natural beauty, with Shortt’s work reinforcing his status in New York’s elite and possibly supporting preservation efforts. Image Sources (visit exhibition for captions) Slide 2: Staten Island Museum Slide 3-5: Staten Island Historical Society The timeline was organized with students from Curating Design at the Intersection of Art, Ecology, and Technology, a course taught by co-curator Caroline Dionne @captain_c ), including: + Vardan Babayan, Lauren Brown, Veronica Chen, Jac Clayton @jacclaytonn , Lara Damabi, Bingxue (Yoyo) Dong, Kerry Fusco, Jeniffer Isakbaev @jenisak14 , Xin (Daisy) Li, Emeline Louis, Dina Pritmani @bands4dina , Catalina Vizcarrondo, El Weinstein, Chengyue (Sia) Zhao @sia_zhao , Danqi (Nini) Zhao #freshkilllspark #InPlainView #timeline #parsonsschoolofdesign #ArtExhibition #UrbanEcology
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Time Immemorial–1657 The “Freshkills Park In Plain View” timeline begins with a series of images and documents that focus on the land takeover and displacement of the Lenape people. The Lenni-Lenape, including the Tappan, Hackensack, and Raritan tribes, originally inhabited what is now Freshkills Park on Staten Island. Their homeland, Lenapehoking, stretched from Connecticut to Delaware, with New York City at its center. On June 10, 1657, Dutchman Henrick van der Capellen tho Rijssel acquired Staten Island through a transaction officiated by his attorney, Lubbertus van Dincklage. This dispossession exchanged land for goods like cloth, tools, and weapons, though the Dutch later failed to deliver on their promises, leading to a second deed in 1670. The Lenape remained on Staten Island into the 18th century but were forced westward after the Revolutionary War. By 1870, most had been displaced, though some, like Jenny Bob and Nellie Longhat, later prospered despite their forced removal. The Aronson Gallery at the Sheila C. Johnson Design Center is located within Lenapehoking, the ancestral homeland of the Leni-Lenape people. Image Sources (visit exhibition for full captions) Slide 2: Staten Island Museum Slide 3: Staten Island Museum Slides 4–5: New York State Archives Slide 6: Oklahoma Historical Society The timeline was organized with students from Curating Design at the Intersection of Art, Ecology, and Technology, a course taught by co-curator Caroline Dionne @captain_c ), including: + Vardan Babayan + Lauren Brown + Veronica Chen + Jac Clayton + Lara Damabi + Bingxue (Yoyo) Dong + Kerry Fusco + Jeniffer Isakbaev + Xin (Daisy) Li + Emeline Louis + Dina Pritmani + Catalina Vizcarrondo + El Weinstein + Chengyue (Sia) Zhao + Danqi (Nini) Zhao #freshkilllspark #InPlainView #timeline #parsonsschoolofdesign #ArtExhibition #UrbanEcology
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This week, we’ll be featuring details of an important part of the exhibition: “Freshkills Park In Plain View,” a timeline dating from 1657 to the present. The timeline includes a collection of documents and photographs that highlight key moments in the transformation of the land from salt marsh to landfill to today’s 2200-acres park. The timeline was organized with students from Curating Design at the Intersection of Art, Ecology, and Technology, a course taught by co-curator Caroline Dionne @captain_c ), including: + Vardan Babayan + Lauren Brown + Veronica Chen + Jac Clayton + Lara Damabi + Bingxue (Yoyo) Dong + Kerry Fusco + Jeniffer Isakbaev + Xin (Daisy) Li + Emeline Louis + Dina Pritmani + Catalina Vizcarrondo + El Weinstein + Chengyue (Sia) Zhao + Danqi (Nini) Zhao #freshkilllspark #InPlainView #photography #parsonsschoolofdesign #ArtExhibition #EcologyInArt #NYCEvents #ArtExhibition #UrbanEcology
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“In Plain View: Transforming Freshkills from Landfill to Landscape” is open on the weekends. Visit the Aronson Gallery, at Parsons School of Design (66 5th Ave, New York, NY), to see works by artists including: + Markley Boyer @markleyboyer + Nathalie Conn @natalieelizconn + Dufala Brothers @bdufala @stevendufala + sTo Len @stoishere + Jen Liu @jenliu3 + Mary Mattingly @marymattingly + Lize Mogel @walking_the_watershed + Nancy Nowacek @nancynowacek + John Roach @johnroachart + Antonio Serna @antonioserna.nyc + Andrew Shea @andrewshea + Audrey Snyder & Joe Riley @audrey_snyder & @pleasedontfront + Mare Liberum @thefreeseas Photographs by: + Jo Cavallo @jo_cavallo34 + Shannon Curley @shanimaloz + Michael Falco @falcoweddings + Michael McWeeney + Mona Miri @monamushi A history of the land on which Freshkills Park sits, organized by and students from Curating Design at the Intersection of Art, Ecology, and Technology (a course taught by co-curator Caroline Dionne @captain_c ), including: + Vardan Babayan + Lauren Brown + Veronica Chen + Jac Clayton + Lara Damabi + Bingxue (Yoyo) Dong + Kerry Fusco + Jeniffer Isakbaev + Xin (Daisy) Li + Emeline Louis + Dina Pritmani + Catalina Vizcarrondo + El Weinstein + Chengyue (Sia) Zhao + Danqi (Nini) Zhao #freshkilllspark #InPlainView #photography #parsonsschoolofdesign #ArtExhibition #DesignFutures #EcologyInArt #UrbanChange #NYCEvents #ArtExhibition #UrbanEcology
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Jen Liu’s video “Pink Slime Caesar Shift: Gold Loop” examines the disappearance of labor activists in China, the resulting possibilities of political resistance, and e-waste (old computers, cell phones, and other domestic electronics). Themes of mirroring, mutation, and disintegration run through the video, linking the “virtuous” recycling of electronics in the first world with the biopolitical destruction it causes in the third world. Firsthand accounts of female electronics workers in South China, live action videos and animations are cut together with corporate and industrial texts. The associative surrealism reflects the truth being silenced—the physical, legal, and biochemical realities of gold extraction from e-waste. The 4K video runs for 28 minutes. The exhibition is now open, at Parson School of Design’s Aronson Gallery, until March 2, 2025. #JenLiu #freshkilllspark #InPlainView #photography #parsonsschoolofdesign #ArtExhibition #DesignFutures #EcologyInArt #UrbanChange #NYCEvents #ArtExhibition #UrbanEcology
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1 year ago
Over the years, the layers of landfill at Freshkills reached an imposing altitude of 225 feet, drastically reshaping the landscape of a 2200-acre wide portion of Staten Island. During five decades of landfill operation, the composition of household trash evolved: from rusted metal and leather mixed with paper and ash in the 1950s, to plastic, glass, and small appliances in the 1970s and 1980s, to electronic components, non-recyclable packaging, plastic bags, and other non compostable good in the late 1990s. John Roach’s Study of a Landfill evokes the magnitude of Fresh Kills landfill operation and speaks to the human-made qualities of the park that hides—in plain view. Design and Fabrication: John Roach, Mitch Kelly. With contributions by Julia Daser, Isabelle Groenewegen, Litian Li, Pepi Ng, Andrew Shea, and Caroline Dionne. Join us tonight for a reception (5–8PM) at the Aronson Gallery. #JohnRoach #freshkilllspark #InPlainView #photography #parsonsschoolofdesign #ArtExhibition #DesignFutures #EcologyInArt #UrbanChange #NYCEvents #ArtExhibition #UrbanEcology
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1 year ago
Nancy Nowacek’s performance set at Freshkills Park channels the choreography of labor to represent the lifecycle of objects that lie hidden beneath the surface. She pays homage to the unseen efforts that contribute to the production, distribution, and movement of goods. Nowacek’s performance invites us to consider our own implication in the exploitation of labor and the environment. Here interactive video is accompanied by as series of illustrations. The exhibition is now open. Join us for a reception tomorrow (5–8PM) at the Aronson Gallery. #NancyNowacek #featuredartist #freshkilllspark #InPlainView #photography #parsonsschoolofdesign #ArtExhibition #DesignFutures #EcologyInArt #UrbanChange #NYCEvents #ArtExhibition #urbanecology
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