Brook Hsu

@broooooooooooooook

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Weeks posts
It’s been a little whirlwind the past few weeks. Thank you to everyone who came to see my new work in Berlin at K-T Z, to all the support from the gallery team, the Georg Kolbe Museum and my assistant Maggie Fitzpatrick. Also thank you to the generous support of the Boros Collection, Karen, Christian and Antone. I’m very honored to be showing in the new presentation and especially grateful to be next to my dear friend Ben Lallier. Seeing our works in conversation with one another brings me a lot of joy. Congratulations to Eiko Otake on her performance at Giorno Poetry Systems. This was a deeply inspiring experience for me. Thank you to everyone at Kiang Malingue and GPS for your support, Jo-ey, Eli, Nina, Jim, Anthony, Edouard and Lorraine. Thank you Nick Sethi for stepping onto the wild ride with us and documenting Eiko’s work. Congratulations Louis Eisner on your beautiful show at the journal. And thank you Leander for knowing to take me into the mountains before the whirlwind. Can’t forget to stay grounded❤️
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12 days ago
Brook Hsu is part of the new presentation at Boros Collection. Tickets are available on our website. @broooooooooooooook @kraupatuskanyzeidler @gladstone.gallery @kiangmalingue Photo: Vinnie Smith
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15 days ago
Upcoming at the gallery! BROOK HSU The Barcelona Pavilion Including work by Georg Kolbe Kraupa-Tuskany Zeidler, Berlin (DE) 30.04.2026–27.06.2026 (solo) Opening Reception: 01.05.2026, 6-9 pm for Gallery Weekend Berlin Extended opening hours: Saturday 02.05.2026, 11-7 pm Sunday 03.05.2026, 11-6 pm Kraupa-Tuskany Zeidler is pleased to announce BROOK HSU’s second solo exhibition with the gallery. The Barcelona Pavilion, designed by Ludwig Mies van der Rohe and Lilly Reich for the 1929 International Exposition, was a seminal example of modernist architecture, emphasizing open space, minimalism, and elemental materials. Though dismantled shortly after the exposition, it was later reconstructed in the 1980s. Starting in 2024, Hsu began producing drawings and paintings to mediate the paradoxical modus of the pavilion, which, unlike the eternal nature of architecture, existed only temporarily. For Gallery Weekend Berlin 2026, Hsu will present a new suite of paintings, drawings and photographs around the story of a building that was conceived to be destroyed and a woman living through the loss of a child. The exhibition will feature Georg Kolbe’s bronze, Nacht, 1930. Brook Hsu will be a part of the new presentation at Boros Collection, Berlin. Photo: Brook Hsu (studio view) #kraupatuskanyzeidler #brookhsu
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1 month ago
Saturday, April 18, 2026 and again on Monday, April 20, 2026 7pm (Doors at 6:30pm) 222 Bowery, NYC $15, link in bio Limited capacity “I find myself now in a desperate state of mind about what people value in art today, where certain rules and conventions, and ways of thinking contradict the way art actually feels and what it means to be human. More so, I find that art making, solitary as the artist may be, is exacerbated by a degree of alienation that is detrimental to the artist’s survival. Art is both a solitary act and a social activity, as the artist and the viewer make attempts at building new structures of understanding.” — Brook Hsu While meaning in art is shared, its making can get pretty lonely. Brook Hsu (@broooooooooooooook ) is an artist, a painter. Living between New York and Wyoming, she spends the majority of her working life in conversation with material: wood, canvas, paint, ink, shellac. Born out of a desire to expand her practice into the social, she recently curated an exhibition at Kiang Malingue called “From Being Jealous of a Dog’s Vein” in which she asked the artists involved to allow her to treat their artworks as dancers. During the final hours of that exhibition, Brook met Eiko Otake (@eiko_otake ) after inviting her in for a walkthrough. While Eiko has lived and worked in New York City for fifty years, she continues to find herself a stranger in new places. With her ongoing project “A Body in Places,” Eiko has performed in—and in relation to—81 sites thus far. At Brook’s invitation, she has spent extensive time in 222 Bowery creating a place-based score that she calls “A Stranger in the Bunker,” which brings the smell of her formative years in late 1960s Tokyo into dialogue with the literary lineage of the space. Eiko performs once on Saturday, takes Sunday to regret what she did, and performs for a second time on Monday. Please note that spots are limited and audience members are asked to stand throughout the performance. Seating is available by request. Images: Eiko Otake rehearsing in 222 Bowery by Nina Glover; Brook Hsu in her studio by Ian Lewandowski
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1 month ago
Eiko Otake: A Stranger in the Bunker Saturday, April 18 at 7PM Monday, April 20 at 7PM Giorno Poetry Systems (222 Bowery) $15, limited capacity “A Stranger in the Bunker” is a new episode in Eiko Otake’s ongoing, place-and-occasion-specific solo performance project, “A Body in Places”. Since 2014, Eiko has created differently scored performances and events in 83 wildly disparate locations around the world. Earlier this year, artist Brook Hsu invited Eiko to conceive a performance at Giorno Poetry Systems (GPS), at 222 Bowery New York City. While spending time in the space and learning about its history of those who gathered at GPS, Eiko finds herself even more of a stranger than she already has been in her living and working in New York City for fifty years. On the performance day, Eiko will arrive at GPS with the smell and chaos of late 1960s Tokyo in her body. Additional support by Kiang Malingue (Hong Kong / New York). Special thanks to Eli Coplan, Anthony Huberman, Jim Koenig, Jo-ey Tang, Takuma Narihira, and Jay Sanders. The process of making this work and performances have been assisted by Nina Glover. This project is curated by Brook Hsu. 📷: Photos by Nina Glover
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1 month ago
Odetta, Ida (Anne Wiazemsky, Pasolini, Pasolini, Pasolini, Pasolini, Pasolini, Pasolini, Pasolini)
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1 month ago
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1 month ago
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3 months ago
Last days to see the exhibition From Being Jealous of a Dog’s Vein at Kiang Malingue in New York will be Jan 6-17 Which takes into consideration the teachings of Hijikata Tatsumi, his writings and my personal desire to view artworks as dancers. Thank you to all of the incredible artists who put their trust in me. I feel it’s your artworks that make this show special. Every artwork speaks volumes difficult to measure. Throughout my time with everyone’s art, I found the more I spoke about their idiosyncrasies linking together, the quicker I lost my grip on language. Every connection had an equally strong repulsion. Every word quickly evaporated, but it felt right and beautiful. Here’s a poem dedicated to everyone who participated, all the people who helped put the show together, and who spent time with the artworks at the gallery in person... Hold Me in a Suspended Animation To know the feeling of touch the longing for in a depth to be held and to hold is more than any union between matter where always there’s an erosion and the seeping knowing seeps in @h0jia @pacecarforthehubrispill @violet_dennison @jangatewood @matthilvers @elizabethjaeger @broadcove @meiow_mix @beebieta @dinomatt @saramayakoxo @rose.salane @enzo.etc @homerhomerhomerhomer @bullet_train_us @tromarama @sumeitse @kickthemachine_official @masaomi_yasunaga @_rozario_ @thenotarypublic @jamesflames @lorrainekiangmalingue @edouard_malingue @kiangmalingue
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4 months ago
Two installs last week. And Maia’s beautiful book was released at Mast. Thank you Maia for inviting me to contribute to the book ❤️ If you’re in ny, go see the group show I had the pleasure of curating at Kiang Malingue. There’s 22 incredible artists on view in the form of a dance play. Can an artwork be a dancer? I think so! Thanks Jim for all the fun installing the show you’re the best. Also, Louis and I have reinstalled our Wyoming laundromat show Frogs at 55 Walker in Tribeca with Bortolami. Thank you Colin for the ingenuity recreating the folding table display. There’s some fun collaborative collages Louis and I made together. Hope you can go see!
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5 months ago
From Being Jealous of a Dog’s Vein opens this week in New York at Kiang Malingue. Please come celebrate all of the wonderful artists Thursday❤️ Matthew Barney, Violet Dennison, Jan Gatewood, Matt Hilvers, Cho Yong-Ik, Elizabeth Jaeger, Joan Jonas, Emma Kohlmann, Yasuo Kuroda, Kyung-Me, Phillip Lai, Dino Matt, Sara Mayako, Rose Salane, Enzo Shalom, Lyric Shen, Homer Shew, Z. Susskind, Tromarama, Su-Mei Tse, Apichatpong Weerasethakul, Masaomi Yasunaga, Rosario Zorraquín Graphic artwork by Emma Kohlmann @pacecarforthehubrispill @violet_dennison @jangatewood @matthilvers @elizabethjaeger @broadcove @meiow_mix @beebieta @dinomatt @saramayakoxo @rose.salane @enzo.etc @h0jia @homerhomerhomerhomer @bullet_train_us @tromarama @sumeitse @kickthemachine_official @masaomi_yasunaga @_rozario_ @kiangmalingue
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5 months ago
Some black and white 35mm I took of Frogs with Louis Eisner. Just a couple weeks left to see the show in Dubois, WY at the local laundromat and carwash. What a joy it’s been to do a show in a working laundromat. Thank you to Bortolami Gallery and their Artist/City project for making it happen and all the townsfolk and friends who leant a helping hand. @lou.eisner @bortolamigallery
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6 months ago