Every film starts here, on the page. This is the first page of Salvable.
Writers will know: the opening is everything. If the first page doesn’t hook, the rest won’t be read. If the first 10 don’t drive the story, they’ll never make it to page 90.
I obsess over this part, the sentence construction, the rhythm, the real estate on the page. I want the reader to be pulled along effortlessly. If I can say it in 4 sentences, I’ll find a way to say it in 3. If I can do it in 3, I’ll do it in 2 and so on.
When I started writing this, my only goal was to get the first draft down as quickly as possible, 7 weeks of throwing everything at the page. That’s where the real work began. What followed was 12 months of daily writing. And when I say daily, I mean every day. Writing, for me, isn’t something I can drop for months and pick back up. It has to be little and often. Sometimes it’s only 30 minutes, sometimes even less. Rereading, tweaking, adding one good line. Showing up day after day is what slowly shapes the script.
About 6 months in, I started to feel like there was something worth fighting for. I worked with two incredible script editors
@samantha.brainx @scriptfella who gave me the best gift you can get as a writer: brutal notes. Painful, but they forced me to break it apart, dig deeper, and rebuild stronger. 12 months later, I had a draft I finally felt proud of. I uploaded it to
@theblcklst where it scored an 8/10, and at the time, that felt monumental. Bigger than getting the film made. It validated a year of showing up with no guarantee of anything in return.
Swipe for the feedback that carried me through.
For anyone writing: it’s not about a perfect first draft. It’s about turning up, over and over, until it becomes something real.
What’s your process? Let’s talk writing.
#salvable #sceenwriter #theblacklist