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Artists & Mothers has launched a limited edition scarf with the artist Ketuta Alexi-Meskhishvili. 100% of the proceeds of sales will go to Artists & Mothers, a nonprofit organization that provides $25,000 grants to artists for childcare.  Alexi-Meskhishvili is a Georgian-American artist who lives and works in Berlin with her husband and two children. Using both analog and digital photographic techniques, her work explores themes of memory, perception, and identity. She often applies her imagery to translucent curtains, which act as soft veils within space, obscuring and distorting their surroundings. For her collaboration with Artists & Mothers, Alexi-Meskhishvili took “Napkin”, a work exhibited in her recent institutional show, “there,but not” at Kunstverein Braunschweig, 2025, and translated it to a limited edition scarf. Ketuta Alexi-Meskhishvili is represented by LC Queisser, Tbilisi and Cologne, Galerie Molitor, Berlin and frank elbaz, paris. Her solo exhibition, Georgia, opens at @galeriemolitor on May 2nd Our sincere thanks to Ketuta Alexi-Meskhishvili and Rachel Comey for making this project possible✨❤️ Additional thanks to artcccorp and Galerie Molitor for their support. ✨Join us on May 8th from 4–7pm at the Rachel Comey Crosby Street store (95 Crosby St, New York, NY 10012) to celebrate the launch. The scarf will be available for purchase in-store and via the link in our bio ❤️‍🔥 Images: 1.Ketuta Alexi-Meskhishvili portrait  by Alex de Brabant. 2-4.Ketuta Alexi-Meskhishvili “Napkin”. Special Edition Scarf, 2026. 5-7. Ketuta Alexi-Meskhishvili, there, but not, Kunstverein Braunschweig, 2025, Installation. #artistsandmothers #RachelComey #KetutaAlexi-Meskhishvili

A peek behind the scenes into the making of IN THE VEINS. The film was shot over the course of five years as our team documented wildlife rehabilitation facilities, a cryogenics lab, New York City’s Times Square at the strike of midnight (several years in a row) — all while filming the daily routines of raising young children — drawing a connection between ecological efforts, climate unraveling, and the labor of care and parenting. Working on the film was an opportunity to meet and form relationships with some incredible wildlife conservation organizations. If you can support, please do it today! Art Into Acres @artintoacres Re:Wild @rewild FUNDAECO, Guatemala (Foundation for Economic Development and Conservation) @fundaeco Toucan Rescue Ranch, Costa Rica @toucanrescueranch Wild at Heart, Arizona @wildatheartraptors Southwest Wildlife, Arizona @southwestwildlife The film is currently on view in “New Humans: Memories of the Future” at the New Museum, and will be on view at LUMA Arles in May and Copenhagen Contemporary in June through the end of 2026. Thank you to my incredible team of collaborators for bringing this film to life! Produced by Moving Scope, Henrot Studio and art[cc|corp Co-Produced by Luma Foundation With support from Robert Rosenkranz And the participation of Melony and Adam Lewis, A&L Berg Foundation, Dawn and David Lenhardt Producers: @artcccorp @carolcohenny @cohenflorence @malilimapotofou Production Assistants: @morganconnellee @_terrypark Directors of Photography: @sperlingsilver @benscofield_ Additional shots by @d4ndr01d @derekyarra @chrishderoo @julienborne @katharinadiessner Line Producer (France): @kitsuney Image Editor: @yann_chapotel Editing Assistant and Conformation: Charles Tristam Editing Assistant: @celclarke Laure Perroud Original Score by: @mauro_hertig Cello: @johnpatrickpopham Violin: @palagarcia Sound Editor: Grégoire Chovaut Sound Mixer: @h1ggg1ns VFX: @yanito__ Colorist: @elieakoka Sound Assistant (Arizona): @jeremy_neal_photography Henrot Studio Director: @leatrudel_ Henrot Studio Production Manager: @annacano84

Rolling up to the Vanity Fair Oscars’ afterparty with our little golden men and our amazing team! 🏆❤️ @vanityfair Thank you David Yurman for the beautiful jewels 💎 @davidyurman #oscars #oscarwinner

🏆🏆 The most surreal night of our lives!! We won an Oscar!!! Thank you to our team and supporters and the academy for this incredible recognition. We’ll cherish it for the rest of our lives. @theacademy Thank you to David Yurman for the beautiful starburst jewelry @davidyurman & @tabvintage for the gorgeous Chanel dress. And thank you to Zar Amir, the heart of our film, who couldn’t be with us because she just gave birth to a baby girl, Nila Jane. Big big kiss to one of our favorite people @zaramirebrahimi ❤️💋❤️ TWO PEOPLE EXCHANGING SALIVA is available worldwide on The New Yorker @newyorkermag and on Canal+ in France and French speaking territories. #oscars #oscars2026 #oscarwinner

My new film, In the Veins (2026), is premiering this week in “New Humans: Memories of the Future” at the New Museum, after 5 years in the making. In The Veins is about the emotional impact of the mass extinction of animals, told from the perspective of childhood. I was drawn to the cognitive dissonance between the emphasis on animals in all aspects of children’s lives, which completely disappears for most adults. It’s not a feel-good movie but there’s an important purpose in representing climate grief on screen. I think these are the emotions that we all experience individually, but haven’t yet digested collectively. In order to be acted upon, these events have to be represented in culture, and this is our role as artists. The film is also a meditation on two different concepts of time and the political implications they carry: linear time, the straight arrow into the future, enamoured with creation once-and-for-all; versus cyclical time, which connects death to birth, an end to a new beginning, and teaches us that there is only life if we tend to it. Thank you to the Supporters, Producers, Cast and Crew: Produced by Moving Scope, Henrot Studio and art[cc]corp Co-Produced by Luma Foundation With support from Robert Rosenkranz And the participation of Melony and Adam Lewis, A&L Berg Foundation, Dawn and David Lenhardt Producers: Carol Cohen, Florence Cohen, Mathilde Henrot Production Assistants: Morgan Connellee, Terry Park Directors of Photography: Jesse Sperling, Ben Scofield Additional shots by Dan Finlayson, Derek Yarra, Christophe Deroo, Julien Borne, Katharina Diessner Line Producer (France): Katya Mokolo Image Editor: Yann Chapotel Editing Assistant and Conformation: Charles Tristam Editing Assistant: Celine Clarke, Laure Perroud Original Score by: Mauro Hertig Cello: John Popham Violin: Pala Garcia Sound Editor: Grégoire Chovaut Sound Mixer: Patrick Higgins VFX: Yann Masson Colorist: Elie Akoka Sound Assistant (Arizona): Jeremy Neal Henrot Studio Director: Léa Trudel Henrot Studio Production Manager: Anna Cano Girones Thank you to Massimiliano Gioni for including me in “New Humans: Memories of the Future” which opens to the public on March 21.

Alexandre Singh and @nmusteata appreciation post: three years ago (almost to the day) I ran into Natalie in our neighborhood and she told me about a movie idea she and Alexandre had where people would pay for things by getting slapped in the face. She said they’d been approached by a French production company, the inimitable @misiafilms and that the film would be shot at @galerieslafayette We’d been talking about their film ideas for a couple of years and this one sounded crazier than the others so I blurted out “surely you’ll need the help of a US-based producer too”. They did and welcomed me into the @two_people_exchanging_saliva journey. In the process, I met @helencve who saw the potential of this film and @paulmoakley sealed the deal with @newyorkermag It has been an absolute honor to work alongside so many talented people, including but not limited to: @zaramirebrahimi @luana.bajrami @vickykrieps @rezvanfarsijani @hannnnnarr @bobak____ @taylor.rowley An Oscar is a dream, but the reality of working on this project has been pure magic. Thank you for having me.

🏆 The Oscar’s Luncheon 2026: the most surreal day of our lives! 🏆 A truly beautiful, touching, emotional day. We’re so grateful for everyone that helped us get to this insane place. Thank you thank you thank you 🙏🏻! Also thank you for the beautiful jewelry @jacquelinerabun ; dress from @rachelcomey ; hair & makeup @cathisingh #fyc #foryourconsideration #bestliveactionshortfilm #oscarnominee

We are deeply honored that the Academy has recognized @nmusteata and Alexandre Singh's, black-and-white, French-language film, TWO PEOPLE EXCHANGING SALIVA. Made as an international collaboration shaped by the experience of exile, the film follows Malaise and Angine, two women whose tenderness toward one another shows how an act of love—even a single kiss—can become an act of resistance. FOR YOUR CONSIDERATION: BEST LIVE ACTION SHORT #fyc #foryourconsideration #bestliveactionshortfilm

So honored to be a part of this group! Thank you for bringing us together @paulmoakley @newyorkermag 💙💙💙@two_people_exchanging_saliva @nmusteata @artcccorp @misiafilms 💙💙💙 @laketrinityfilm @charcoolerie @rovinaschoice @retirementplan_film @cashingoutdoc #theextremist

We’re really excited to share PART 1 of « A Look Behind the Scenes » of our FOR YOUR CONSIDERATION live action short TWO PEOPLE EXCHANGING SALIVA. 🎬🍿 Thank you to our dear friend Rob Meyer for helping us make this little doc, which you can watch in full on our website: twopeopleexchangingsaliva.com FYC: BEST LIVE ACTION SHORT Watch on THE NEW YORKER #fyc #foryourconsideration #bestliveactionshortfilm #oscarshortlist #cesarshortlisted

We’re thrilled to share that TWO PEOPLE EXCHANGING SALIVA is now officially online — and you can watch it for free on The New Yorker. As both New Yorkers and longtime readers of The New Yorker, it’s such a dream to partner with them to release the film. We’ve been waiting for this moment for so long, and truly cannot wait for people worldwide to finally see our film. Having it released alongside such a thoughtful piece means the world to us. Thank you Paul Moakley, Kate Emerson, and Doreen St. Félix for all your incredible work! If you’ve been curious about this strange, tender little world we built… it’s now available! Enjoy ✨ FOR YOUR CONSIDERATION | BEST LIVE ACTION SHORT FILM @newyorkermag @paulmoakley @doreenstfelix @two_people_exchanging_saliva @nmusteata @misiafilms @alambicproduction @galeriedesgaleries @artcccorp @zaramirebrahimi @luana.bajrami @aurelieboquien.comedienne @vickykrieps @alex_sblanquat @annanabr @rezvanfarsijani @hannnnnarr @bobak____ @taylor.rowley @lesprogrammescourts @joshuajasonpublicrelations @nhtanesa @sebastiencauchon @academiedescesar @manifest_pictures

#artcccorpproductions @ariellebobbwillis editorial for @szmagazin Thank you @birthesteinbeck @ralf__zimmermann @ariellebobbwillis @samira_fricke @dennyfarrellriverbankstateparkfor having us on this incredibly fun journey! Photography: @ariellebobbwillis Styling: @samira_fricke Art-Direction: @birthesteinbeck Model: Mammina Aker @apmmodels @mckellyayor Casting: @julialangecasting Styling-Assistant: @sophiebohmeier Hair: Sadé-Amour Mirabal Make-Up: @laramiemakeup @dayone__studio Photography assistant: Dominic Noboa Photo editor: @ralf__zimmermann Production: @artcccorp Production assistants: @morganconnellee @samanthashappiness