Andréhn-Schiptjenko

OPENING IN STOCKHOLM: SIGHTSEEING Thursday, 21 May, 17:00 - 20:00 The group exhibition SIGHTSEEING invites visitors into a space outside the mainstream, where Martin Jacobson brings together six artists whose work explores the realms of mysticism and mythology. The participating artists are Aleksandra Waliszewska, David Tibet, Richard Cartwright, Olle Wärnbäck, Niklas Nenzén and Hugo Lindblad. A common thread running through the exhibition is that the works on display still seem to hold an enigma. They do not provide any clear answers or offer a definitive solution. They reflect psychological states, visions, dreams, mirror worlds and hallucinations. What may appear to be a seemingly introspective and detached view of the world is, in fact, an invitation to contemplate existence on a deeper level and open oneself up to alternative dimensions. For more information about the exhibition and the participating artists, please visit our website via the link in our profile. @aleksandrawaliszewska #aleksandrawaliszewska @rsgcartwright @davidtibet_current93 #davidtibet @olle_warnback #niklasnenzén #hugolindblad #andrehnschiptjenko

RIDLEY HOWARD “Sea, Pop & Sun” at Fondation Carmignac, Ile de Porquerolles, France. On view until 1 November 2026 The Fondation Carmignac presents Sea, Pop & Sun, a radiant ode to the freedom and vitality of the 1960s and 1970s, evoking the spirit of Pop Art. At Villa Carmignac, nestled between pine trees and the sea, a sunny, sensual, and dreamlike Pop Art unfolds — one whose electric energy continues to resonate to this day. Ridley Howard experiments with how the elemental forces of painting, colour, shape and design coalesce into something with emotional resonance. His paintings display a cool yet personal relationship to both subject matter and image where simple depictions of people, architectural spaces and landscapes are infused with a specific painterly sensibility. The works incorporate the vernacular of vastly different genres of painting, among them high renaissance, pop art and abstraction. Subtle and deceptively straightforward, the paintings invoke a sense of monumentality while retaining a lingering intimacy and stillness. Work: Kiss at Window 2, 2020, Oil on linen, 101.6 x 127 cm. Exhibition “Sea, Pop & Sun” organised by @fondationcarmignac Villa Carmignac, Porquerolles Island, France Until November 1st, 2026 Curated by : Dieter Buchhart et Anna Karina Hofbauer #SeaPopSun #VillaCarmignac #FondationCarmignac #ridleyhoward #andrehnschiptjenko

FINAL WEEK: Dev Dhunsi, Unmistakably You On view in Stockholm until Saturday, 16 May, 2026 Andréhn-Schiptjenko is pleased to present Dev Dhunsi’s first solo exhibition with the gallery, Unmistakably You. The gallery exhibition is an extension of Dhunsi’s recently presented solo exhibition at Nitja Centre for Contemporary Art in Lillestrøm, Norway. As a foundation for the exhibition lays his recently published photobook Mixed (2026), published by SPBH Editions / Mack Books. The project was awarded the 2024 Nordic Photobook Award, and British Journal of Photography (@bjp1854 ) has selected his work for the 2026 Ones to Watch, their annual selection of emerging photographers. Exploring the intersection of language and identity, Dhunsi’s exhibition stems from the question: what happens when language fails to name lived experience? Starting from a reflection on the absence of a word in Norwegian to describe “mixed” without reproducing ideas of race, Dhunsi here approaches identity as a shifting, porous process, in contrast to the idea of a fixed category. Fluidity holds in different aspects a crucial part in Dhunsi’s work - both in his visual language, the materials used and the subjects his lens-based practice depicts. Blurred, colour-inverted or partially concealed the subjects in his photographs are never fully revealed to the viewer, instead they enter a place where metaphor, symbols and mythology intertwines. Dev Dhunsi (b. 1996) is a Norwegian–Indian artist living and working between Oslo and Punjab. He holds an MFA from the Royal Institute of Art in Stockholm (2024) and a BFA from the Oslo National Academy of the Arts. Recent solo exhibitions include Unmistakably You at Nitja Centre for Contemporary Art, Lillestrøm (2026), presented in conjunction with the release of his publication Mixed (SPBH Editions / Mack Books); as well as Encircling Stories at the Centre for Photography, Stockholm (2024), following its initial presentation at MELK, Oslo. His work has also been shown at the Museum of Contemporary Art, Zagreb during Organ Vida 13th Festival and FUTURES Photography. @devdhunsi #devdhunsi #andrehnschiptjenko Photo: Sissela Jensen

This season, Source Édition welcomes Andréhn-Schiptjenko gallery into its showroom for a curated collaboration that creates a dialogue between contemporary art and design. A publishing house dedicated to reissuing iconic pieces from the 1950s to the 1970s, Source Édition conceives its showroom as a living space where forms, craftsmanship, and creations that are both contemporary and timeless come together. Andréhn-Schiptjenko is an international contemporary art gallery known for its strong and diverse artistic program, bringing together artists whose practices explore image, material, memory, and visual culture. Displayed within Source Édition’s universe, works by Linder and Theresa Traore Dahlberg open a conversation between photography, collage, memory, and material, creating new resonances with the collections. On view until the end of July at Source Édition 23 Rue d’Aboukir, 75002 Paris Monday to Friday, 10AM to 6PM @source_edition @andrehnschiptjenko @lindersterling @theresatraoredahlberg #SourceEdition #AndrehnSchiptjenko #Linder #TheresaTraoreDahlberg

STOCKHOLM: Dev Dhunsi, Unmistakably You On view until 16 May, 2026 ”Photography seduced me through its authority. It presents itself as evidence—something that has been there, something you can trust. But very early on, I became interested in the instability beneath that surface. Photography always arrives too late. It captures something that has already shifted, already disappeared. That delay opens a space where fiction—both fortunately and unfortunately—can enter. A kind of magic, or something ghostly. So, while I began with photography as a way of holding onto something, I stayed because it allowed me to question what is being held, and for whom. Over time, the image stopped being an endpoint and became a starting point—something I could extend into textiles, sound, and spatial constructions.” - Dev Dhunsi, interviewed in Daily Lazy (@daily_lazy ) by Koshik Zaman (@koshikzaman ) Dev Dhunsi (b. 1996) is a Norwegian–Indian artist living and working between Oslo and Punjab. He holds an MFA from the Royal Institute of Art in Stockholm (2024) and a BFA from the Oslo National Academy of the Arts. Recent solo exhibitions include Unmistakably You at Nitja Centre for Contemporary Art, Lillestrøm (2026), presented in conjunction with the release of his publication Mixed (SPBH Editions / Mack Books); as well as Encircling Stories at the Centre for Photography, Stockholm (2024), following its initial presentation at MELK, Oslo. His work has also been shown at the Museum of Contemporary Art, Zagreb during Organ Vida 13th Festival and FUTURES Photography. Dhunsi is a recipient of the Nordic Photobook Award 2024 and was selected for the FUTURES Photography platform in 2023. For more information about the exhibition, please visit our website via the link in our profile. Artwork images: 1) [Kitsune] Series, 2026 2) [Liberty Spikes], 2026 3) [Sangam, Mixed Ply] Series, 2026 4) [Sangam] Series I, 2026 5) [Sangam] Series II, 2026 6) [The Act of Making Things Visible] Series I, 2026 7) [The Act of Making Things Visible] Series V, 2026 8) [The Act of Making Things Visible] Series VI, 2026 @devdhunsi #devdhunsi #andrehnschiptjenko

STOCKHOLM ART WEEK: events on Saturday, April 25, at Andréhn-Schiptjenko, Stockholm 10:00 - 12:00 Gallery Breakfast Tour Take a breakfast tour in the neighbourhood when the galleries at Östermalm open their doors two hours earlier on Saturday morning. Currently on view at Andréhn-Schiptjenko is Dev Dhunsi’s first solo exhibition with the gallery, Unmistakably You. To see the list of the other participating galleries in the neighbourhood, please view the calendar at Stockholm Art Week’s website. @stockholmartweek 15:00-16:00 The 90’s - A Conversation Andréhn-Schiptjenko, Linnégatan 31, Stockholm We look forward to inviting you to The 90’s - A Conversation. The talk is a continuation of a series initiated by Antics, who together with SAK hosted a much appreciated talk about the Stockholm art scene during the 1980’s at the beginning of the year. The time has now come to carry the conversation into the 1990’s! The discussion will be moderated by Hanna Johansson, author and art critic, with a panel consisting of the artist Matts Leiderstam, the art critic and professor at Södertörns Högskola Håkan Nilsson and the gallerist Marina Schiptjenko. Please note that the conversation will be held in Swedish. No RSVP is required, limited seating. #stockholmartweek #andrehnschiptjenko

ANDRÉHN-SCHIPTJENKO AT ART BRUSSELS 23 - 26 April, 2026 Brussels Expo, booth 5C-18 Andréhn-Schiptjenko is delighted to return to Art Brussels with a selection of works by Martin Jacobson, Sabine Mirlesse, Sixten Sandra Österberg and Sally von Rosen. Bringing together four distinct artistic voices working across painting and sculpture, the presentation highlights practices that explore perception, the body, and the psychological and material forces that shape our experience of the world. For more information on Art Brussels, please visit @artbrussels @jacobsonmartin @sabine_mirlesse @sixtensandra @sallyvonrosen Photo: Gabriele Abbruzzese #artbrussels #artbrussel2026 #andrehnschiptjenko

@thecolab.art is delighted to announce iconic feminist artist Linder’s first three-dimensional outdoor architectural intervention, SHE IS HERE, an expansive photomontage wrapping the Artist’s Hut at the Artist’s Garden. Layering the stories of the site which lies partially over the gardens of Arundel House and taking as its protagonist Aletheia Talbot, Countess of Arundel (1587-1654), collector, scientist and performer in the Masque of Queens, SHE IS HERE makes stridently visible the presence and importance of women across time. 🗓️ SHE IS HERE opens 16 May, 4–8 pm 🔗 Please book your free tickets to the public opening via the link in bio 📍 The Artists’ Garden, above Temple Tube Station, London Linder’s SHE IS HERE is part of Sculpture in Three Acts, on display from 17 May 2026 to mid-May 2027 at The Artists’ Garden. The Artist’s Garden is in partnership with and supported by Westminster City Council with philanthropic support from @wisnianina and Samuel Wisnia and donors who wish to remain anonymous, with the kind permission of TfL/LUL. Linder’s commission is supported by @wspukandi and Beth and Michele Colocci with thanks to @oktocolour @lindersterling @stuartshavemodernart @andrehnschiptjenko #womenartists #publicart #contemporaryart #womensupportingwomen #feministart

STOCKHOLM ART WEEK: The 90’s - A Conversation Saturday 25 April, 15:00 - 16:00 Andréhn-Schiptjenko, Linnégatan 31, Stockholm During Stockholm Art Week, we look forward to inviting you to The 90’s - A Conversation. The talk is a continuation of a series initiated by Antics, who together with SAK hosted a much appreciated talk about the Stockholm art scene during the 1980’s at the beginning of the year. The time has now come to carry the conversation into the 1990’s! The discussion will be moderated by Hanna Johansson, author and art critic, with a panel consisting of the artist Matts Leiderstam, the art critic and professor at Södertörns Högskola Håkan Nilsson and the gallerist Marina Schiptjenko. Please note that the conversation will be held in Swedish. No RSVP is required, limited seating. Image: a review in Aftonbladet from 31 May 1994 of the group exhibition Five British Artists at Andréhn-Schiptjenko. The exhibition presented works by Mark Wallinger, Simon Patterson, Julie Roberts and Jake & Dinos Chapman. #stockholmartweek #andrehnschiptjenko @anticsgallery @stockholmartweek

ON VIEW IN STOCKHOLM: Dev Dhunsi, Unmistakably You Until 16 May, 2026 Andréhn-Schiptjenko is pleased to present Dev Dhunsi’s first solo exhibition with the gallery, Unmistakably You. The gallery exhibition is an extension of Dhunsi’s concurrently presented solo exhibition, bearing the same title, at Nitja Centre for Contemporary Art in Lillestrøm, Norway. As a foundation for the exhibition lays his recently published photobook Mixed (2026), published by SPBH Editions / Mack Books. The project was awarded the 2024 Nordic Photobook Award. Exploring the intersection of language and identity, Dhunsi’s exhibition stems from the question: what happens when language fails to name lived experience? Starting from a reflection on the absence of a word in Norwegian to describe “mixed” without reproducing ideas of race, Dhunsi here approaches identity as a shifting, porous process, in contrast to the idea of a fixed category. Fluidity holds in different aspects a crucial part in Dhunsi’s work - both in his visual language, the materials used and the subjects his lens-based practice depicts. Blurred, colour-inverted or partially concealed the subjects in his photographs are never fully revealed to the viewer, instead they enter a place where metaphor, symbols and mythology intertwines. Dev Dhunsi (b. 1996) is a Norwegian–Indian artist living and working between Oslo and Punjab. He holds an MFA from the Royal Institute of Art in Stockholm (2024) and a BFA from the Oslo National Academy of the Arts. Recent solo exhibitions include Unmistakably You at Nitja Centre for Contemporary Art, Lillestrøm (2026), presented in conjunction with the release of his publication Mixed (SPBH Editions / Mack Books); as well as Encircling Stories at the Centre for Photography, Stockholm (2024), following its initial presentation at MELK, Oslo. His work has also been shown at the Museum of Contemporary Art, Zagreb during Organ Vida 13th Festival and FUTURES Photography. For more information about the current exhibition at Nitja Center for Contemporary Art, please visit @nitja_senter_for_samtidskunst . @devdhunsi #devdhunsi #andrehnschiptjenko Photo: Sissela Jensen

NOW REPRESENTING: AILBHE NÍ BHRIAIN Andréhn-Schiptjenko is proud to announce representation of Ailbhe Ní Bhriain, following her solo exhibition with the gallery earlier this year. Ailbhe Ní Bhriain’s practice is concerned with how histories are constructed, mediated and transmitted through images, objects and institutions. Working across film, photomontage, CGI, tapestry and installation, she creates layered visual environments that draw on archival material, historical photography, museum displays and sites of architectural or environmental ruin. Ní Bhriain’s work is marked by an associative use of narrative and a meticulously crafted visual language that verges on the surreal. She sidesteps directive positions and familiar binaries, exposing instead the layers of ambiguity and contradiction embedded in fraught issues. Ailbhe Ní Bhriain, (b. 1978, Clare, Ireland) received a BA from the Crawford College of Art, Cork, an MA from the Royal College of Art, London and a PhD from Kingston University, UK. Her work has been exhibited widely at venues including Broad Art Museum, (Michigan), the 16th Lyon Biennale (France), Gagosian–Deitch Projects (Miami), Irish Museum of Moden Art (Dublin), Whitechapel Gallery (London), Centre for Contemporary Art (Glasgow), Hammer Museum (Los Angeles), and Museo Reina Sofía (Madrid). She lives and works in Cork, Ireland and is also represented by @kerlingallery in Dublin. IMAGES: Portrait of Ailbhe Ní Bhriain © Hugh Lane Gallery Familiar Sun (I), (Detail), 2026 Jacquard tapestry, wool, cotton, silk, Lurex 200 x 136.4 cm © Alexandra de Cossette Untitled (mountain iv), 2026 Diptych, pigment print, brass, walnut frame 151.5 x 96.8 x 4.4 cm © Ailbhe Ní Bhriain Untitled (seal #3), 2024 found photograph, acrylic, walnut frame 56 x 47 x 4 cm @ailbhenibhriain @kerlingallery © Alexandra de Cossette | @ Ailbhe Ní Bhriain

On view in Paris: Matts Leiderstam - The Grid and the Gaze Until 23 May 2026 The exhibition presents a new chapter in Leiderstam’s continuous research into art history and the grid — two frameworks that have persistently shaped his practice. Rather than treating art history as a fixed canon, he approaches it as a dynamic field of negotiation, where omissions, marginal positions, and coded — often queer — narratives can be made visible. Since the late 1980s, Leiderstam has returned repeatedly to historical paintings, museum collections, and archival materials, subtly shifting perspective to reveal hidden structures of power, desire, and authorship. Through paraphrase, repetition, and displacement, he exposes and challenges the patriarchal and normative frameworks that have long structured Western art history. Works: Matts Leiderstam Sun/Moon 1, 2026 Oil and acrylic on poplar panel Diameter: 40 cm Matts Leiderstam Sun/Moon 4, 2026 Oil and acrylic on poplar panel Diameter: 30 cm Matts Leiderstam Sun/Moon 5, 2026 Oil and acrylic on poplar panel Diameter: 20 cm Matts Leiderstam Sun/Moon 8, 2026 Oil and acrylic on poplar panel Diameter: 10 cm © Alexandra de Cossette @mattsleiderstam #mattsleiderstam #andrehnschiptjenko #andrehnschiptjenkoparis